Posts Tagged ‘Kathryn Bigelow’

Mike Long

Review: ‘The Hurt Locker’

by Mike Long

The Hurt Locker is not about Iraq, why we went there, what we did when we got there, or whether we should have gone in the first place. It is not about American foreign policy or domestic disagreement over that policy; it’s not even about soldiers or their qualities or character …  it’s not about politics at all.

The Hurt Locker is about an adrenaline junkie who gets off defusing bombs.

Sgt. Will James is very good at this narrow work. He is occasionally a fool who takes unnecessary chances. Far more often he is an expert who enjoys that his wisely bold tactics occasionally make him appear a fool—because a fool’s luck has nothing to do with his success. Early in the picture and after much prodding, Sgt. James admits to a superior officer that he has defused “873 bombs, counting today.” (more…)

John Nolte

‘The Hurt Locker’: Hollywood’s Idea of ‘Not Political’

by John Nolte

I jumped at the opportunity to join “The Hurt Locker” press junket. The film’s director, Kathryn Bigelow (”Point Break,” “Strange Days,” “Blue Steel”), has been a favorite of mine since catching a 3 a.m. Cinemax screening of “Near Dark” some twenty-five years ago. No director — not the Scott brothers, not Michael Bay or even Clint Eastwood understand or are able to get inside the skin of driven men of action like Bigelow. This makes even her rare misstep like “K:19 The Widowmaker” much more watchable than it deserves to be (actually, I watch it all the time).

The junkets are simple. You sit in a hotel room with other writers and one by one the film’s participants stop by for a few minutes. So, in no particular order, as a group we had the chance to interview Bigelow, screenwriter Mark Boal (”In the Valley of Elah”), who researched the film in Iraq, and actors Jeremy Renner, Anthony Mackie and Brian Geraghty.

All were charming and personable to be sure, but whenever politics or previous Iraq War films came up, things would get a little tense and surreal as each responded by assuring us they weren’t worried because “Hurt Locker” wasn’t at all political. Again and again, the film was described as a straight-forward war picture that just happened to be set in Iraq. (more…)