Posts Tagged ‘fox searchlight’

Edward Azlant

‘Slumdog Millionaire’: A Leftist View of a Globalized World

by Edward Azlant

Well after its phenomenal success of eight Oscars, four Golden Globes, seven BAFTA’s, and $350 million at the boxoffice, “Slumdog Millionaire” has managed to stay alive. As much an amazing longshot victor as its hero, an urchin from the Mumbai slums cum tea server at a phone call center who wins a fortune in an Indian version of “Who Wants to Be a Millionaire?,” “Slumdog” has kept making news in ways deeply rooted in its own depiction of the world.

Recently the film’s British director Danny Boyle, serving as jury president of the 12th Shanghai Film Festival, confided during a panel discussion that on “Slumdog” he had shed the patronizing, “imperialist” mentality, relying heavily on a local Indian crew. Boyle also observed that while it was “regrettable” that Beijing imposed censorship restrictions on its filmmakers, he’d nonetheless love to work in China, as it would be a “challenge learning Mandarin.” Boyle neglected to mention that on “Slumdog” he’d skipped the challenge of learning Hindi, necessitating an Indian co-director, and also skipped the patronizing practice of paying Western wages, and the low pay for local child actors would fuel most of the subsequent controversies. (more…)

Steve Mason

Summit scores a nice hit with KNOWING, which could reach $60M domestic, while I LOVE YOU, MAN has a shot at $70M in the US!

by Steve Mason

It was another good weekend for Summit Entertainment. The distributor behind last year’s meteoric hit Twilight has scored a solid hit with the Alex Proyas-directed Knowing, starring Nicolas Cage. Despite shaky word-of-mouth and negative reviews, the sci-fi thriller got a solid 9% bump on Saturday for a $9.7M second day, and it will likely finish its opening weekend with a possible $24.8M.

As a production company, Summit is responsible for some monster hits, including commercially and/or artistically successful films like Once (Oscar nominee for Best Picture), American Pie ($102..5M domestic), Memento (Oscar nominee for Best Original Screenplay: Chris Nolan), Mr. & Mrs. Smith ($186.3M domestic) and In the Valley of Ellah (Tommy Lee Jones nominated for Best Actor). But as a distributor, they got off to a slow start. (more…)

Steve Mason

KNOWING grabs $8.95M Friday & targets $23.2M weekend, but word-of-mouth may push I LOVE YOU, MAN to $70M domestic; DUPLICITY gets a only a C from CinemaScore!

by Steve Mason

Early box office returns are pointing to a weekend win for Knowing from Summit, but I will put my money on I Love You, Man (Dreamworks/Paramount) to generate more in US ticket sales over the long haul. The Nicolas Cage sci-fi thriller has grabbed an estimated $8.95M to start the weekend, and it will likely finish at $24M or so. That is, unless word-of-mouth catches up to it first.

Will reviews and word-of-mouth catch up to KNOWING?

Will reviews and word-of-mouth catch up to KNOWING?

Reviews for Knowing, written and directed by Alex Proyas, the inventive filmmaker behind the visually striking 1998 film Dark City and the 2004 Will Smith mega-hit I, Robot, has received overwhelmingly negative reviews (25% Fresh on Rotten Tomatoes), but thanks to Twitter, real-time movie-goer reactions spread like wildfire. Here are some Tweets I just grabbed off the social networking platform.

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Steve Mason

KNOWING is favored to win the weekend, but is I LOVE YOU, MAN poised for an upset?

by Steve Mason

For the last few weeks, Summit’s Knowing, starring Nicolas Cage, has appeared to be the likely winner of the upcoming box office weekend. But, my sources tell me that I Love You, Man, the new comedy starring Paul Rudd (Role Models) and Jason Segal (Forgetting Sarah Marshall) has surged in the latest pre-release industry tracking.


In the spirit of March Madness, I’m calling for the upset. I Love You, Man may not actually be a Judd Apatow movie, but it sure does look like one in trailers and commercials. The movie reportedly “rocked the house” at the South By South West Festival last week, and the buzz is very positive. I am calling for $21.5M, which would be above industry expectations.

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Steve Mason

Audiences RACE TO WITCH MOUNTAIN on Saturday as The Rock’s new family film targets $25M start & $85M domestic, but WATCHMEN is now headed for no more than $110M in the US!

by Steve Mason

As expected Disney’s Race To Witch Mountain enjoyed a huge Saturday surge for just over $11M in tickets sold, and the reboot of the 70’s franchise will finish with about $25M for the 3-day. Overall, Race posted the year’s seventh-best Saturday performance.

