The biggest narrative challenge facing the “The Stoning of Soraya M.” is in the overcoming of its own title. With the awful outcome inevitable, co-writer/director Cyrus Nowrasteh is forced to hold our attention through means other than a curiosity over how things will end. Replacing this with a gut-wrenching dread awaiting the final act won’t suffice — not for two hours, anyway. This leaves a single, narrow and challenging avenue; the summoning of a rare kind of storytelling invention, the kind where the audience knows full well what’s coming but still hopes against hope some cinematic magic will occur to alter the unalterable.

In an impressive feat of direction Nowrasteh accomplishes this, making “Soraya” much more than a film of the political moment or a position paper on the Middle East. In a current events’ vacuum, maybe even set on another planet, the story would work without the benefit of allegory. This is a universal, human story, after all, but not the story of a victim, but of a woman’s remarkable courage and determination to free the truth.  This woman is Zahra (Shohreh Aghdashloo), and yesterday her niece Soraya M. (Mozhan Marnò), was buried alive up to her chest and stoned to death. (more…)

Cyrus Nowrasteh’s “The Stoning of Soraya M.” is a grim and solemn duty.  This is no popcorn flick, to be viewed and forgotten.  It stays with you, like your conscience telling you to do the right thing, the difficult thing.  

Set in 1986 Iran – the Islamic Republic of Iran – Stoning is a gut-wrenching film with haunting music.  Nowrasteh’s movie, set to open June 26, is based on a book about the crime by French-Iranian journalist Freidoune Sahebjam. 

The film opens with Freidoune (James Caviezel) breaking down in his car on his way to the border.  Spending unwanted hours in a small village, he is approached by Zahra (Shohreh Aghdashloo), a woman the villagers try to shoo away as they call her crazy.  But Zahra has a terrible secret.  She does all she can to get word to the journalist about a terrible injustice committed in the village the previous day when her niece, Soraya M. (Mozhan Marnò), falsely accused of adultery by her cheating husband, Ali (Navid Negahban), was stoned to death per Islamic law.  (more…)