Click here for Part 1 on Ben Shapiro’s Primetime Propaganda, here for Part 2 on Roger L. Simon’s Turning Right at Hollywood and Vine and here for part 3 on David Mamet’s The Secret Knowledge.

A new kind of film emerged in the late ‘80s and first half of the 1990s to as an alternative to the mind-numbing noise of the Boomer Blockbusters. Smaller studios like Miramax rose to champion independent films. Generation X auteurs shaped by obsessive home video viewing – Quentin Tarantino, P.T. Anderson, Robert Rodriguez, Kevin Smith, and Darren Aronofsky – passed on the Hollywood path and instead built careers through low budget, DIY productions. “Reservoir Dogs,” “Sydney,” “El Mariachi,” “Clerks,” and “Pi” launched careers that would lead to Academy Awards and some of the most exciting films of the 1990s and 2000s.

These filmmakers’ origins are true to the generational temperament of their peers.

Children born in the ‘60s and ‘70s did not grow up in the affluence and tranquility of the 1950s consensus. Instead they took a backseat as the Consciousness Revolution of the 1960s raged. It was now when the younger Silent and Boomer Generations rose up to challenge the cultural institutions built and maintained by the GI Generation who fought World War II.

The children of this era were forced to become independent, entrepreneurial, and innovative early on. Unlike the Boomers growing up in the ‘50s and the Millennials in the ‘80s and ‘90s, Gen-Xers were not protected. The adults were too busy with the cultural chaos of the ‘60s and ‘70s to be the parents they should have been. Thus, Gen X knew that they had no one to rely on except for themselves. According to William Strauss and Neil Howe in their histories of American generations, this is standard for “Reactive” generations – and equips them for crises come middle-age. George Washington, John Adams, Ulysses Grant, Dwight Eisenhower, and Harry Truman were all part of “Reactive” generations too. (more…)

X-Men: First Class had virtually everything going against it in pre-production– series fatigue (it’s the fifth entry in Fox’s X-Men saga), none of the original actors in starring roles, 1960s period costumes–on paper, it seemed like the ultimate studio cash-in, only to be outdone by the inevitable X-Men in Space: Electric Space Boogaloo from Space (in 3D!). Fortunately, it’s nothing of the sort.

Despite many flaws common to the superhero genre, First Class is quite possibly the best film in the series, not because it’s chock full of impressive special effects and action, but because broiling beneath its main characters’ performances are ideas–not just any ideas, but the central political and philosophical questions of the film’s time period whose minutiae our modern pundits still grapple over. This is not so much a review as a jumping-off point for discussion, so beware of spoilers ahead.

First Class focuses on young Magneto (Michael Fassbender) and Professor X (James McAvoy), at this point known as Erik Lehnshnerr and Charles Xavier, framing their worldviews through their respective experiences of World War II. Magneto is a Holocaust survivor forced to watch his own mother gunned down by Sebastian Shaw (a scenery-chewing Kevin Bacon), while X, though British, lives untouched by the war in New York, comfortable and affluent. As such, Magneto manifests the deep cynicism of Europeans, who decades before the first world war prophesied that civilization would make war a thing of the past, and X embodies the optimism of his young, victorious, prosperous nation.

If the film has one fatal flaw, it’s that McAvoy’s Professor X is a monstrously one-dimensional good guy–perfectly empathetic, perfectly charismatic, perfectly humble. He’s given a few humanizing moments of triviality in the first act, but once the central conflict kicks in, he merely serves as the angelic foil to the deeply tormented, deeply human, and deeply moving Magneto. Michael Fassbender, best known for his brief turn in Inglourious Basterds, deserves an Oscar nomination for his work here. He takes charge of the role with intimidating physicality, harnessing intense emotions into subtle shifts in Magneto’s inevitable path to top-hat-and-cape-wearing, mustache-tweaking evil. Yes, though we know exactly where he’s going, Fassbender injects suspense into the actual mechanics of the transformation; we care about him, sitting mortified but silently cheering when he gets his moment of revenge. (more…)

If you tuned in to Rush Limbaugh yesterday, you probably caught El Rushbo talking about Andrew’s new book.  Rush reminds us that Andrew, yes, Andrew Breitbart, “was a big lefty until he heard me.”  Me, meaning…Rush Limbaugh.