TOP 10 SATURDAY GROSSES IN 2009
1. March 7 – Watchmen – $18.3M
2. February 21 – Tyler Perry’s Madea Goes To Jail – $16.6M
3. February 14 – Friday the Thirteenth – $14.3M
4. January 17 – Paul Blart: Mall Cop – $13.2M
5. January 10 – Gran Torino – $12.1M
6. January 31 – Taken – $11.65M
7. March 14 - Race To Witch Mountain – $11M (estimated)
8. February 7 – He’s Just Not That Into You – $10.9M
9. January 17 – Paul Blart: Mall Cop – $10M
10. January 17 – Gran Torino – $10M
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Steve Mason

Wrestler-turned-movie star Dwayne Johnson leads RACE TO WITCH MOUNTAIN to a $24.25M opening, while WATCHMEN plummets 71%!

by Steve Mason

As Watchmen (Warner Bros) falls, “The Rock” appears to be racing to a weekend win. Disney’s Race To Witch Mountain, starring Dwayne “The Rock” Johnson, is off to a solid start with $6.8M or so on opening day, and, with its expected surge in family matinee audiences on Saturday and Sunday, it will likely triumph with a possible $24.25M.

Meanwhile last weekend’s winner Watchmen staggered to a second Friday of only $5.4M or so, and I am projecting only $15.75M for the 3-day. That marks a 71% drop. Anything over $20M would have been acceptable, but the bottom has fallen out of this movie, and it will now struggle to reach $100M domestic. When the foreign and DVD are added, it may make a small profit, but it will likely be negligible. The superstitious might suggest that Watchmen writer Alan Moore’s alleged curse may be to blame, but the reality is that word-of-mouth has been more negative than for any movie in recent memory.

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Steve Mason

WITCH MOUNTAIN could “Rock” WATCHMEN for surprising weekend win!

by Steve Mason

One of the coolest ways to use the social networking platform Twitter is to find out what people are thinking, saying and Twittering about in real time. Here’s a small sampling of Tweets from the opening weekend of Watchmen (Warner Bros).

The Watchmen = Epic fail!

If you haven’t seen The Watchmen yet, I’d urge you to read the graphic novel first. Well, actually, I’d urge you to JUST read the GN. lol.

Watchmen.undecided,confused as superhero film with

very little superhero action.Convoluted story,but overall watchable. My opinion only

I was bored while watching Watchmen

Just got out of Watchmen…. Ouch, would spend the 9 quid on – can’t even find the humour, brain switched off 1 hour into the 3- BIG YAWN (more…)

Steve Mason

WATCHMEN with $25.2M opening day, but “ticking downward,” now targeting $57M 3-day & $145M domestic!

by Steve Mason

“Who is watching the Watchmen?” Just about everyone…or so it seems.

The brand new film adaptation of the classic graphic comic Watchmen is a hit of monstrous proportions on its opening weekend, but not everyone loves it. In fact, not only is there a prominent character named Rohrschach (played by Oscar nominee Jackie Earle Haley), the film itself is serving as a Rohrschach Test for critics, fanboys and the broader public.

The Zack Snyder-directed $120M epic started with $4.5M in Thursday midnight business which is outstanding. There was no way for Watchmen to approach the $18.5M midnight start for lat summer’s The Dark Knight. First off, it is March and not the middle of summer blockbuster season. Kids have school. People are working. These are not the lazy days of July when it is easier for many to see a movie at midnight on Thursday, and hit the office late on Friday. The other factor is the movie’s rating. This is an R-rated movie, not PG-13 like The Dark Knight. (more…)

Steve Mason

Overlooked: The Top 10 Best Performances of 2008 that you may not have heard about!

by Steve Mason

The Academy Awards for 2008 have been handed out, and the “popular kids” have Oscars on their mantles, but the dirty little secret about winning awards is that you’ve gotta campaign for them. Thousands of dollars were spent by the distributors and filmmakers behind Slumdog Millionaire (Fox Searchlight), Milk (Focus Features), The Reader (Weinstein) and other assorted winners and nominees, but not all performances received that sort of big money backing.

I am an unabashed lover of the acting craft. I see virtually every movie, large and small, that passes through the US marketplace, and, taking nothing away from Sean Penn, Kate Winslet, Penelope Cruz and Heath Ledger, not all of 2008’s best performances have been recognized. I’m not going to be obvious here. Clint Eastwood was snubbed for Gran Torino, but he received lots of acclaim for the role including being named Best Actor by the National Board of Review. My goal is to highlight 10 performances from last year that have received virtually no acclaim in the US. Many of these roles can be found in hardly-seen, under-appreciated movies that came and went without much notice. Each and every one of these movies deserve a spot in your Netflix (or Blockbuster) cue. (more…)

Steve Mason

They’re teen movie stars that wear purity rings: JONAS BROTHERS: THE 3-D CONCERT EXPERIENCE should easily win the weekend with a possible $30M!

by Steve Mason

Tween girls will unite this weekend and transform Kevin, Joe and Nick into box office stars. Last year, Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour ignited a box office wildfire with a $31.1M opening weekend despite only 683 3-D-equipped screens. Now Disney has the teen stars of the moment, Jonas Brothers, in the same sort of concert movie vehicle. The difference is that Jonas Brothers: The 3-D Concert Experience will open on about twice as many screens.


