Tom Hanks’ Latest Stroke of Genius — ‘American Idiot: The Musical’
by Daniel KalderAbout a decade ago I heard some tracks by Green Day– they were from the album Dookie, I believe. Somewhat hilariously these shouty pop ditties were being marketed as the spearhead of a punk revival- even though the music was not scary, not raw, not subversive, nor even very rebellious. There was clearly no danger one of these ‘Green Day’ boys was ever going to kill his girlfriend and then O.D. on heroin, for example — rather they were going to sell lots of records to disgruntled middle class kids then buy themselves a big house or two and a bunch of expensive cars. As the band was clearly irrelevant to anyone above the age of 15, I decided never to think about them again.

I kept that up until last week, when the BH editors asked me to do some digging into the band’s 2004 album American Idiot. Apparently Tom Hanks’ production company has bought the rights to make a film based on this record — no doubt in-between those periods when Mr. Hanks is pondering deeply about the causes of World War II, and America’s racial hatred of the Japanese and Arabs + anyone else who is ‘different.’
This is what I uncovered:
American Idiot is a ‘concept’ album that tells a narrative story throughout its 13 songs. Green Day apparently drew inspiration from The Who, a band that in the 1970s released a couple of concept albums, the most famous of which is Tommy, the nonsensical tale of a deaf, dumb and blind ‘pinball wizard.’ Immediately this set off a red flag because although Tommy contains a few good songs, taken as a whole, it is pretentious to an ear-incinerating degree, while the accompanying film is unwatchable unless you are out of your box on magic mushrooms. (more…)






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