Posts Tagged ‘kate winslet’

Alicia Colon

Part II: Modern Cinema Hasn’t a Clue About Eroticism

by Alicia Colon

[Part one of this two-part series can be found here.]

Sixteen of the top 20 box office earners have either a G or PG rating which should be a clue that R rated films ( “Titanic” being the exception) don’t do as well yet studios continue to add gratuitous irrelevant sex scenes that ruin the film. Why? It certainly can’t be artistic license because the principal reaction to them is usually-‘Ew!!! Why did they do that?” 

Movie-going statistics have dropped significantly among older adults and that’s understandable since most fare today cater to hormonal adolescents without a clue as to the true appeal of sensual art. Yet senior citizens today are former film buffs who would relish worthy theatrical offerings but their treks back to the wide screen lonely leave them disappointed. 

ava_gardner_01

A few years ago I went with an elderly friend to see, “Love Actually,” because we’re both great fans of Alan Rickman. The film has various vignettes of romantic couples and their curious experiences pursuing the love game. One of these couples happens to be two individuals acting in a porn movie and although the intent was to inject irony in the sex scenes showing the relative naïveté of the participants as they try to hook up, it failed miserably. My friend later said that particular graphic display spoiled the otherwise charming film which she no longer would add to her DVD collection when it came out.  (more…)

John Nolte

The Polanski Culture: Hollywood’s Push to Normalize Sex With Children

by John Nolte

The vocal, sanctimonious Free-Polanski uproar is merely a symptom of an entertainment culture infected with a moral cancer – a culture that regularly practices up on the screen what we’ve heard them preach this last week on behalf of a confessed child rapist.

Last year Miramax released “Doubt,” a high-profile piece of Oscar-bait starring Academy Award winners’ Meryl Streep and Philip Seymour Hoffman. Streep plays a puritanical nun on a moral crusade to expose a Priest (Hoffman) who she believes is sexually abusing a 12 year-old boy. Both characters are portrayed as unsympathetic (especially Streep’s) but in just a couple scenes the boy’s working-class mother (Mrs. Miller, played by Viola Davis) is established as the moral center of the film – the only one truly interested in the welfare of her child. When Mrs. Miller’s informed that her son’s being molested, the Moral Center Of The Film responds that her 12 year-old boy is gay, a social outcast, and beaten regularly by his homophobic father … so maybe the best option for him is a sexual relationship with a forty-something child predator.

towelhead

Starring Aaron Eckhart, Maria Bello, and written and directed by Oscar-winner Alan Ball, last year’s Towelhead” is a film Roman Polanski might have seen many, many times while wearing a rain coat. The protagonist is 13 year-old Jasira (played by the then barely eighteen Summer Bishil) and the story surrounds her sexual abuse at the hands of a number of men, including Eckhart’s Gulf War Vet. Rather than the repeated abuse damaging the young girl, the filmmaker portrays the rapes and molestations as a healthy and sexually liberating experience. More than once the audience is “treated” to lingering shots of Jasira’s bare legs as she discovers the joys of the orgasm while masturbating to photographs of naked women.

Kate Winslet won last year’s Best Actress Oscar for her role in “The Reader,” in which she plays a “sympathetic” Nazi guilty of mass murder who seduces and then engages in a steamy sexual affair with a 15 year-old boy. The sex scenes between this mature woman and a child lean heavily on the erotic, as opposed to the creepy. (The “sympathetic Nazi” issue we’ll save for another post.) (more…)

Alexander Marlow

And the Oscar for Best Non-Sexual Nudity goes to…

by Alexander Marlow

The film industry in Hollywood is the most rewarded vocational field in the world. Having been a part of the “Big Hollywood” launch team, I followed roughly forty-eight award shows this year. Generally, I would characterize them as slightly self-aggrandizing. By the way, I’m not confused; awards are nice (consult my bio), but why are there so many award shows? The people who win awards are rarely underappreciated.  Take Kate Winslet for example, one of Hollywood’s most overrated actresses.  I always feel I’m watching her act. Peter Mayhew was more organic as Chewbacca than Winslet as a suburban housewife in the off-putting “Revolutionary Road.” But Hollywood seemingly invents awards to celebrate Winslet and her ubiquitous bare breasts.