The precise number of 3-D screens is difficult to pinpoint. Last month, Lionsgate confirmed 1,033 Digital 3-D runs for the remake of My Bloody Valentine, and although I have not been able to confirm a hard number for Coraline (Focus), it was probably close to 1,100. Now, as the expensive $100K per screen digital conversion creeps along for exhibitors, Jonas Brothers could reach 1,200 3-D screens. Unlike Coraline, the new Disney concert movie will not be boosted by traditional 2-D 35MM playdates.

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Steve Mason

Mickey Rourke with another priceless acceptance speech! Stage set for Oscar glory?

by Steve Mason

Mickey Rourke won the Independent Spirit Award last night in Santa Monica, possibly setting the stage for a memorable Oscar moment tonight. Randy “The Ram” Robinson, the character that Rourke plays in Darren Aronofsky’s The Wrestler (Fox Searchlight) is a blazing, raw, “broken down piece of meat” of a professional wrestler, and it is a once in a lifetime performance for the not-that-long-ago has-been.

His speech is so entertaining that as I was hosting an Oscar Eve radio special on 790 KABC in Los Angeles last night, every guest that had been at the Spirits could talk about nothing else, including Best Supporting Actress nominee Taraji P. Henson from Benjamin Button, E!’s Ben Lyons, Associated Press film critic Christy Lemire, James Marsh, the writer/director of Man On Wire (favored to win Best Documentary Feature tonight) and Emmy winning actor Bryan Cranston from Breaking Bad (set to return on AMC on March 8). (more…)

Steve Mason

Final Oscar Predix: SLUMDOG, Rourke, Streep, Ledger, Cruz; BEN BUTTON could win just 2 of 13!

by Steve Mason

I am forecasting a coronation for Slumdog Millionaire (Fox Searchlight) at Sunday’s Academy Awards. My final predictions call for Slumdog wins in 8 of the 9 categories it is competing in including Best Picture and Best Director: Danny Boyle. The only place I think it will fail is in the Sound Mixing category where The Dark Knight (Warner Bros) may trump it.

Slumdog Millionaire is about to win the Hollywood's Grand Prize

Slumdog Millionaire is about to win the Hollywood's Grand Prize

The “Battle Royale” of the night is Mickey Rouke from The Wrestler (Fox Searchlight) vs. Sean Penn in Milk (Focus) in the Best Actor category. There have been two ties in major categories in Academy Award history. The first was in 1932 when Frederic March in Dr. Jekyll & Mr. Hyde shared Best Actor with Wallace Beery for The Champ. (March had one more vote, but in that era, any finish within 3 votes was rules a tie.) Then in 1968, Katherine Hepburn for The Lion In Winter and Barbara Streisand for Funny Girl tied for Best Actress. If there was any justice, Rourke and Penn would share the award. In any other year, either of them would be a lock. Forced to make a pick, I’m going with Rourke.

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Steve Mason

Even if you wanted to see the Best Picture nominees this weekend, you might have trouble finding a theatre!

by Steve Mason

Tyler Perry’s decidedly un-Oscar Madea Goes to Jail (Lionsgate) is the box office story of Oscar weekend selling a massive $14.65M in opening day tickets with a possible $38M in sales expected for the weekend. But what about the Best Picture nominees, the supposed cool kids on the box office block?


Slumdog Millionaire (Fox Searchlight) is the odds-on Best Picture winner, and it expanded to about 600 additional playdates this weekend for a total screen count of 2,224. The other four contenders for Hollywood’s biggest prize, however, are on a combined 2,508 screens. That means that they are essentially done with their theatrical engagements in the US (barring a truly shocking upset). Even if you wanted to see the other four nominees, you might have trouble finding them at your local multiplex – especially if you live outside a major city.
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Steve Mason

Studio Estimates: Tyler Perry is the undisputed box office king of Oscar weekend as MADEA GOES TO JAIL grabs a stunning $14.65M opening day for a $41.12M start!

by Steve Mason

Tyler Perry is the king of the Hollywood box office for Academy Awards weekend. Tyler Perry’s Madea Goes To Jail (Lionsgate) debuted with just 2,032 playdates on Friday and scored a monstrous $14.65M for a Per Theatre Average of over $7,000. The final weekend take could be $41.12M.

