‘The Lion King’ has proven to be one of Disney’s top animated movies. When the “Circle Of Life” starts playing, it’s guaranteed goose bumps and smiles across the faces of everyone in the audience. The 1994 film is internationally known for that wonderful phrase “hakuna matata” which will never die out. A story about a father and son, friendship and love, “The Lion King” is certainly a tale beloved by all ages.

—–

“The Lion King” recently was re-released theatrically in a 3D edition, snaring the top spot at the box office for two straight weeks before settling for third over the Oct. 1-3 weekend.

“Lion King” producer Don Hahn’s impressive credits include “Who Framed Roger Rabbit?” and Disney’s “Beauty and the Beast,” the first animated film nominated for Best Picture Oscar. In 1996, Hahn published a book entitled “Disney’s Animation Magic,” explaining the step-by-step process of making an animated film. Currently, he is working with director Tim Burton on “Frankenweenie,” scheduled to hit theaters in October 2012.

I had the pleasure of speaking with Hahn on the development of “The Lion King” and how he and his team made what was a stunning 2D picture into a 3D masterpiece. I asked Hahn how he originally began production for “The Lion King.”

(more…)

John Nolte’s review of “Brüno,” a film I haven’t yet seen, tackles Sasha Baron Cohen’s previous film “Borat,” a film I have seen about twenty times. That being said, Nolte is dead-on in his appraisal of the film: it found favor with the left-wing elitists because it poked fun at us regular folk. But in praising “Borat,” they revealed something about themselves, something I’ve known to be true since the summer of 1994.

That was the best year for movies that I can recall. That summer alone we had “Forrest Gump,” “True Lies,” “Speed,” and everyone was eagerly awaiting the arrival of Cannes winner “Pulp Fiction.” And we also had “The Lion King.” I remember the critic for my campus newspaper, The Red & Black (Go Dawgs!), panned the film, noting that the “Circle of Life” song, sung by a gay man, was really about keeping groups of people, particularly minorities, in their place. I thought this was bizarre and brought it up with some of my classmates. (more…)

“The picture got great reviews but let’s take a chance anyway.” That’s what I usually say to my wife when we’re planning a night out at the movies. Critics and I are not usually on the same page. But the Disney release called “Earth,” a compendium of brilliant nature footage cribbed from a BBC series, seemed irresistible, even though it got raves. True, there’d been quibbling about the corn-ball narration and the selection of stentorian-voiced James Earl Jones to deliver it, but the summation of the reviews was: don’t miss it.

Disney had taken miles of extraordinary footage from the long-running English nature series and condensed and shaped it into a story of sorts: mama polar bear and her cubs emerge out of hibernation in the arctic snow, with the adorable babies blinking at their first sight of the summer sun. She begins the task of teaching them to survive. Papa bear, meanwhile, or “dad” as he’s known in the narration, is off on the ice floe, trying to catch a seal for his dinner. But “global warming” is making this difficult to do as the ice is breaking up earlier than usual. Dad falls into the frigid water and begins swimming for his life. He swims and swims till he gets to Antarctica where there is an abundance of seals. But dad is too weak from all that swimming, can’t nab a seal, and lies down and dies. End of family. (more…)

Rebooting Bond with Daniel Craig was Bold. Christopher Nolan’s Reinvention of Batman was genius. But some thought it was overly-ambitious, even audacious, to attempt to restart the Star Trek franchise. It has begun to pay off already for Paramount Pictures, and there will dividends for years to come.

A shiny new Enterprise is luring in a new generation of STAR TREK fans

J.J. Abrams is officially the Lazarus of movie directors as his all-new Star Trek has gone “Boldly Gone Where No Star Trek Movie has Gone Before.” With a cast of relative unknowns, the 42-year-old has resurrected a franchise that had been killed by insular “nerdyness” and timid imagination. The Gene Rodenberry creation didn’t so much bomb as it died slowly over a period of years. First, the 2002 movie Star Trek: Nemesis starring the Next Generation cast disappointed with a meager $43.3M domestic. Then, the final TV series Enterprise, which starred Scott Bakula, was not embraced by core fans or broader audiences and was canceled after four seasons, ending May 13, 2005.

(more…)

Several sources at competing studios have told me that J.J. Abrams’ all-new reboot of Star Trek (Paramount), which debuted last night at 7pm at many of its 3,849 locations, may have grossed as much as $6.5M-$7.5M. Studio honchos are “locked down tight” about actual numbers, but that is in the same ballpark as Transformers (Dreamworks/Paramount), which grabbed $8.8M in its previews starting at 8pm on Monday, July 2 during the summer of 2007. (What portion of ticket sales fall into Thursday and what percentage fall into Friday will likely be an open question even after final numbers are in.)

William Shatner (left) with Captain Kirk 2.0 Chris Pine

Keep in mind that Paramount never changed its Star Trek marketing to promote the 7pm Thursday start, so the opening night audience was likely heavy on Trekkers or Trekkies (not sure which term is “politically correct” anymore). So this was a “soft” opening and what amounts to a night of word-of-mouth screenings. Keep in mind that Transformers premiered during the summer when kids are more available while Star Trek has made its premiere during the school year.