What irritates most is that while the shows may differ, the awards are roughly the same.  In sports, there’s only one MVP, one Rookie of the Year.  Yet every year, we are bombarded with the Oscars, the Golden Globes, the SAG Awards, and the BAFTAs.  Not to mention all those snooty little film festivals in upscale ski towns. (more…)

Steve Mason

Overlooked: The Top 10 Best Performances of 2008 that you may not have heard about!

by Steve Mason

The Academy Awards for 2008 have been handed out, and the “popular kids” have Oscars on their mantles, but the dirty little secret about winning awards is that you’ve gotta campaign for them. Thousands of dollars were spent by the distributors and filmmakers behind Slumdog Millionaire (Fox Searchlight), Milk (Focus Features), The Reader (Weinstein) and other assorted winners and nominees, but not all performances received that sort of big money backing.

I am an unabashed lover of the acting craft. I see virtually every movie, large and small, that passes through the US marketplace, and, taking nothing away from Sean Penn, Kate Winslet, Penelope Cruz and Heath Ledger, not all of 2008’s best performances have been recognized. I’m not going to be obvious here. Clint Eastwood was snubbed for Gran Torino, but he received lots of acclaim for the role including being named Best Actor by the National Board of Review. My goal is to highlight 10 performances from last year that have received virtually no acclaim in the US. Many of these roles can be found in hardly-seen, under-appreciated movies that came and went without much notice. Each and every one of these movies deserve a spot in your Netflix (or Blockbuster) cue. (more…)

Steve Mason

Oscar ratings up 11% and up over 14% with the coveted 18-49 demo!

by Steve Mason

Good news for the Motion Picture Academy. Despite the fact that the five Best Picture nominees had combined to gross less than $300M domestic by showtime, Oscar ratings were up considerably from last year’s all-time low. Early numbers show that the ABC telecast scored a 27 share, surging by 11% overall and by over 14% with TV’s “money demo” 18-49s. Compare that to last year when the show was down 25% in households from 2007 and down 30% among 18-49s.

The credit should go to producers Lawrence Mark and Bill Condon, although I can see why the streamlined show is a bit of a Rorschach test for viewers. If you love movies, and especially actors, last night’s show was respectful and enlightening. If you are inclined to dislike awards shows and actors, then the telecast would be pretty dreary.

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Schizoid Mann

Sam Mendes’ Masterpiece Road

by Schizoid Mann

It’s revolutionary. I haven’t seen the movie yet. Sam Mendes’ “Revolutionary Road,” that is. Nope. I haven’t seen it, but I’m sure it can and will be called ‘revolutionary’ by somebody important who has. Nowadays, with teasers, trailers and shotgun blasts of interviews on every show that talks and the nature of marketing campaigns, one not necessarily have to sit down and watch a movie to get a pretty darn good idea of what it’s all about. Sure, you’ll miss the beauty, the brilliance, all the elements of the masterpiece, but you’ll get enough to decide if it’s worthy of your time and money. Both very important considerations, these days.

I’m a huge fan of British cinema. From early Hitchcock to David Lean to Michael Powell. One of my favorite films is Hugh Hudson’s “Chariots of Fire.” I’ve loved practically everything I’ve ever seen imported from the UK and shown on American Public Television, usually with a grant from Mobile or some other large corporation.  Mystery, Masterpiece Theater, the Quatermasses, the Doctor Whos, I’ve loved them all. But recently a new wave of British directors has been very successful in distancing themselves from anything British, instead finding wealth and material in America. (more…)

Steve Mason

Final Oscar Predix: SLUMDOG, Rourke, Streep, Ledger, Cruz; BEN BUTTON could win just 2 of 13!

by Steve Mason

I am forecasting a coronation for Slumdog Millionaire (Fox Searchlight) at Sunday’s Academy Awards. My final predictions call for Slumdog wins in 8 of the 9 categories it is competing in including Best Picture and Best Director: Danny Boyle. The only place I think it will fail is in the Sound Mixing category where The Dark Knight (Warner Bros) may trump it.

Slumdog Millionaire is about to win the Hollywood's Grand Prize

Slumdog Millionaire is about to win the Hollywood's Grand Prize

The “Battle Royale” of the night is Mickey Rouke from The Wrestler (Fox Searchlight) vs. Sean Penn in Milk (Focus) in the Best Actor category. There have been two ties in major categories in Academy Award history. The first was in 1932 when Frederic March in Dr. Jekyll & Mr. Hyde shared Best Actor with Wallace Beery for The Champ. (March had one more vote, but in that era, any finish within 3 votes was rules a tie.) Then in 1968, Katherine Hepburn for The Lion In Winter and Barbara Streisand for Funny Girl tied for Best Actress. If there was any justice, Rourke and Penn would share the award. In any other year, either of them would be a lock. Forced to make a pick, I’m going with Rourke.