YouTube

By the way, great news!  Righteous Indignation: Excuse Me While I Save the World has been hovering between #1 and #2 on the Amazon Bestseller’s List in Non-Fiction, and between #10 and #12 Overall. Congratulations, Andrew!!!

Check out Andrew’s list of upcoming appearances and other press coverage.

John Hawkins of RightWing News recently interviewed Andrew Breitbart about his new book.  It’s a fun interview and a great read!

I always find it fascinating when people who used to be liberal say they turned to the right. That happened with you. Can you tell us about it?

Well, it’s a cliché from the left to the right. And it’s usually a story of opportunism in those few cases where the people move from the right to the left. It’s almost embarrassing to go back into my liberal background because it was about as shallow a belief system as humanly possible. It was go-along to get-along social. It was living in Los Angeles, being young, and single, and flowing with the trendy liberal crowd.

When I started to work in Hollywood at a fairly low level delivering scripts around town, listening to AM talk radio, I at first listened to it as a novelty. But I started to have certain things in my life going on such as living in a rent controlled apartment, having listened to the Clarence Thomas hearings, the OJ Simpson trial — I just started to see trends in my personal experiences that ran so contrary to what the media narratives were. At first I was flummoxed by it and then I just started to listen to certain people on the radio who were more clear thinking than the professors that I had in college.

I remember thinking when I was in college that a lot of these known Chomsky-like, verbose high lefty thinkers made absolutely no sense but I thought that was my problem. So when I started to listen to conservative thinkers and to read conservative thinkers, there was a clarity of thought. It wasn’t muddled. It wasn’t confusing. It started to make sense at an intellectual level and tie into the values that my parents gave me when I was a young kid that I diverted from when I was in high school.

So it was basically a reconnecting with everything that my parents attempted to instill in me in my youth. It has made me sleep a lot better at night, being centered and oriented with human nature as opposed to living in a world of self loathing nihilism, trying to undo human nature, and trying to create a path towards an unrealistic utopia.

Now, you were recently banned from the front page of The Huffington Post….

Oh, the tragedy of my life.

(Laughs) It is, it is. Apparently you made some sort of ad hominem attack on Van Jones and The Huffington Post has a policy against that. It must have been in place for at least two minutes or so before you were banned. Can you talk about that?

Read the entire review at RightWing News.

Check out Andrew’s list of upcoming appearances and other press coverage.

According to James Hirsen of Examiner.com, Susan Sarandon had an odd night recently:

Sarandon attended the third anniversary of The Box in New York’s Lower East Side.  A transsexual cabaret performer named Rose Wood engaged in projectile vomiting on stage and hit Sarandon with it. Standing nearby were Scarlett Johansson and Liev Schreiber. According to Wood it was not intended as an affront to the actress and she didn’t take it that way. “Apparently [Sarandon] got a big kick out of it. She squealed with surprise and loved it when several handsome gentlemen wiped it off of her. She had a ball! I saw her assistant downstairs afterward, and he was moved by it! She was in great spirits,” Wood told the New York Press. 

Nothing says fun like vomit.  (more…)

Here’s a question for you: Why is Rodney King famous and Kenneth Gladney unknown? 

Here’s a better question: If Kenneth Gladney — a black American who was beaten when he went to protest ObamaCare — had been there instead to support President Obama and had been beaten up and called a nigger by Anti-Obama town hall protesters… [click image below to play video]

…Well, does anyone doubt he would have been as famous as Rodney King? Why is Kenneth Gladney ignored? And why did a black patriot who showed up in opposition to ObamaCare with an AR-15 have his face and hands edited out of the video that MSNBC used to create the belief that wild white mobs, enraged at the very idea of a black man in the White House, were waiting outside to lynch the “President of Color?”  (more…)