‘Melancholia’ Review: A Remarkable Showcase for Kirsten Dunst
by Lauren VenezianiWe all know Kirsten Dunst as the former “it girl” in movies like “Bring It On,” the “Spider-Man” trilogy, and my personal favorite “The Virgin Suicides.”
The actress disappeared from the big screen for a while before starring opposite Ryan Gosling in the droll thriller “All Good Things” earlier this year. Although the film wasn’t received well by the critics, we definitely saw potential in the former child actress for a future as an Oscar-winning star.
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Dunst submerges into the acting world again in Lars von Trier’s heavy sci-fi drama “Melancholia.” The film opens with an artistically beautiful summary of events of what is to come for the characters and planet Earth itself.
The film’s focus is Justine (Dunst), a woman suffering from a severe case of anxiety and depression that ultimately affects her wedding day, personal well-being, and the people around her. Her sister Claire (Charlotte Gainsbourg) and brother-in-law John (Kiefer Sutherland) planned and paid for her lavish wedding to husband Michael (‘True Blood’s” Alexander Skarsgard) hoping that the union would make her happy.







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