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Steve Mason

Oscar odds: SLUMDOG, Rourke, Winslet, Cruz are favorites, but Penn, Streep and Tomei are live underdogs!

by Steve Mason

On Sunday, the Academy Awards will be handed out at the Kodak Theatre in Hollywood, and there are some clear favorites. Slumdog Millionaire, the feel-good Danny Boyle Mumbai opus made for just $14M, is a heavy favorite to win Best Picture. It’s hard to imagine Slumdog missing out on Hollywood’s biggest prize, having won the Golden Globe, the BAFTA Award and just about everything in between.


But, in the world of gambling, you always want to look for value. What are the films and performances with longer odds that would be worth a wager on Sunday? My purpose here is to establish a betting line for each of the six major categories, and then find the value bet in each category.

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John Nolte

Review: The Reader

by John Nolte

As a general rule, the trend these last fifteen years in the genre of the adult drama has been towards films with run-times increasingly longer, plots more convoluted, and the characters and their relationships simpler to the point of cliche. This, of course, is the reverse recipe for good storytelling. The plot should be simple, the pace quick, and the characters and their relationships complicated. These long, messy plots are supposed to act as a substitute for intelligence, but the result is almost always boredom borne of confusion and so today the adult drama is all but dead at the box office.   

Recently, a new ingredient’s been added to the effort of fooling us into believing that what we’re watching is intelligent, and that’s The Immoral – with the normalization of sex with young children leading the charge.  ”Notes on a Scandal,” “Birth” and “Towelhead” [links to my review] actually portray a physical intimacy with children as liberating, while “The Woodsman,” “Little Children,” and “L.I.E.” offer up those who molest our children as alternately sympathetic, wise and the protector. [some spoilers coming] (more…)

Steve Mason

2009 Oscars doomed? – FROST/NIXON, THE READER and MILK are among the 6 weakest grossing Best Picture nominees of the last decade!

by Steve Mason

There is a phenomenon known as “the Oscar bounce.” When a movie receives Academy Award nominations, especially one of the five coveted Best Picture slots, ticket-buyers generally follow. The Oscar seal of approval used to mean something to the rank-and-file moviegoer, but that seems to have changed.

Only one of this year’s Best Picture nominees has inspired any real passion from the broad public. The almost-certain Best Picture winner is Slumdog Millionaire (Fox Searchlight), and its devotees, including critics and members of the Academy (not to mention yours truly), have made it a word-of-mouth smash hit. The Danny Boyle-directed feel-good Bollywood fusion movie made for a meager $14M added another $2.05M or so on Friday and is charting a 3-day course for about $7.4M. That will give the Slumdog a $77.4M take, and it could reach $90M-$95M before it’s through in American theatres.

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Steve Mason

Biggest US opening ever for Luc Besson – TAKEN grabs up 24% Saturday and finishes with $24.6M for Super Bowl weekend; PAUL BLART: MALL COP strong at #2 while THE UNINVITED appears headed for 3rd with a possible $10.5M; Zellweger’s NEW IN TOWN may reach $6.75M opening; Not much of an “Oscar bounce” for THE READER and MILK!

by Steve Mason

Liam Neeson is officially a full-fledged action star. The Irish-born actor has often played heroes, whether it was Oskar Schindler in Steven Spielberg’s masterpiece Schindler’s List, the wise Qui-Gon Jinn in Star Wars: Episode I – The Phantom Menace or determined sex researcher Alfred Kinsey in 2005’s biopic Kinsey, Neeson has always had a knack for playing the earnest-but-flawed good guy. In his new movie Taken (Fox), writer/producer Luc Besson and director Pierre Morel have turned him into a Dad with the “mad skills” of a super-spy – think Mike Brady crossed with Jason Bourne.

The result is a well-reviewed (56% Fresh on Rotten Tomatoes) action film that will help to satisfy blockbuster-hungry audiences waiting for Warner Bros’ Watchmen (due March 6). Taken has scored big on its opening weekend. After grabbing an estimated $9.4M, the movie surged on Saturday to $11.62M (up almost 24% from opening day) and, despite today’s Super Bowl, the film could reach $24.62M according to studio estimates. That will be more than enough to win the Super Bowl 3-day, and positive word-of-mouth could get this one into the $70M-$75M range domestic.

