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Looks like more of the same, which isn’t altogether a bad thing, but the Josh Brolin moment is inspired.

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Josh Brolin sounding ridiculously defensive over a two-year old movie on Jimmy Kimmel:

“They want to criticise it because you think it’s Oliver Stone, it’s Josh Brolin, who people perceive as very, very left wing, which I’m not necessarily. They think it’s gonna be heavy hitting; it’s gonna be, like, a sledgehammer on George Bush and we didn’t do that.

“We wanted to know the guy that never should have been president and probably should have run a baseball team – and been very happy doing it.”

Brolin insists the Republican friends who did see the film were surprised by it: “They were like, ‘It’s kinda sad, isn’t it?’”

The actor has heard that Bush himself saw the film – and liked it. ….

“I don’t know if that’s true or not, but I love him, like, two in the morning in this blue glow of sitting at home and, like, maybe tears coming down his face.

Like, why does Brolin, like, talk like a fourteen year-old girl?

And wasn’t it just yesterday he was gushing like a groupie over Howard Zinn’s smile?

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Never forget that the same History Channel responsible for dumping the $30 million dollar miniseries “The Kennedys” due to “accuracy concerns,” is and was behind an all-out effort to mainstream Howard Zinn, one of the most dishonest, anti-American historians in what is a long line of them. Using celebrities like Matt Damon, Josh Brolin, and the usual Hollywood suspects, the History Channel aided and abetted a glowing, much-publicized two-hour special around the old liar not long before he passed on to receive whatever reward he had coming.

Our contributors did a marvelous job documenting Zinn’s profane legacy and now, thanks to Josh Brolin, we’re reminded that we’ve arrived at the one-year anniversary of Zinn’s death:

By: Josh Brolin
February 2, 2011

It was a year this past January 27th that my friend, Howard Zinn, passed away in Santa Monica, California. …

The impact that Howard Zinn has had on the world of fair, conscientious people is profound, and the impact that he had as a friend will be forever felt by me and by all those that knew him with the deepest, most visceral tickle imaginable. He was mischievous, fun, childlike, and an appreciator of all things beautiful. My wife was so smitten with him and he knew, in that classy old-school way, how to sustain it. We had spoken about women and how we both felt that they are, ultimately, the keepers of all things good. He was a smart man, a gentle man, and a gentleman.

To admit: I still speak with him at times when I am alone. He brings that kind of solace. It’s not exclusive to crisis, no – it’s as a friend, as someone I could always have a laugh with, and as someone who could inspire with the simplest glance. He understood that to bring a smile to someone’s face was as important to our well being as was protesting the myriad issues that Howard did. His motive, how it resonated in me, was simply to carve a more loving life for our children and those to follow.

You are so missed dear Howard, but your smiles will always live on.

On background, someone told me Brolin’s original draft was written in longhand and that all the i’s were dotted with little hearts.

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When the Coen brothers, Joel and Ethan, announced that they were going to remake True Grit, it sparked all of the usual arguments about the merits and demerits of such undertakings.

The first film, released in 1969, sits in the mid-upper tier of movies made by its star, John Wayne (as well as winning him his only Oscar), and as such has achieved a kind of classic status among both Wayne fans and lovers of good westerns. There is a brand of theatergoer who maintains that there is no need to craft fresh takes on successful pictures, any more than we need new painters to dutifully re-imagine a masterwork like Da Vinci’s Last Supper.

On the other side of the debate are those who see good reasons for taking another swing at this piñata. Ever since the appearance of Wayne’s Grit, many fans of the novel — which first appeared forty-two years ago as a Saturday Evening Post serial written by Charles Portis (1933–) — have been keen to see a cinematic version that hews far closer to the plot of the book. Others see remakes as akin to a contemporary orchestra re-recording — and in the process re-interpreting — a famous piece of classical music, imbuing it with their own particular sonic signature. Seen in this light, the announcement of a new True Grit was a welcome one.

So now that the movie is out, who is right? Is the remake ill-advised, or a welcome addition to the western canon? Does the 2010 version have what it takes to make it a classic in its own right, or is it destined to be forever overshadowed by the 1969 original? (more…)

Yesterday I walked into my local supermarket to find they already had a massive Christmas tree up ornamented with gift cards. Yes, it’s quickly approaching “The Most Wonderful Time of the Year,” and that means gifts to buy, preferably before you find yourself scrambling from store to store in a panic on Christmas Eve.