The box office king....err....queen of Oscar weekend

The box office king....err....queen of Oscar weekend

Although I am not necessarily a fan of Tyler Perry movies, I am a Tyler Perry fan. He traveled the country for years doing live stage shows in order to fine-tune his act, and he identified an under-served audience – African Americans, and more specifically black, Christian women. Now he makes two movies a year, and he has two television series’ on TBS – House of Payne and Meet the Browns. He built a multi-million dollar studio in an under-served area in Atlanta, taking advantage of tax credits for building in a blighted neighborhood. Now he is building a mini-empire. He produces, writes, directs and stars in his projects, and he even helps to finance them.

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Steve Mason

Oscar odds: SLUMDOG, Rourke, Winslet, Cruz are favorites, but Penn, Streep and Tomei are live underdogs!

by Steve Mason

On Sunday, the Academy Awards will be handed out at the Kodak Theatre in Hollywood, and there are some clear favorites. Slumdog Millionaire, the feel-good Danny Boyle Mumbai opus made for just $14M, is a heavy favorite to win Best Picture. It’s hard to imagine Slumdog missing out on Hollywood’s biggest prize, having won the Golden Globe, the BAFTA Award and just about everything in between.


But, in the world of gambling, you always want to look for value. What are the films and performances with longer odds that would be worth a wager on Sunday? My purpose here is to establish a betting line for each of the six major categories, and then find the value bet in each category.

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Steve Mason

What Recession? Biggest President’s Day Weekend in Hollywood History as FRIDAY THE THIRTEENTH scares up $19.3M Friday and has a stab at $47M for 4 Days!

by Steve Mason

Although America is suffering through its worst economic downturn since the Great Depression, there is no recession in the movie business. Led by the Warner Bros reboot of Friday the Thirteenth and a couple of surprisingly strong chick flicks, Hollywood’s top twelve grossing movies may grab a combined $201.5M over the long President’s Day weekend holiday, which marks an all-time best for the annual 4-day movie-going bonanza.

TOP GROSSING PRESIDENT’S WEEKENDS FOR HOLLYWOOD
- combined gross of top 12 films -
1. 2009 – $201.5M (estimated)
2. 2007 – $167.8M
3. 2008 – $141.1M
4. 2003 – $141M
5. 2005 – $137.1M

Director Marcus Nispel (2003’s Texas Chainsaw Massacre remake) and the Platinum Dunes production company have gotten the all-new Friday the Thirteenth off to a spectacular $19.3M opening day. That could translate to a well-above-expectations $47M by Tuesday morning. The new Jason restart quickly follows the Platinum Dunes success of The Unborn, released on January 9 to a $19.8M 3-day take. That David D. Goyer written and directed genre pic was made for just $16M, and The Unborn has generated an estimated $42M in the US.

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Steve Mason

SLUMDOG MILLIONAIRE is the toast of the UK, winning 7 BAFTA Awards including Best Picture!

by Steve Mason

There was not a great deal of drama surrounding this year’s British Academy of Film & Television Arts Awards, commonly known as the BAFTA Awards. Slumdog Millionaire (Fox Searchlight) is a movie with deep roots in the UK. Director Danny Boyle was born in Manchester, England, lead actor Dev Patel is the star of the popular British television series Skins, and the movie is a gigantic hit in the British Isles with an impressive $20.6M (US dollars) in box office for Pathe, since its release there on January 6.

BAFTA Winner Mickey Rourke

BAFTA Winner Mickey Rourke

The two major uncertainties entering Sunday’s ceremony were whether Kate Winslet, twice-nominated for Best Actress, would split her own vote and miss out on her second BAFTA Award and who would prevail in the Sean Penn-Mickey Rourke battle for Best Actor. Aside from that, it seemed like a Slumdog sweep, and that’s exactly how it played out.

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Steve Mason

2009 Oscars doomed? – FROST/NIXON, THE READER and MILK are among the 6 weakest grossing Best Picture nominees of the last decade!

by Steve Mason

There is a phenomenon known as “the Oscar bounce.” When a movie receives Academy Award nominations, especially one of the five coveted Best Picture slots, ticket-buyers generally follow. The Oscar seal of approval used to mean something to the rank-and-file moviegoer, but that seems to have changed.

Only one of this year’s Best Picture nominees has inspired any real passion from the broad public. The almost-certain Best Picture winner is Slumdog Millionaire (Fox Searchlight), and its devotees, including critics and members of the Academy (not to mention yours truly), have made it a word-of-mouth smash hit. The Danny Boyle-directed feel-good Bollywood fusion movie made for a meager $14M added another $2.05M or so on Friday and is charting a 3-day course for about $7.4M. That will give the Slumdog a $77.4M take, and it could reach $90M-$95M before it’s through in American theatres.

