Posts Tagged ‘india’

Ann McElhinney

Hollywood Feminism: Eat Pray Love … Vomit Rinse Repeat

by Ann McElhinney

I saw Eat Pray Love over the weekend. I can’t remember the last film I walked out of but I certainly wanted to walk out of this one. I stayed because I want to know what is going in the world. I know now and it’s not good.

The cinema was half full, almost all were women.

eat-pray-love-julia-roberts

The film is deeply depressing. I recently saw Precious, I had avoided it because I thought it would be predictable and depressing. It’s not, even with its subject matter.

However nothing in the cinema this decade has depressed me as much as Eat Pray Love’s hymn to vacuous selfishness. There are 16 year olds who have more profound insights. Talking of 16 year olds, the journey of enlightenment taken by Liz Gilbert (Julia Roberts) in the film is very reminiscent of 16 year old’s experiences; girl meets a boy, falls in love with him, gets bored, chants a bit and meets another boy, bliss.

Back to the story, Eat Pray Love is criminally dull. (more…)

Greg Gutfeld

Daily Gut: America’s Gifts to the World

by Greg Gutfeld

The climate change conference is long gone, but with Christmas just around the corner, I figured there had to be a connection. Also, I’m writing this after a holiday party, so I’m drunk.

As President Obama says, let’s be clear: that comical Copenhagen conference wasn’t about science, it was about wealth transfer. The gist: because of America’s “hyper-industrialization,” we need to pay off poor countries for all the harm we’ve caused in the world. That’s the real green in the green movement: It’s cash, not grass.

What’s this have to do with Christmas? Well, I think the world has forgotten that the biggest gift to this planet is America’s industry – and it’s time to remind them where they would be without it.

1. Whenever a horrible disaster hits, they would be dead. Be it an earthquake, a tsunami or a Madonna tour – we’re usually the first and biggest responders – saving the injured, and helping to rebuild. It is because of our tremendous capability to mobilize quickly that makes us a nation of superheroes. It also takes planes, trucks and tractors to do that stuff. Imagine that carbon footprint. (more…)

Edward Azlant

‘Slumdog Millionaire’: A Leftist View of a Globalized World

by Edward Azlant

Well after its phenomenal success of eight Oscars, four Golden Globes, seven BAFTA’s, and $350 million at the boxoffice, “Slumdog Millionaire” has managed to stay alive. As much an amazing longshot victor as its hero, an urchin from the Mumbai slums cum tea server at a phone call center who wins a fortune in an Indian version of “Who Wants to Be a Millionaire?,” “Slumdog” has kept making news in ways deeply rooted in its own depiction of the world.

Recently the film’s British director Danny Boyle, serving as jury president of the 12th Shanghai Film Festival, confided during a panel discussion that on “Slumdog” he had shed the patronizing, “imperialist” mentality, relying heavily on a local Indian crew. Boyle also observed that while it was “regrettable” that Beijing imposed censorship restrictions on its filmmakers, he’d nonetheless love to work in China, as it would be a “challenge learning Mandarin.” Boyle neglected to mention that on “Slumdog” he’d skipped the challenge of learning Hindi, necessitating an Indian co-director, and also skipped the patronizing practice of paying Western wages, and the low pay for local child actors would fuel most of the subsequent controversies. (more…)

Schizoid Mann

Navigating the Gender Pass with ‘Gunga Din’

by Schizoid Mann

I have always thought that men and women are different. 

No kidding, professor.

No, really, they are. I don’t mean in all the right places, of course, but somewhere else, with movies, in enjoying the things we see in the movies. 

I remember seeing Gunga Din (1939) for the first time and knowing from the opening shot that this was my kind of film. This was a guy film. Not a wishy-washy movie filled up with dance numbers and kissing scenes, but a guy flick. Great guy stuff was in this movie, and I was sold on it from the first pounding of that thunderous mighty gong. When Alfred Newman’s score turned from playful to ominous faster than you can say, ‘trouble in Tantrapur’, I knew I was in for a good one. This was the kind of movie you watched on a Saturday afternoon with your dad or with your pals. This was adventure!  (more…)