With that in mind, here are five drool-worthy stocking stuffers for the cinemaphiles in your family, all of them due to be released in the next few weeks.

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1. Frank Sinatra: Concert Collection (November 2, 2010, $54.99 at Amazon)

Get hep to this, man: seven discs containing fourteen hours of TV specials and filmed concerts, with Ol’ Blue Eyes joined by Ella Fitzgerald, Count Basie, Gene Kelly, Antonio Carlos Jobim, John Denver, Bing Crosby, and of course Dino. Four of the specials have never been released, and a host of isolated TV clips are thrown in for good measure. Top it all off with a 44-page booklet chock full of rare photos and scholarly commentary, and the Chairman of the Board is truly back in all his scotch-soaked glory.

The seventh “Bonus Disc” sounds like the perfect thing to have playing in the background while you are decorating your tree: a “Happy Holidays with Bing and Frank” color TV special. (more…)

Don’t expect Matt Damon or Josh Brolin or any of the other celebrities and Hollywood producers behind the History Channel’s The People Speak to issue apologies for their celebration of leftist professor and author Howard Zinn in light of the release last week of file 100-369217 – the FBI’s decades long investigation into Zinn’s alleged communist activities.

Already, Zinn’s far-left sympathizers are poking holes, some more credibly than others, in the 430 pages of documents, and trying to draw focus away from Zinn’s alleged membership in the Kremlin-controlled Communist Party USA and onto the fact that a Boston University administrator turned FBI informant once plotted to have him fired in the 1970s.

To the radical left, trying to interfere with an extremist professor as he dutifully decries his country as a police state is a far more egregious crime than belonging to a political organization allied with and controlled by the sworn enemy of the United States.

It’s all about perspective… (more…)

“Eventually a man’s got to decide if he wants to do what’s right. That choice cost me more than I bargained for.” So says Jonah Hex (Josh Brolin), title character in Warner Bros.’ DC Comics adaption of “Jonah Hex.” 

This dark, cliché quote reflects the film. Hex was a Confederate soldier, not because he believed in slavery but because he opposes government control. While serving, Quentin Turnbull (John Malkovich) – the father of his best friend – orders him to burn a hospital filled with women and children to the ground. He refuses. This event disillusions him from the Confederate cause, and in his ensuing side-switch, he kills his friend. The vengeful Turnbull tracks Jonah down and forces him to watch as he murders his family, then brands his face so he won’t forget. Jonah swears vengeance. When Turnbull dies in a fire he thinks he has it – until he hears from President Ulysses S. Grant that Turnbull is still alive, and plans to terrorize the country during its bicentennial celebration. Grant begs Jonah to find Turnbull and stop him before it’s too late – a request Jonah is only too happy to oblige. 

As a comic book adaptation, the beginning of the film plays out episodically like the beginning of a TV show, with cartoon images showing the transition in Jonah’s life from a soldier to a man whose near-death experience gave him the power to talk to dead people.  (more…)

One of the nifty things about living in Santa Monica, California is watching Hollywood celebrities mince about Main Street, in their half-hearted attempt to remain incognito. In the past 3 months alone, I’ve been treated to Diane Lane and Josh Brolin in a heated tiff outside our inedible raw food joint, Helen Hunt furtively picking a boogie while idling in her Prius – and Carl Weathers. Carl Weathers, EVERYWHERE.

But arguably the most satisfying sighting in my nearly 16 years by the beach, happened just last week in the back of a corner health food market called One Life.  I stopped in for a tuna on whole wheat, queuing directly behind the legendary Tim Robbins in some stretchy bike shorts, a wool skull cap and open-toed sandals.  So COOL! 

