Posts Tagged ‘Larry The Cable Guy’

AWR Hawkins

Rob Riggle: An Actor Who Loves His Country and His Fellow Marines

by AWR Hawkins

At times, it seems Hollywood is but a caricature of all things Left: an image created by the most flagrantly non-patriotic and anti-military celebrities imaginable. It seems the mainstream media flocks to stars that fit such criteria, and those stars, in turn, are given an open microphone with which to spew their opinions on the supposedly naïve and uneducated masses in this country (i.e., you and me and the salt-of-the-earth folks who live their lives in flyover country).

Occasionally, however, Hollywood gives us something else: something so far out of the norm for the Left coast, so utterly pro-American and purely patriotic, that we have to pause and take note. We saw this with comedian Vince Vaughn, who launched Chicago’s 52nd annual Air and Water Show by parachuting out of an airplane over the city with one of the Army’s elite parachute teams.  We saw this with Sylvester Stallone, who refused to apologize for his pro-American film “The Expendables,” and who told his antagonizers that “America apologizes too much,” just for good measure.

And to give credit where credit is due, we’ve also seen this kind of grit from Robert Duvall, Larry the Cable Guy, and Nick DiPaolo, among others.

Now we’re seeing it with comedian Rob Riggle (from the movie “The Hangover”). What few know is that Riggle is not only an accomplished actor but also a Marine Corps Reservist who holds the rank of Lt. Colonel. And he recently told Marines Magazine that one of his proudest accomplishments is of “serving his country” as a Marine. (more…)

John P. Hanlon

‘Cars 2′ Review: Flawed but Still (barely) Worthwhile

by John P. Hanlon

It’s difficult to dislike a Pixar movie because the studio is well-known for telling great stories with wonderful animation. After all, this is the studio that released the “Toy Story” trilogy and the heart-warming “Up.” “Cars 2,” the newest Pixar film to hit theaters, continues the studio’s tradition of great animation but its story falls short and fails to capture the wonderment of some of the studio’s earlier films.


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The flaws in “Cars 2” are especially evident because the feature-length story is preceded by a short “Toy Story” film.  The short film displays the creativity and imagination that is sorely lacking in “Cars 2.” Despite the fact that the “Toy Story” crew has already been featured in three films, the new story about Ken and Barbie missing out on a Hawaiian vacation is inventive and extremely funny. The feature film that follows can’t hold a candle to it.

In “Cars 2,“ Lightning McQueen (Owen Wilson) is challenged by European opponent Francesco Bernoulli (John Turturro) to compete in the World Grand Prix, an international racing competition. After prodding from girlfriend Sally (Bonnie Hunt), McQueen decides to bring his friend Mater (Larry the Cable Guy) along with him. Mater, who acts like he’s never been on a vacation before, quickly begins embarrassing his friend overseas. Mater also becomes mixed up in a spy plot that involves two secret agents, voiced by Emily Mortimer and Michael Caine respectively.

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AWR Hawkins

‘Only In America’ Review: Larry the Cable Guy Emerges as Genuine Patriot

by AWR Hawkins

Because we see so many left leaning, despisers of America in Hollywood and other celebrity hot-spots, it’s refreshing to come across a celebrity who loves this country the way most Americans do. Someone who actually gets a bit emotional when he talks about our armed forces and the price they pay to keep us free. Someone who spends his time far away from the esoteric glitz and glamour so many successful celebrities crave, choosing instead to rub elbows with the salt-of-the-earth folks who make this country work.

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I’m talking about Larry the Cable Guy, and particularly the way he uses his newest show, “Only in America,” to highlight how the ingenuity and courage of everyday Americans has been (and remains) the backbone of this nation.

To put it plainly, Larry the Cable Guy is gitting-r-done when it comes to highlighting the greatness of the United States of America. And he’s doing it in truck stops, small towns, mom and pop diners, and by storming beaches with our Marines at Camp Pendleton.  (As I alluded to in my first paragraph, it’s safe to say Larry isn’t running into Susan Sarandon or Oliver Stone at any of these stops.)

“Only in America” is 100% pro-America. In each episode Larry the Cable Guy shows up next to someone who’s been doing something great but gone unnoticed for it. He then makes sure they get noticed and along the way reminds Americans of how fortunate we are to be here, even now.

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Jeffrey Jena

‘Newsweek’s’ Snobbish Stand-Up Slam

by Jeffrey Jena

Stand-up comedy is the least respected of all the performing arts. As if being a stand-up comic weren’t hard enough; the years of being judged by every person who owns a liquor license and a microphone, driving six hours to a non-existent gig, begging moronic agents and managers who are looking for a “new, original and exciting” talent to come out to see your show only to be asked why you aren’t more “Seinfeld-ish.” On top of that it takes years to develop an act and find your voice on stage. There are child actors, child musicians, tiny dancers and even I would guess a few very young working writers, but no child comics. Why? Because stand-up comedy is the only experiential-based art form. Kids can tell “jokes” but they can’t do stand-up. Stand-up comedy, really good stand-up comedy has evolved from joke telling into a personal narrative dialogue with the audience.

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Still, every now and then some elitist hack with a degree from the right college and the proper connections gets a job at a failing weekly magazine and decides to take a shot at you and your profession, feeling they are qualified to judge this art form because they know how to laugh and talk. This is rarely if ever done with other art forms. Seriously folks, when is the last time you saw an article about actors who can’t act, dancers who can’t dance, painters who can’t paint or pointless “performance artists.” Yet, about every six months some “critic” declares a number of famous comics “not funny.”    (more…)