So, when it came time for our little girl to watch her first grown-up movie, I was torn between Saving Private Ryan and a film I have loved since I was a kid, Godzilla, King of the Monsters.  Now, Private Ryan teaches important, practical lessons that every American should learn, like how to maneuver your infantry company across a beachhead under fire to wipe out a Nazi crew-served weapons bunker. On the other hand, Godzilla has a hideous dragon with radioactive breath.  Tough call, but we decided to save Private Ryan for when she’s six – better late than never.

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What is the enduring fascination with a 55-year old flick that stars a fake Japanese reptile stomping Toyko into matchsticks?  The first thing is that Godzilla is a truly entertaining movie.  Actually, it’s two movies.  The version most Americans have seen on TV is the 1956 re-cut version of the 98-minute original Japanese movie, Gojira.  Some American producers decided it could make them a bundle, but it needed a bit of familiarization before the American audience would accept it.  They hired a pre-Perry Mason Raymond Burr to film some awkward footage as American reporter “Steve Martin,” cut out a lot of draggy filler, and shipped the slimmed down 80-minute final product to drive-ins all over the fruited plain. (more…)

Crank: High Voltage is surely the most visually inventive picture of the year. It is not just candy for your eyes, it is amphetamines. It is among the best times I’ve had at the movies in the past few years.

A director usually focuses on one or two typical movie elements to the detriment of the others, which is why you so often see a dull picture filled with intense acting, or a blockbuster story with throwaway characters. The most common of all permutations is action ueber alles in which car chases follow bar fights follow gunplay follows airplane battles follow robot wars. But the rarest is one in which the director finds a string of absolutely original things to do for nearly every minute of the movie. That’s what happens in Crank: High Voltage, and that’s what makes it so exciting. (more…)

I took my five-year-old son (Ed) and seven-year-old daughter (Ahmi) to see “Monsters vs. Aliens.” We got our Elvis Costello 3D glasses and wore them at all the wrong times during the television commercials that come on before the movie trailers. My kids didn’t know but I was mostly interested in their response to the 3D imagery. That’s right, I went to “Monsters vs. Aliens” primarily for human experimentation. They reached out to grab objects that appeared to float in front of them, but the greatest of all expressions came to their faces every time I looked over at them: smiles.

Reese Witherspoon voices Ginormica, a 49-foot-tall woman with an awesome figure. More to love. But her fiance is a sleazy weatherman from Modesto, as if there’s any other kind. Ginormica is the straight person in the adventure; she carries the hero’s burden of bringing any kind of depth or drama to a 90 minute farce. Her comedy relief side-kicks are fish man, cockroach man, a big Mothra maggot and the show stealing gelatinous B.O.B. voiced by Seth Rogen. (more…)