How to Stop Worrying About ‘Ants on the Crucifix’ and Ignore Second Rate Art
by Yervand KocharIn his article on Robert Mapplethorpe’s X Portfolio and the controversy that ensued because of its pornographic imagery, art critic Dave Hickey noted that the efficacy of Mapplethorpe’s art was in enfranchising “…ultimately, that senator from North Carolina [Senator Jesse Helms] and insist[ing] upon his response.” In Hickey’s opinion, if you “deal in transgression,” the response and respect of a hipsterish art cognoscenti has no value. The only response that really matters is the outrage of the senator, ‘only the senator, the Master of Laws, the Father…”
Robert Mapplethorpe was not the first and certainly will not be the last child who managed to outrage the father. Criticism of religious and social order is not really a modern phenomenon and, however tempting, cannot be attributed to deconstructive neo-Marxists tendencies in American art.
Child’s perpetual desire to dethrone father is usually matched by father’s not so subtle urge to devour his offspring. Some fathers need to be enraged, rebelled against, and dethroned. One could only wish that Saddam Hussein’s sons would’ve inspired a national rebellion against their father’s authority instead of becoming his instruments of torture and pillage.
Director Ingmar Bergman, on the other hand, rebelled against the patriarchal religious order of rigid Scandinavian Protestantism. He upset many fathers, including his own pastor dad who did not approve of his son’s obsession with theater and the lantern’s ability to project images on a wall.
But the efficacy of Bergman’s rebellion was in his ability to outrage the father, not as a juvenile, but as a child coming into his own. His rebellion was sincere, his criticism of authority genuine and threatening.
It was also self-aware. As a true thinker and artist who could travel in time, Bergman knew that every child is just an intercourse away from becoming a father. Not surprisingly, one can find more religious insight and earnest attempt to understand the mystery of God in Bergman than in many of the more pious currents of his time.







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