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Steve Mason

PAUL BLART: MALL COP comes-from-behind for a weekend win with $21.5M; Sony finishes 1-2 with UNDERWORLD at $20.7M; GRAN TORINO adds $16M and will become Eastwood’s #1 grossing movie on Wednesday; No love for INKHEART!

by Steve Mason

The chubby guy on the Segway rallied for a come-from-behind win over the Beckinsale-less Underworld sequel, but regardless, it was a 1-2 finish for Sony. When I originally predicted that Paul Blart: Mall Cop as the likely weekend winner over the MLK 4-day, some online sites questioned my pick. Even I didn’t expect an opening close to $40M, and now the Kevin James vehicle has surprised again.

The Adam Sandler-produced comedy has broadened its audience, showing real family appeal. That led to stronger Saturday and Sunday matinees for a stellar $21.5M by Monday morning. That gives the movie a 10-day cume of just shy of $65M, which is impressive considering that it was budgeted at just $26M. After success as a supporting star in movies like Hitch ($179.5M cume) and I Now Pronounce You Chuck and Larry ($120M cume), it appears that James can open a movie without the help of Will Smith and Adam Sandler. Mall Cop dipped only 32% from last Friday-thru-Sunday (and that was part of a 4-day weekend, which can often lead to a sharper drop). (more…)

Steve Mason

LOWEST RATED OSCAR TELECAST IN HISTORY?: Snubs of THE DARK KNIGHT, Clint Eastwood and Bruce Springsteen point toward a new ratings nadir for the Oscar show; The five Best Picture nominees have combined to gross only $186M, about what TDK delivered in first 4 days!

by Steve Mason

Nobody is ever completely satisfied with the Academy Award nominations, but with several key snubs, Oscar voters may have ensured that the 2009 telecast hits an all-time ratings low.

Investor Warren Buffet coined the phrase “skin in the game” to describe a situation where executives use their own money to buy shares in their company. The so-called Oracle of Omaha likes companies where insiders have their own money invested because they work harder, care more and generally are more emotionally invested.

The problem with the Oscars is that voters are nominating films that relatively few people have seen. The five movies nominated for Best Picture this week – The Curious Case of Benjamin Button, Slumdog Millionaire, Milk, The Reader and Frost/Nixon – have combined to gross just $186.7M. The Dark Knight passed that box office total early in its fifth day of release. (more…)

Steve Mason

FINAL TRACKING: UNDERWORLD: RISE OF THE LYCANS could reach $24M with MALL COP at #2; Eastwood’s TORINO and INKHEART battle for third; SLUMDOG, THE WRESTLER and REV ROAD set for solid expansions!

by Steve Mason

Michael Sheen has two movies in release this weekend. The classically-trained Welsh actor plays Lucien in the wildly commercial Underworld: Rise of the Lycans (Sony), opening on about 3,000 screens, and he plays David Frost in Frost/Nixon (Universal), expanding to about 800 playdates.

He is a classically-trained stage actor, who has starred in heavyweight UK productions of Romeo and Juliet, Henry V, Amadeus and The Dresser, was somehow overlooked by both Hollywood Foreign Press and Oscar voters when he starred as Tony Blair in 2006’s The Queen. (He was outshined by Helen Mirren, who won every acting prize imaginable). This year, he is in the shadow of Frank Langella’s towering portrayal of President Richard Nixon in Frost/Nixon.

As an aside, The Queen was the second in screenwriter Peter Morgan’s Tony Blair trilogy. The first film was called The Deal for British television and tells the story of the rivalry between Blair and current British Prime Minister Gordon Brown. (This is a great title to put in your Netflix or Blockbuster cue.) The final film will be called The Special Relationship, which will focus on the intimate friendship between the British PM and President Bill Clinton between 1997-2000. Sheen has signed on, but there is no word on who will play Clinton. Morgan says the idea for the third film began to germinate when he heard that Blair and Clinton were alone together when Vice President Al Gore conceded the 2000 election.

In the meantime, Sheen will almost certainly have the #1 movie in America this weekend with Underworld: Rise of the Lycans. This is the third Underworld movie, but it is a prequel set in the dark ages with Sheen as Lucien, a young werewolf, who leads a war against Bill Nighy as Viktor, the leader of the vampire race. (more…)