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Steve Mason

Does Jen sell more tickets than Brad? – HE’S JUST NOT THAT INTO YOU easily wins the weekend with $27.4M 3-day!

by Steve Mason

The Drew Barrymore-produced romantic comedy He’s Just Not That Into You has made the jump from catch-phrase to self-help book to movie hit. With an all-star cast this classic ‘chick flick” appears to be winning the weekend after posting a spectacular $10.5M in opening day ticket sales. That should mean a 3-day start of $27.4M or so, easily out-pacing holdover Taken (Fox) and three other new wide releases. With this kind of opening, Not That Into You could reach almost $60M by the end of next weekend (a 4-day Presidents/Valentine’s combo), which would forecast a potential $90M in US ticket sales.


The new movie developed by New Line and now released by Warner Bros is based on the book of the same name co-written by former Sex & the City scribes Greg Behrendt and Liz Tucillo. The line itself has come to be a reassuring fallback for women in the dating scene (and I’m guessing single guys have adopted the mentality as well in the rough-and-tumble world of dating).

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Steve Mason

Biggest US opening ever for Luc Besson – TAKEN grabs up 24% Saturday and finishes with $24.6M for Super Bowl weekend; PAUL BLART: MALL COP strong at #2 while THE UNINVITED appears headed for 3rd with a possible $10.5M; Zellweger’s NEW IN TOWN may reach $6.75M opening; Not much of an “Oscar bounce” for THE READER and MILK!

by Steve Mason

Liam Neeson is officially a full-fledged action star. The Irish-born actor has often played heroes, whether it was Oskar Schindler in Steven Spielberg’s masterpiece Schindler’s List, the wise Qui-Gon Jinn in Star Wars: Episode I – The Phantom Menace or determined sex researcher Alfred Kinsey in 2005’s biopic Kinsey, Neeson has always had a knack for playing the earnest-but-flawed good guy. In his new movie Taken (Fox), writer/producer Luc Besson and director Pierre Morel have turned him into a Dad with the “mad skills” of a super-spy – think Mike Brady crossed with Jason Bourne.

The result is a well-reviewed (56% Fresh on Rotten Tomatoes) action film that will help to satisfy blockbuster-hungry audiences waiting for Warner Bros’ Watchmen (due March 6). Taken has scored big on its opening weekend. After grabbing an estimated $9.4M, the movie surged on Saturday to $11.62M (up almost 24% from opening day) and, despite today’s Super Bowl, the film could reach $24.62M according to studio estimates. That will be more than enough to win the Super Bowl 3-day, and positive word-of-mouth could get this one into the $70M-$75M range domestic.

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Steve Mason

PAUL BLART: MALL COP comes-from-behind for a weekend win with $21.5M; Sony finishes 1-2 with UNDERWORLD at $20.7M; GRAN TORINO adds $16M and will become Eastwood’s #1 grossing movie on Wednesday; No love for INKHEART!

by Steve Mason

The chubby guy on the Segway rallied for a come-from-behind win over the Beckinsale-less Underworld sequel, but regardless, it was a 1-2 finish for Sony. When I originally predicted that Paul Blart: Mall Cop as the likely weekend winner over the MLK 4-day, some online sites questioned my pick. Even I didn’t expect an opening close to $40M, and now the Kevin James vehicle has surprised again.

The Adam Sandler-produced comedy has broadened its audience, showing real family appeal. That led to stronger Saturday and Sunday matinees for a stellar $21.5M by Monday morning. That gives the movie a 10-day cume of just shy of $65M, which is impressive considering that it was budgeted at just $26M. After success as a supporting star in movies like Hitch ($179.5M cume) and I Now Pronounce You Chuck and Larry ($120M cume), it appears that James can open a movie without the help of Will Smith and Adam Sandler. Mall Cop dipped only 32% from last Friday-thru-Sunday (and that was part of a 4-day weekend, which can often lead to a sharper drop). (more…)

Steve Mason

LOWEST RATED OSCAR TELECAST IN HISTORY?: Snubs of THE DARK KNIGHT, Clint Eastwood and Bruce Springsteen point toward a new ratings nadir for the Oscar show; The five Best Picture nominees have combined to gross only $186M, about what TDK delivered in first 4 days!

by Steve Mason

Nobody is ever completely satisfied with the Academy Award nominations, but with several key snubs, Oscar voters may have ensured that the 2009 telecast hits an all-time ratings low.

Investor Warren Buffet coined the phrase “skin in the game” to describe a situation where executives use their own money to buy shares in their company. The so-called Oracle of Omaha likes companies where insiders have their own money invested because they work harder, care more and generally are more emotionally invested.