(more…)

The all-new J.J. Abrams reboot of Star Trek (Paramount) will win the second weekend of the Hollywood Summer Box Office season by at least a couple of light years over Fox’s fast-fading X-Men Origins: Wolverine, but some of the astronomical numbers I’ve seen floating around in the blogosphere are very over-heated. Make no mistake, this movie will open extraordinarily well, but it’s not going to play out as a typical front-loaded blockbuster. Moviegoers need time to shake off the disappointment of the final TV series Enterprise (starring Scott Bakula and canceled after four seasons) and the disastrous 2002 final film Star Trek: Nemesis ($43.3M domestic). It will take time for a new generation of fans to discover the magic of Gene Rodenberry’s vision of the future through Abrams’ magical lens.

As of Wednesday night, Star Trek is cruising with 94% Fresh (positive) reviews on Rotten Tomatoes, and critics are slinging some seriously glowing hyperbole.

(more…)

In my Final Weekend Tracking column posted on Wednesday, I predicted that X-Men Origins: Wolverine (Fox) would reach $92M on opening weekend, despite soft reviews (now only 38% Fresh on Rotten Tomatoes). My first fearless forecast of the 2009 summer blockbuster season appears to be close to dead-on (missed by only 5%).

Star-turned-producer Hugh Jackman has scored his second-biggest opening ever and, easily, his biggest as a solo star. Wolverine has mauled the competition with a massive $34.75M opening day (including $5M or so in Thursday midnight sales). That could translate to a 3-day of $86.8M, getting Hollywood’s most lucrative season off to a spectacular start.

(more…)

The great thing about a sequel is that it has a built-in audience. The problem with sequels is that, as the numbers after the title go up, so does the production budget. Very hard to know for sure, but sources have told me that the production budget for X-Men was in the $75M range. X-2: X-Men United may have had a budget of about $110M, while the cost of X-Men: The Last Stand was, in all likelihood, as much as $210M. Why doesn’t it make sense to just churn out X-Men 4?

Look at these numbers.

(more…)

Recording superstar Beyonce Knowles is building a bankable resume for herself as an actress with Sony Screen Gems’ Obsessed as the latest title burnishing her resume. Co-starring the excellent Idris Elba (The Wire), this low budget, PG-13 genre pic has scored a far-above-expectations $11M on Friday, and it will likely reach $27.5M for the weekend. That is the best opening yet for the former Destiny’s Child lead vocalist as an above-the-title star, topping 2003’s The Fighting Temptations and Cadillac Records from late 2008.

Beyonce does battle with the sexy Ali Larter (HEROES) in OBSESSED

OPENINGS FOR BEYONCE MOVIES
1. Austin Powers: Goldmember – $70.3M opening
2. Obsessed – $27.5M opening (projected)
3. Pink Panther (2006) – $20.2M opening
4. Dreamgirls – $14.1M wide break (after a platform start)
5. The Fighting Temptations – $11.7M opening
6. Cadillac Records – $3.4M opening

(more…)

Anyone who’s figured out that Global Warming is socialism disguised as nonsense will immediately understand why DisneyNature’s “Earth” was dropped into theatres and aimed at your children on Earth Day. The subtext, as defined by a running subplot involving the struggle of “Papa the Polar Bear,” is how the warming of the earth is endangering the cutest animal families you ever will see. This warming is never openly blamed on man, but it no longer needs to be. Years of dishonest propaganda have laid that groundwork so well that “Earth” can toss off the warming fallacy in the most effective of ways: matter-of-factly.

Propa-nonsense or no, the saving grace of any theatrical nature documentary should be the photography, but I’ve read that “Earth” uses footage from, and is nothing more than a boiled down version of, the “Planet Earth” television series (recycling?), and it shows. There aren’t more than a few shots that rose above my childhood memories of what good ole Marlin Perkins introduced in Mutual of Omaha’s “Wild Kingdom” every Saturday afternoon in the seventies.

“Just as the mother lion protects her cubs, you can protect your family with Mutual of Omaha …” (more…)

The final weekend of April has never been Hollywood’s favorite release date. In fact, it is generally considered to be among the worst release dates on the calendar. Whatever opens on the final weekend of April gets absolutely crushed by the official start of the summer blockbuster season on the first weekend of May.

The 4 new wide releases and 1 major specialty release set to debut this weekend will face an onslaught of mega-hits over the next month. How can Obsessed (Sony), Earth (Disney), The Soloist, (Dreamworks/Paramount), Fighting (Rogue) and The Informers (Senator) possibly find an audience with X-Men Origins: Wolverine (Fox) and Ghosts of Girlfriends Past (Warner Bros) arriving next weekend followed by, in successive weeks, Star Trek (Paramount), Angels & Demons (Sony), the combo of Night at the Museum 2 (Fox) and Terminator: Salvation (Fox) and Disney/Pixar’s Up?

(more…)