While doing research for my upcoming book, tentatively titled Programming America (Harper Collins, due 2011), the inside story of the politically-motivated evolution of television from The Dick Van Dyke Show to Sex and the City and the very real bias of the industry against conservative content and creators, I interviewed Doug Herzog, President of MTV Networks Entertainment Group.  He oversees Comedy Central, and he was kind enough to grant me some time and consent to taping our conversation on June 22, 2009.

During the course of that conversation, I asked Mr. Herzog about the network’s decision to censor South Park in April 2006 – in particular, the network shut down a segment that featured a cartoon image of Mohammed.

Here’s the audio:

BEGIN TRANSCRIPT:

SHAPIRO: I was wondering if you could talk a little bit about the controversy that surrounded the South Park/Mohammed controversy.  How did that come about and what was the real story there?

HERZOG: The real story was the story you know, which is that the guys wanted to depict Mohammed and the network wouldn’t let them.  And that was the whole story.  And while I think if we had to do it all over again we would do it differently, that was the decision we made at the time.  And I regret it somewhat but I’ve made worse decisions in my life. (more…)

Leo Penn, the father of famous actor Sean Penn, was hauled before the House Committee on Un-American Activities (the McCarthy hearings) during the 1950s and harassed, spied upon and ultimately blacklisted for his political views (he attended a pro-union meeting called to support other black- listees.)

He refused to accuse others, and lost his livelihood for a period of time, but went on to direct many TV shows including Star Trek, The Law and Mr. Jones, and I Spy.

Now Carrie Prejean, beauty queen and determined supporter of marriage between a man and a woman, finds herself smeared on the Internet, castigated in public, on TV, (Chelsea Handler on E! channel has taken aim with a vicious gleam in her vodka-stoked eyes) and her parents have been dragged through the mud as well.

So where are the free-speech warriors? How about Sean Penn and the rest of the Hollywood elitists who think the First Amendment was written solely for their benefit? Penn has made millions playing everything from a stoner in “Fast Times at Ridgemont High,” to gay Supervisor Harvey Milk, who was slain in a horrific attack in San Francisco that also resulted in the death of San Francisco mayor George Moscone. (more…)

Nobody wants to be mocked.  And if you’re a rock star, surrounded by sycophants for the better part of 35 years, it must be especially hard to deal with being mocked.  It makes sense, then, that Don Henley does not like the parody of his song “Boys of Summer,” penned by Chuck DeVore, a Republican candidate for the U.S. Senate, and Justin Hart, his advisor.  But Henley’s copyright-infringement lawsuit is far bigger than one rock star or his feelings.  Henley’s lawsuit undermines the First Amendment right to speak freely.  

Don Henley makes no effort to hide his political leanings.  In addition to performing at scores of fundraisers, Henley has given about $750,000 to partisan, liberal causes, including $10,000 to Barack Obama and $9,000 to DeVore’s soon-to-be opponent, Barbara Boxer.  Henley also exploits his music to advance a liberal, political agenda. 

Henley’s “Boys of Summer” is no exception.  On the surface, “Boys of Summer” is a wistful look at an old romance, a fling between two kids, now grown, who have moved on with their lives.  But the song also has a clear political message.  Henley says that the second verse of the song-the one with the famous line about seeing “a Dead Head sticker on a Cadillac”-was about the essential failure of Sixties’ politics: “I don’t think we changed a damn thing, frankly….  After all our marching and shouting and screaming didn’t work, we withdrew and became yuppies and got into the Me Decade.”  (more…)