The problem with the Oscars is that voters are nominating films that relatively few people have seen. The five movies nominated for Best Picture this week – The Curious Case of Benjamin Button, Slumdog Millionaire, Milk, The Reader and Frost/Nixon – have combined to gross just $186.7M. The Dark Knight passed that box office total early in its fifth day of release. (more…)

Steve Mason

FINAL TRACKING: UNDERWORLD: RISE OF THE LYCANS could reach $24M with MALL COP at #2; Eastwood’s TORINO and INKHEART battle for third; SLUMDOG, THE WRESTLER and REV ROAD set for solid expansions!

by Steve Mason

Michael Sheen has two movies in release this weekend. The classically-trained Welsh actor plays Lucien in the wildly commercial Underworld: Rise of the Lycans (Sony), opening on about 3,000 screens, and he plays David Frost in Frost/Nixon (Universal), expanding to about 800 playdates.

He is a classically-trained stage actor, who has starred in heavyweight UK productions of Romeo and Juliet, Henry V, Amadeus and The Dresser, was somehow overlooked by both Hollywood Foreign Press and Oscar voters when he starred as Tony Blair in 2006’s The Queen. (He was outshined by Helen Mirren, who won every acting prize imaginable). This year, he is in the shadow of Frank Langella’s towering portrayal of President Richard Nixon in Frost/Nixon.

As an aside, The Queen was the second in screenwriter Peter Morgan’s Tony Blair trilogy. The first film was called The Deal for British television and tells the story of the rivalry between Blair and current British Prime Minister Gordon Brown. (This is a great title to put in your Netflix or Blockbuster cue.) The final film will be called The Special Relationship, which will focus on the intimate friendship between the British PM and President Bill Clinton between 1997-2000. Sheen has signed on, but there is no word on who will play Clinton. Morgan says the idea for the third film began to germinate when he heard that Blair and Clinton were alone together when Vice President Al Gore conceded the 2000 election.

In the meantime, Sheen will almost certainly have the #1 movie in America this weekend with Underworld: Rise of the Lycans. This is the third Underworld movie, but it is a prequel set in the dark ages with Sheen as Lucien, a young werewolf, who leads a war against Bill Nighy as Viktor, the leader of the vampire race. (more…)

Steve Mason

Warner Bros reaches $1.74 billion domestic surpassing Sony’s record set in 2006!; MARLEY & ME headed for $51.8M 4-Day with BEN BUTTON at $39.1M & BEDTIME STORIES at $38.6M!; REV ROAD with Best PTA of 2008!

by Steve Mason

Steve Mason is on Facebook and now also on Twitter.

SUNDAY MORNING: Dog lovers everywhere united to make Fox’s Marley & Me the #1 Christmas weekend movie with an expected $51.18M in the Thursday-thru-Sunday period for a Per Theatre Average of $14,888. Pre-opening industry tracking pointed to a clear win for Bedtime Stories (Disney), but it was the lovable lab who finished on top.

As an aside, all of us who read John Grogan’s extraordinarily well-written novel should have seen this coming. The book is a joy, and anyone who has a dog, or has ever had a dog, could easily identify with the struggles and pleasures of having a 4-legged member of the family.

The success of Marley slightly mitigates a disastrous year for Fox. Its year started out well enough riding the huge success of 2007 release Alvin & the Chipmunks into January ($70M of Alvin’s gross landed in this calendar year). The January 18 release of chick-flick 27 Dresses scored for Katherine Heigl ($76.8M in the US), then Jumper was a good solid February hit, topping $80M, followed by the wildly successful Horton Hears a Who ($154.5M domestic). Little did Fox know that when the Ashton Kutcher-Cameron Diaz comedy What Happens in Vegas played solidly to the tune of $80.2M domestic starting in May, it would be its last legit hit until Christmas’ Marley & Me. This is a huge, redemptive win for Fox, and its sentimental tear-jerker of a dog movie could near $100M domestic by Sunday.

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Steve Mason

FINAL STUDIO ESTIMATES: ‘Yes Man’ and may lift Warner Bros to all-time one year studio domestic sales record!; ‘Seven Pounds’ stumbles to $16M, ending Will’s streak of consecutive $100M grossing movies!; ‘The Wrestler’ with a huge $52K PTA!

by Steve Mason

The final studio estimates are in, and, as I first wrote Friday night, Jim Carrey’s Yes Man (Warner Bros) is the weekend winner, although the performance of the film was softer-than-expected. When the movie started with a soft $6.7M on Friday, it was hard to tell if it was because snowstorms in several regions of the country or just a failure to connect with audiences. Saturday’s small 3% increase to $6.7M appears to suggest the latter.