However, Tim seemed distracted.  He kept looking towards the front of the store where an exotically stunning  woman was shopping, next to who appeared to be her boyfriend.  Mind you, I was 3 feet from Timmy and he’s a good 6 foot 5, so he had no trouble looking directly over me, clearly ogling the girl and making that “woo” face consistent with a fella on the prowl. ( In hindsight, I’m pretty sure he was trying for one of those camaraderie moments with me, where complete strangers bond over how hot a chick is.  But I wasn’t 100% sure, so I didn’t engage). (more…)

Howard Zinn wants teachers to bring in whatever materials they want to your child’s class room. He wants them to use their own judgement to teach whatever they think is appropriate. He wants them to subvert the rules regarding the approved curriculum at the school you are paying for. Of course, if Zinn’s advice is followed, there is nothing keeping a teacher from bringing materials related to Holocaust denial, or 9/11 conspiracies or creationism into the class room, as well. Unless Zinn is recommending only HIS enlightened view of history should be secretly brought into the classroom.

There are some very important people in our country who have aligned themselves with Zinn. With his philosophy. With his view of history. With his view of the United States. And, with his strategy for getting his message into the public schools outside of the legal construct of School Boards and State Departments of Education.

They made a film of his book.  They walked the red carpet and they posed with the man they admired.  He was the inspiration for their film and they spoke of him glowingly, almost like he was a hero.  They began their film with him striding out alone onto a stage in a theatre full of admirers.  It was his way of taking a curtain call (a standing ovation, by the way) before the show even began. (more…)

A from the New York Times, September 9, 2008:

The actor Viggo Mortensen has apologized to Canada after inadvertently accusing the country of policy misdeeds for which he meant to chastise political leaders of the United States. The go-round occurred Sunday night at a Toronto International Film Festival panel discussion introducing ”The People Speak,” a documentary about dissent and resistance to power based on the book ”A People’s History of the United States” by Howard Zinn. Mr. Mortensen wore a T-shirt that read: ”Impeach Remove Jail.” By way of explanation Mr. Mortensen, in Toronto to promote the movie ”Appaloosa,” began a plaint about things ”that have been happening in the last eight years in this country.” He was checked by the moderator, Tom Powers, the festival’s documentary programmer, who asked if Mr. Mortensen was referring to Canada. ”Ladies and gentlemen, the angry left,” said a laughing Matt Damon, who was joined on the panel by Josh Brolin and Marisa Tomei, among others. Mr. Mortensen allowed that Canada may have committed misdeeds of its own, without leveling a specific charge against either country. ”My apologies,” he concluded. (more…)

In a publicity event for the new History Channel film “The People Speak” held at UCLA last week, actor/producer Josh Brolin was charming, self-effacing, funny, and down-right likeable.  And, that was the whole reason he was there.  We live in a culture obsessed with celebrity and in full adoration of movie stars in particular.  In short, we are a nation of Star-F%*#ers.  And people like Howard Zinn know it.

Part of the discussion at Friday’s Q & A event centered on the appearance of hypocrisy by the filmmakers for using big-name stars in their film, considering the overall thesis of Zinn’s world view is that REAL history is made by the individual struggling against the elite in power.  Producers Chris Moore and Brolin agreed with the criticism but lamented that the only way to get the History Channel to air this movie would be if stars were connected to it.  Understandable.  But, the inclusion of big name, likable Hollywood stars like Matt Damon, Don Cheadle, Morgan Freeman, Marisa Tomei and Brolin serve a greater purpose than just aiding the pitch meeting at the network. (more…)

Twelve years ago in his breakout performance as an arrogant young genius in Good Will Hunting, struggling fresh-faced actor Matt Damon sneered at his Boston psychiatrist for “surrounding yourself with all the wrong f__kin’ books. You wanna read a real history book, read Howard Zinn’s People’s History of the United States. That book’ll f__kin’ knock you on your ass.”

The political left loves shout-outs, and this was a direct one to Zinn himself, whom Damon actually lived next-door to as a child, and whose book apparently knocked the actor on his own behind. “Ben (co-screenwriter Affleck) and I were laughing our asses off writing that,” he recalls. (What is it with Damon and the word “ass”?) ”We liked it that the smartest guy in Boston was reading Howard Zinn.”

