Posts Tagged ‘Kubrick’

Schizoid Mann

The Most Powerful Weapon

by Schizoid Mann

During the Cold War, a slew of movies came out that dealt with the possibility of a nuclear exchange with the Soviet Union. This is not surprising since the atom and hydrogen bombs were the most powerful weapons ever devised by man. Well, almost.

I’ll get to that somewhat nervy assertion in a bit, but first a little background.

Among the cinematic slew released during those years of cold, are two of my favorite films, Dr. Strangelove and Fail-Safe. Both dealt with strikingly similar themes, unintentional nuclear holocaust, yet in entirely different tones.  But cold war themes weren’t that varied by their very nature, since inevitably the worst case scenario was the best case plot device and nothing brings down the house like bringing down the house.

With that said, still, there’s so much similarity between the two stories that law suits were indeed filed and production schedules slowed. This worked out to Stanley Kubrick’s advantage as his Dr. Strangelove: Or How I Learned to Stop Worrying and Love the Bomb was released almost a year ahead of Sidney Lumet’s Fail-Safe. In my opinion Kubrick’s is a better film than Lumet’s and not due to slowed schedules, either. But both are magnificent, and because of their approaches to the topic, very different  and essential part of the genre. (more…)

Russ Dvonch

Heroic Hollywood: American Exceptionalism and the Hollywood Hero

by Russ Dvonch


Bitter Gun-Clinger  – and Hollywood Hero

For nearly a century now, Hollywood has inspired generations of Americans with the central truth behind the American Dream: in this country, people are free to choose their own destiny. It’s the moral message found in every film that features the classic Hollywood Hero. Here’s a look at how our movie heroes were shaped by American values, a personal look at how the Hollywood Hero can inspire our lives, and the belief that, despite the rise of explicitly anti-American movies, the Hollywood Hero will continue to ride to the rescue.

The late Stanley Kubrick awakened my interest in films. But it was a one-eyed fat man that launched my career in the movies.

The first time I started thinking about films as something more than Saturday afternoon’s amusement was in 1968 with the release of 2001: A Space Odyssey. I was a Midwestern boy in the 8th grade at the time, and it was the first film I kept thinking about after I left the theater: Who made it? How was it done? What does it mean? (more…)