Still, Yes Man is performing well enough to help Warner Bros make history in the next couple of weeks. I am projecting that the film could bank a possible $48M (conservatively) before the end of the year. Add to that a projected cume of $120M for Four Christmases by the close of business on December 31, and an anticipated $5.4M or so from the limited engagements of Clint Eastwood’s Gran Torino (70 playdates starting Christmas Day), and Warner Bros would reach an annual domestic sales figure of $1.75 billion, surpassing Sony’s $1.71 billion take in 2006.

Meanwhile, Will Smith’s re-teaming with Pursuit of Happyness director Gabriele Muccino received a 9% Saturday bump from Friday’s $5.22M, but the movie still placed second with an estimated $16M. That represents the softest opening for Will since 2000’s Ali ($14.7M). Seven Pounds is almost-certain to break his historic streak of consecutive $100M+ grossing movies, which will end at 8.

For complete analysis of how Yes Man may cinch Warner Bros’ record-breaking year and what the tough opening Seven Pounds means to Will Smith, visit my Friday Night Early Estimates column and my Final Weekend Tracking column from Thursday. For details on the monstrous opening weekend success of The Wrestler (Fox Searchlight) and details on the successful expansions of Gran Torino and Doubt (Miramax), check out my Saturday update.

EXCLUSIVE STEVE MASON REVISED EARLY 3-DAY ESTIMATES
1. NEW – Yes Man (Warner Bros) – $18.16M, $5,288 PTA, $18.16M cume
2. NEW – Seven Pounds (Sony) – $16M, $5,801 PTA, $16M cume
3. NEW – Tale of Despereaux (Universal) – $10.5M, $3,385 PTA, $10.5M cume
4. The Day the Earth Stood Still (Fox) – $10.15M, $2,851 PTA, $48.62M cume
5. Four Christmases (Warner Bros) – $7.74M, $2,203 PTA, $100.15M cume
6. Twilight (Summit) – $5.22M, $1,748 PTA, $158.46M cume
7. Bolt (Disney) -$4.25M, $1,434 PTA, $95M cume
8. Slumdog Millionaire (Fox Searchlight) – $3.15M, $5,348 PTA, $12.13M cume
9. Australia (Fox) – $2.32M, $1,051PTA, $41.94M cume
10. Quantum of Solace (Sony) – $2.15M, $1,147 PTA, $161.3M cume
11. Milk (Focus) – $1.64M, $4,610 PTA, $10.32M cume
12. Madagascar: Escape 2 Africa (Dreamworks/Paramount) – $1.51M, $752 PTA, $172.33M cume
13. Nothing Like the Holidays (Overture) – $1.31M, $789 PTA, $5.94M cume
14. Doubt (Miramax) – $729,000, $18,692 PTA, $1.44M cume
*Gran Torino (Warner Bros) – $468,000, $24,632 PTA, $859,000 cume
*Frost/Nixon – $365,000, $8,902 PTA, $1.47M
*NEW – The Wrestler (Fox Searchlight) – $209,000, $52,250 PTA, $295,000 cume

Steve Mason

SATURDAY UPDATE: ‘The Wrestler’ headed for the year’s second-best PTA with an estimated $53,438!; ‘Gran Torino’ expands to $23,400 per location while ‘Doubt’ heads for an $18,000 PTA!

by Steve Mason

Steve Mason is on Facebook and now also on Twitter.

Bad weather with several major storms, including one in the Northeast, are making this a challenging weekend to project. I have revised my the 3-day estimates I released last night to allow for films to enjoy slightly stronger Saturdays, but the general story is the same. Jim Carrey and Yes Man (Warner Bros) at #1, Will Smith and Seven Pounds (Sony) at #2 and Tale of Despereaux (Universal) at #3.

My major analysis piece I published Friday night still stands with the headlines being that Warner Bros now seems destined to cinch the all-time best one year domestic sales figure in studio history and Will Smith’s streak of consecutive $100M grossing movies will almost certainly end at 8 with his Gabriele Muccino-directed drama.

One major change is that Slumdog Millionaire (Fox Searchlight) hasn’t expanded nearly as well as I originally projected. The almost certain Best Picture nominee increased to 589 locations this weekend and the result will be a likely 8th-place finish with about $2.94M and a PTA of $4,999 or so.