Self-proclaimed radical historian Howard Zinn, 87, is arguably the most popular proponent of the “history from below” school of historiography, which explores past events from the perspective of everyday people as opposed to the so-called “Great Men” theory, which actor Josh Brolin, another Zinn devotee, calls mere “propaganda.” The Boston University professor wasn’t the first academic to pioneer this approach, but he is no doubt the first to dispense with tedious scholarly ballast like footnotes and citations, and to have pop culture powerhouses like Damon, Brolin and Pearl Jam running interference for his openly politicized agenda. His 1980 book A People’s History of the United States, one of the best-selling history books of all time thanks partly to Damon’s shout-out, is a litany of oppression and exploitation on the part of America’s white ruling class, a “raggedly conceived Marxist caricature” of American history, as David Horowitz calls it in Unholy Alliance: Radical Islam and the American Left. (more…)

The History Channel is “making history” by airing “The People Speak,” a film based on the book by historian – and Marxist – Howard Zinn. More on Zinn in a minute.

A number of actors who wish to be more than just pretty faces are behind this effort, including Wallace Shawn (“Inconceivable!“), Colin Firth and Marisa Tomei, all who serve on “The People Speak’s” board of advisers. Those enlightened thespians who are more active in bringing this project to life are:

Howard Zinn, Josh Brolin, Chris Moore and Matt Damon

Matt Damon: Serving  as producer, Damon is no stranger to political theatrics. An extremely vocal critic of former President George W. Bush and the Iraq war, he said that it’s “not fair that we have a fighting class in our country that’s comprised of people who have to go for…financial reasons” and suggested that the Bush twins should be shipped off to war because their daddy started it. Should we bring back the draft? Then actors like Damon, with cushy jobs and big salaries, could help out the poor suckers who have no choice. He also “let out a cheer” when Kanye West claimed that George Bush hates black people.

He proudly declared his support for John Kerry in 2004, and his stature as an actor means he knows more about running the country than some chick who “was the mayor of a really, really small town” and was “governor of Alaska for less than two years.” Surely Damon knows more than Sarah Palin. After all, he dropped out of Harvard, but then played a closet genius in his first big film (co-written by Ben Affleck) “Good Will Hunting.” Surprise, his “Good Will Hunting” character was a fan of Zinn’s book. (more…)

“The People Speak” College Tour concluded with a standing-room-only crowd in UCLA’s Schoenberg Hall last Friday afternoon.

After the video presentation, host professor Ellen DuBois facilitated an audience question-and-answer session with her guests, actor Josh Brolin and producer Chris Moore, while Howard Zinn’s partner Anthony Arnove (whom Brolin credits for his own participation) paced the back of the theater.

Asked about his project’s intended use in K-12 public school settings, Mr. Moore answered:

We have a whole educational program. There’s a curriculum, there’s a whole educational thing. There’ll be a website that has tools, that’s searchable… There is definitely a plan.

That plan includes “The Zinn Education Project” which:

…promotes and supports the use of Howard Zinn’s best-selling book A People’s History of the United States and other materials for teaching a people’s history in middle and high school classrooms across the country. The Zinn Education Project is coordinated by two non-profit organizations, Rethinking Schools and Teaching for Change.

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Children are uniquely malleable beings, readily convinced of magically colorful tales – Santa Claus and the Tooth Fairy are the first that come to mind. This innocence is beautiful, but it is a quality that can easily fall victim to radically foreign ideas if taught consistently and pervasively at an early age. One need only look at the birth of fascism or socialism to see a recipe for how radical ideas become ubiquitous among a nation’s youth.

Enter Howard Zinn – an author, professor and American historian – who, with the help of Hollywood and the History Channel, intends to change the way our pre-K through high school children learn American history. His current curriculum suggestions, like introducing three-year-olds to the lynching of African-Americans, or quizzing seven-year-olds on which Presidents owned slaves, should be a red flag to parents.

Zinn has spent a lifetime teaching college students about the evils of capitalism, the promise of Marxism, and his version of American history – a history that has, in his view, been kept from students. His controversial 1980-book The People’s History of the United States paints traditional American history as a façade – one that has grotesquely immortalized flawed leaders and is based on principles that victimize the common man. In 2004, Zinn wrote a companion book entitled Voices Of A People’s History Of The United States, which includes speeches and writings from many of the people featured in The People’s History.

