[Editor's Note: Script reviews of upcoming projects have been around for as long as there's been an Internet. Therefore it's no secret that a film can evolve into something quite different from its screenplay. Please keep in mind that this article represents a look at a particular script and not the final product.]

The good news first – there’s no pinko sucker punch in The American despite the presence of chatty progressive George Clooney in the title role.  Sure, there’s a tiny bit of the hackneyed “American learns about life from the earthy foreigners who truly know how to live” cliché, but not much.  Now the bad news:  Not only is there no sucker punch but there’s no punch at all.

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This is a technically well-written script by Rowan Joffe that tells a story that made me want to lick my finger and stick it in a socket to jump start my soul.  Stop me if you’ve heard this before, which pretty much means stop me now.  Clooney plays a hit man who “wants out” and hides in an Italian village while he puts together his One Last Job.  He interacts with a few locals, sips coffee, acts paranoid, and awaits the series of twists and betrayals everyone sees coming a mile away.  Arrivederchi, two hours of your life.

I almost wish that the script had empowered Clooney’s Hollywood lib instincts so I could have felt something while reading the script other than the same exhausted ennui that the main character is supposed to feel.  Yeah, he’s burned out and morally and emotionally bereft.  We get it.  I mean, we’ve only seen this movie and this character, what . . . 500 times?  Except this one is hiding out in the same soul-regenerating village Italian countryside we’ve seen in, what . . . 500 other movies? 

Call it Clash of the Cliches.  Too bad they never actually unleash the kraken.

Let’s catalog some of the other clichés: (more…)

Some of the Navy folks talked about bringing out a veterinarian.

08 July 2009

(Filed from Afghanistan)

The fight in the southern Philippines varies in intensity and technique. Commanders in the AFP (Armed Forces Philippines) will say that the fight consists of about 80% carrot and 20% stick. The relationship between U.S. and AFP forces seems good but there are differences of opinion. Our folks fully understand the 80% part, but on the 20% we often know the whereabouts of the enemy and would like to see faster action. Nevertheless, my gut instinct after having a tour about the place is that progress is being made. A guerrilla commander told me that he had been fighting since 1976, but came out of the jungles with 34 fighters on 20 April this year. Publicly it’s called a “surrender,” but on the ground it seemed more like a mutual agreement to stop fighting and do something constructive. (more…)

The centenary of John Wayne’s birth passed in 2007 with hardly any attention from the U.S. media, which shows both how out of touch the critical community is and how much more astute audiences are than the great majority of those who would presume to guide them. This year marks the thirtieth anniversary of the death of the greatest movie star of all time, John Wayne, and his films still remain immensely popular on television and video, while critics grossly underestimate both his talent and his cultural significance.

Wayne surely wasn’t the most skilled actor ever, but he played a much wider variety of roles than is commonly acknowledged, and he brought his characters vividly to life with a force of personality very few, if any, other performers have even approached. A tall, powerfully built, former college football player, Wayne was a huge presence in the motion picture industry, and a superb actor whose skills were consistently underrated by the critics and still are.

Audiences, however, knew just how great he was, and they made his movies nearly automatic successes at the box office. (more…)