EXCLUSIVE STEVE MASON REVISED EARLY 3-DAY ESTIMATES
1. NEW – Yes Man (Warner Bros) – $19.5M, $5,684 PTA, $19.5M cume
2. NEW – Seven Pounds (Sony) – $16M, $5,806 PTA, $16M cume
3. NEW – Tale of Despereaux (Universal) – $14.09M, $4,540 PTA, $14.09M cume
4. The Day the Earth Stood Still (Fox) – $8.97M, $2,522 PTA, $47.54M cume
5. Four Christmases (Warner Bros) – $7.3M, $2,080 PTA, $99.72M cume
6. Twilight (Summit) – $5.1M, $1,706 PTA, $158.3M cume
7. Bolt (Disney) -$4.45M, $1,501 PTA, $95.2M cume
8. Slumdog Millionaire (Fox Searchlight) – $2.94M, $4,999 PTA, $11.92M cume
9. Australia (Fox) – $2.15M, $975 PTA, $41.77M cume
10. Quantum of Solace (Sony) – $1.6M, $798 PTA, $172.4M cume
11. Madagascar: Escape 2 Africa (Dreamworks/Paramount) – $1.6M, $798 PTA, $172.42M cume
12. Milk (Focus) – $1.57M, $4,417 PTA, $10.25M cume
13. Nothing Like the Holidays (Overture) – $1.15M, $689 PTA, $5.77M cume

On the specialty front, Mickey Rourke is a box office attraction again. The one-time movie star was at his peak in the 1980’s with movie like Diner ($14M cume), The Pope of Greenwich Village ($6.8M cume), 9 1/2 Weeks ($6.7M cume) and Angel Heart ($17.1M cume) is riding the crest of an enormous comeback wave. His role in Darren Aronofsky’s The Wrestler (Fox Searchlight) has already earned him a Golden Globe nomination for Best Actor – Drama and Independent Spirit Award nomination for Best Male Lead and a SAG Award nomination for Best Male Actor, and now the film has scored a huge opening weekend Per Theatre Average.

The Wrestler opened on Wednesday at 4 locations managing an outstanding $11,732 PTA. The extraordinarily well-reviewed movie is headed for a 3-day of $210,900, which will translate to an estimated $53,438 per location. That marks the second-best PTA of the year, trailing only the $60,236 debut of Frost/Nixon (Universal) two weeks ago.

At #2 on the weekend PTA scoreboard is Clint Eastwood’s Gran Torino (Warner Bros), which is a bit of a disappointment registering an average of approximately $23,400 at each of its 19 playdates. As Eastwood has admitted, this may be his final on-screen performance, but when the Hollywood Foreign Press ignored him in its annual Golden Globe nominations and then the SAG Awards bypassed the screen legend as well in the Best Male Actor category, it likely damaged the movie’s ability to compete on a limited basis with other pictures with stronger awards resumes.

In my Friday Night Estimates story, I wrote that Gran Torino may be able to bank $5.4M by the end of the year. Even with an expansion to 70 locations on Christmas Day, the softer-than-expected Friday probably means that Clint’s “swan song” is more likely to be at $3.1M or so at the end of business of December 31. Regardless, I am still projecting that Warner Bros will likely break the all-time one-year record for domestic sales for a studio.

John Patrick Shanley’s Doubt, a film adaptation of his Tony and Pulitzer Prize winning play, will bank about $703,000 or so this weekend at 39 locations for a PTA of just over $18,000. That compares favorably to recent movies like Rachel Getting Married (Sony Classics), which managed $16,500 per screen in its first expansion (27 playdates) and Frost/Nixon, which generated just over $16,000 per screen in week #2 (39 playdates). With Golden Globe and SAG Awards nominations for Meryl Streep, Phillip Seymour Hoffman, Amy Adams and Viola Davis, Doubt should continue to play well through the awards season.

Weinstein has elected to hold expansion for The Reader until Christmas Day, so the picture remains on 4 screens and appears headed for about $114,000 by Monday, down about 35% from its opening weekend at the same locations. That would give Stephen Daldry’s Oscar contender the fourth-best weekend PTA at a possible $14,240.

Ron Howard’s amazing Frost/Nixon picked up just 2 new locations this weekend as Universal prepares for a major Christmas Day expansion. Powered by SAG Awards nominations this week for Best Ensemble and Best Male Actor: Frank Langella, the film will add about $361,000 this weekend, down about 42%. That equates to an $8,805 PTA, #5 for the frame.

STEVE MASON’S EXCLUSIVE EARLY 3-DAY PTA ESTIMATES
1. NEW – The Wrestler (Fox Searchlight) – 4 locations – $53,438 PTA
2. Gran Torino (Warner Bros) – 19 locations – $23,400 PTA
3. Doubt (Miramax) – 39 locations – $18,026 PTA
4. The Reader (Weinstein) – 8 locations – $14,240 PTA
5. Frost/Nixon (Universal) – 41 locations – $8,805 PTA
6. NEW – Seven Pounds – 2,785 locations – $5,806 PTA
7. NEW – Yes Man (Warner Bros) – 3,434 locations – $5,498 PTA
8. Slumdog Millionaire (Fox Searchlight) – 589 locations – $4,999 PTA
9. NEW – Tale of Despereaux (Universal) – 3,104 locations – $4,540 PTA
10. Milk (Focus) – 356 locations – $4,417 PTA