The next time you take out a baddie in a video game you might be conditioning yourself to commit actual violence, according to the Red Cross.

The 31st International Conference of the Red Cross (ICRC) and Red Crescent expressed its collective concern about the war games people play on their computer and gaming systems this week.

Some initial reports suggested gamers could be in a world of legal trouble for not following Geneva Conventions during video game play. The Red Cross quickly squashed those reports, but the group admitted it’s worried violent video games activity could have unintended consequences. And the international group may start leaning on video game makers who peddle violent titles.

Members of the committee said the Movement (note the capital M) is concerned about humanitarian law and how it should apply to video games, but is primarily concerned about how violent video games affect individuals and whether the International Red Cross/Red Crescent should pressure video-game makers to tone things down …

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The only surprising thing about hearing that Law & Order was going to take on the Bush administration over “torture” is the realization that Law & Order is still on the air.  This car-wreck of a series has been bouncing around NBC’s schedule since the first Bush administration doing the impossible – making lawyers look even worse.  Thanks, guys.

Law & Order’s mysteries are as unpredictable as where the sun will come up tomorrow morning.  In a typical episode, when the cops arrest a gang member you can safely bet the climatic trial denouement will reveal the real killer to be either the wealthy corporate executive,  the ambitious conservative politician or the hypocritical Christian preacher.  You know, kind of like in real life. (more…)

Quentin Tarantino’s “Inglourious Basterds” has all the trappings of a Tarantino film – from the rich cinematography and soundtrack to the unpredictable action and character development. Tarantino has directed and written another effort that, as usual, is in a class of its own. 

“Basterds,” misspelled the way Brad Pitt’s moonshining Lt. Aldo Raine character carved it into his rifle, takes place in German-occupied France from 1941 to 1944.  Tarantino makes a point of specifying “Nazi-occupied France,” justifying to the film watcher the extreme measures needed to deal with this particular type of human evil.  That National Socialist German Workers’ Party membership never numbered more than about 20 percent of the adult German population is beside the point; the Nazi Party in the guise of Hitler (played by Martin Wuttke) controlled the Wehrmacht from the top.  

“Basterds” follows three characters.  ”Chapter 1″ introduces Shosanna Dreyfus (Mélanie Laurent) a young Frenchwoman whose dairy farmer family is wiped out in 1941 by the Germans and Col. Hans Landa (Christoph Waltz), who directs the killing.  Landa is a member of the Sicherheitsdienst (SD), the intelligence service of the SS and the Nazi Party, who considers himself a detective asked by his government to find every last Jewish person in France.  In “Chapter 2″ we meet U.S. Army Lt. Aldo Raine. Raine’s crossed arrows insignia on his collar identifies him as a member of the First Special Service Force, a U.S.-Canadian commando force called the Devil’s Brigade.  Lt. Raine leads a small band of soldiers, all of whom happen to be Jewish, on a mission of retribution, mayhem and terror behind enemy lines, the goal: take 100 “Nazi scalps” each.  (more…)