These two books have now become the basis for a new documentary, entitled The People Speak, to be aired December 13th at 8pm on the History Channel. The trailer portrays the documentary as a collage of compelling one-person readings, told through the words of “ordinary” people who have struggled throughout American history against oppression. Produced by Zinn, Matt Damon, Josh Brolin, and Chris Moore, the documentary appears to be cloaked, ironically (given Zinn’s admitted socialist agenda), in many of the traditional ideas that were behind our founding. The verdict is still out on the doc, but it is not for the books that inspired the film as well as the educational initiative associated with it. (more…)

I am forecasting a coronation for Slumdog Millionaire (Fox Searchlight) at Sunday’s Academy Awards. My final predictions call for Slumdog wins in 8 of the 9 categories it is competing in including Best Picture and Best Director: Danny Boyle. The only place I think it will fail is in the Sound Mixing category where The Dark Knight (Warner Bros) may trump it.

Slumdog Millionaire is about to win the Hollywood's Grand Prize

The “Battle Royale” of the night is Mickey Rouke from The Wrestler (Fox Searchlight) vs. Sean Penn in Milk (Focus) in the Best Actor category. There have been two ties in major categories in Academy Award history. The first was in 1932 when Frederic March in Dr. Jekyll & Mr. Hyde shared Best Actor with Wallace Beery for The Champ. (March had one more vote, but in that era, any finish within 3 votes was rules a tie.) Then in 1968, Katherine Hepburn for The Lion In Winter and Barbara Streisand for Funny Girl tied for Best Actress. If there was any justice, Rourke and Penn would share the award. In any other year, either of them would be a lock. Forced to make a pick, I’m going with Rourke.

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Tyler Perry’s decidedly un-Oscar Madea Goes to Jail (Lionsgate) is the box office story of Oscar weekend selling a massive $14.65M in opening day tickets with a possible $38M in sales expected for the weekend. But what about the Best Picture nominees, the supposed cool kids on the box office block?

Slumdog Millionaire (Fox Searchlight) is the odds-on Best Picture winner, and it expanded to about 600 additional playdates this weekend for a total screen count of 2,224. The other four contenders for Hollywood’s biggest prize, however, are on a combined 2,508 screens. That means that they are essentially done with their theatrical engagements in the US (barring a truly shocking upset). Even if you wanted to see the other four nominees, you might have trouble finding them at your local multiplex – especially if you live outside a major city.
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On Sunday, the Academy Awards will be handed out at the Kodak Theatre in Hollywood, and there are some clear favorites. Slumdog Millionaire, the feel-good Danny Boyle Mumbai opus made for just $14M, is a heavy favorite to win Best Picture. It’s hard to imagine Slumdog missing out on Hollywood’s biggest prize, having won the Golden Globe, the BAFTA Award and just about everything in between.

But, in the world of gambling, you always want to look for value. What are the films and performances with longer odds that would be worth a wager on Sunday? My purpose here is to establish a betting line for each of the six major categories, and then find the value bet in each category.

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There is a phenomenon known as “the Oscar bounce.” When a movie receives Academy Award nominations, especially one of the five coveted Best Picture slots, ticket-buyers generally follow. The Oscar seal of approval used to mean something to the rank-and-file moviegoer, but that seems to have changed.

Only one of this year’s Best Picture nominees has inspired any real passion from the broad public. The almost-certain Best Picture winner is Slumdog Millionaire (Fox Searchlight), and its devotees, including critics and members of the Academy (not to mention yours truly), have made it a word-of-mouth smash hit. The Danny Boyle-directed feel-good Bollywood fusion movie made for a meager $14M added another $2.05M or so on Friday and is charting a 3-day course for about $7.4M. That will give the Slumdog a $77.4M take, and it could reach $90M-$95M before it’s through in American theatres.

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Nobody is ever completely satisfied with the Academy Award nominations, but with several key snubs, Oscar voters may have ensured that the 2009 telecast hits an all-time ratings low.

Investor Warren Buffet coined the phrase “skin in the game” to describe a situation where executives use their own money to buy shares in their company. The so-called Oracle of Omaha likes companies where insiders have their own money invested because they work harder, care more and generally are more emotionally invested.

The problem with the Oscars is that voters are nominating films that relatively few people have seen. The five movies nominated for Best Picture this week – The Curious Case of Benjamin Button, Slumdog Millionaire, Milk, The Reader and Frost/Nixon – have combined to gross just $186.7M. The Dark Knight passed that box office total early in its fifth day of release. (more…)