Posts Tagged ‘Hal Roach’

Leo Grin

For Conservative Movie Lovers: Jack Schaefer, George Stevens, and ‘Shane’ Part 2

by Leo Grin

When director George Stevens decided to film Shane in the early fifties, it was a momentous decision on a number of levels.

Born in 1904, he was the product of a family of actors, and grew up in San Francisco helping his parents learn lines, doing backstage work, and even acting when the occasion demanded. “I was fascinated by all of it,” Stevens said. “The sounds of the theater and the audience, their rapture when a play took over and moved them and held them quietly. . . When the audience was truly moved, it was absolutely quiet. They were in a communion because they were learning the truth about themselves.”

stevens_standing_directors_chair

In 1921 his parents moved the family to Los Angeles to find work in the silent movie industry, and for Stevens it was a wonderful change. He leveraged a job his cousin had at Hal Roach studios to begin visiting the lot.

“I was really a kid at the time,” Stevens said, “and I had been interested in photography as a kid, as a hobby. . . I was on a picture for four or five days, had an opportunity to be on a set, and the assistant cameraman kept showing me things. One day I climbed the fence, knowing they needed an assistant cameraman. A couple of days later I was one. The first day or two it was pretty disastrous, but I knew something about photography, and I caught on quick.” (more…)

Leo Grin

For Conservative Movie Lovers: King Vidor, Wallace Beery and ‘The Champ’ Part 3

by Leo Grin

If you’ve seen Superman: The Movie (1978), you surely remember the character of Perry White, the tough-as-nails editor of The Daily Planet. Played pitch-perfect by actor Jackie Cooper, he’s one of the comedic highlights of the picture. “I want the name of this flying whatchamacallit to go with the Daily Planet like bacon and eggs! Franks and beans! Death and taxes! Politics and corruption!”

jackie_cooper_superman

Cooper delivers his one-liners in a Preston Sturges staccato that helps give the 1970s film a pleasant 1930s gloss, bridging the gap between comic book and movie. But if, like me, you were just a kid when you saw Superman, you may not have known that here was an actor who, fifty years earlier, was one of the most popular and recognizable in the world, courtesy of a little picture called The Champ. (more…)