Modern Hollywood villains stink. You know I’m right. They’re dull and played out. They’re always the same guy. They’ve all become cartoon villains… psychopathic Snidely Whiplashes. I’m sick of it. And you know what’s to blame? Liberalism.

Here’s the problem: the most important aspect of any film is the motivation of the characters. Motivation is what we use to decide whether a character is right or wrong, good or bad, justified or not. It is what makes us sympathize with some and repulses us from others. It is what defines the conflicts of the film. Change the motivation and you change the whole meaning of the story. No other story element is as important as motivation.

“What’s my motivation?”

Consider a story about a businessman who kills someone. Suppose he kills for money. Clearly, he’s a villain. But what if he kills because he likes it? What if he kills in self-defense or by accident? Changing his motivation fundamentally changes the nature of the character and thereby the central conflict of the story. All his other traits can be changed with little effect on the story. For example, it doesn’t matter that he’s a businessman or rich or even male. These may seem important at first glance, but they are just details and like Hitchcock’s MacGuffin can be changed without affecting the story. But motivation is different. Motivation is the key factor. It defines the characters and generates the story. Change it and you change everything.

That’s why it’s vital to give a villain a proper motivation. The villain sets everything into motion. If the villain’s motives are pedestrian or nonexistent, then the story is handicapped from the get-go. (more…)

I’ve been pondering the concept of evil as depicted in film as of late, as the topic has come to mind while viewing several films: Elephant, United 93, 9/11 (the documentary), Schindler’s List, Life is Beautiful, Jonestown: Life & Death of the People’s Temple.

Here’s the crux of the issue: Can Evil truly be depicted in film, and to what end?

I postulate that films, and art in general, in their greatest forms, are able to transcend and transform mere content (and context) so that we may experience greater insight (into life, the human condition, you name it) and perhaps affect change.

I’ve always been troubled by films about the Holocaust. Setting aside cinematic and technical achievements, a friend of mine once told me he had no desire to see Schindler’s List because he didn’t “need Steven Spielberg to revivify the Holocaust” for him. Indeed, the great Elie Wiesel suggested in an essay on art and the Holocaust that traditional narrative filmmaking only serves to trivialize the memory of a literally unspeakable horror.  After reading his essay, I found in retrospect that Life is Beautiful is just plain offensive.  Much as I admire Quentin Tarantino’s work, and the extraordinary set pieces of Inglorious Basterds, the concept of the Jewish revenge film may only serve to distract from the truth of history.  Dismissing the work as taking place in an alternate universe is no excuse.  I remain troubled by the film. (more…)

UPDATE: The bounty is now $100,000 for any audio/video footage of the N-word being hurled at Congressmen John Lewis and Andre Carson.

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After 14 months of committing 100% to health care reform, the day after the signing of the Health Care bill was to mark the Democratic Party’s new primary concern: destroy the uprising, annihilate by all means necessary, the Tea Party movement.

The first sign that a plan was in place was the ham-fisted, high-camp posturing of the most controversial members of the Democratic caucus walking through the peaceful but animated “Tea Party” demonstrators on Capitol Hill. There is no reason for these elected officials to walk above ground through the media circus amid their ideological foes. The natural route is the tunnels between the House office buildings and the Capitol. By crafting a highly symbolic walk of the Congressional Black Caucus through the majority white crowd, the Democratic Party was looking to provoke a negative reaction. They didn’t get it. So they made it up.

The proof that the N-word wasn’t said once, let alone 15 times, as Rep. Andre Carson claimed, is that soon thereafter — even though the press dutifully reported it as truth — Nancy Pelosi followed the alleged hate fest, which allegedly included someone spitting, by walking through the crowd with a gavel in hand and a shit-eating grin on her face. Had the incidents reported by the Congressional Black Caucus actually occurred the Capitol Police would have been negligent to allow the least popular person to that crowd – the Speaker – to put herself in harm’s way.

That crowd was a sea of new-media equipment. Not only were tens of thousands people armed with handicams, BlackBerrys and iPods, so also was the mainstream media there, covering every inch of the event. Why did not one mainstream media outlet raise the specter that perhaps a video would exist to prove the events occurred? I am still dealing with the same press telling me we didn’t prove that ACORN was aiding and abetting criminal activity because we “did not provide enough audio and video evidence.” (Insert laugh track.) Is there not a blatant double standard at play here? Nancy Pelosi tipped her hand that race was a central part of her strategy. She invoked the Civil Rights Act and compared it with the universally reviled health care bill. Her caucus is doubling down on the civil-rights rhetoric. There are no coincidences.

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Double Dosage!!! Sorry, I got a bit behind on Shhhtuff, so I hope I can do a lil’ catch up with ya! Here’s me lookin’ out for my womens like Sarah Palin, and a vid lookin’ at naughty Nidal after the jump.

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When I first started contributing to Big Hollywood, one of the rules I set for myself was to never discuss non-political figures, specifically folks in Hollywood.  There is plenty to write about without insulting members of the industry you are trying to work in.  So, in writing today about Roman Polanski, my purpose is not to malign the child-raping son-of-a-bitch himself, but to discuss the broader cultural ramifications of Hollywood’s support for his vile, child-raping son-of-a-bitchery.

The Founders of this nation understood full-well that a nation of liberty could not long survive without a strong moral foundation.  If government exists to control people, then limited government naturally would control them very little.  The potential upside was tremendous.  If allowed to live free, a human being might pursue their own interests to the betterment of all of society.  Freedom means a man might strive, risk, and fail, but it also meant that he might strive, risk, and succeed.  As this process played out over time, it might well become the single greatest engine for innovation and wealth creation in all of human history.  (more…)

WE REMEMBER 9-11 

Smoke billows rolled
As planes shattered glass
Concrete and steel
The trees and the grass 

An enemy attack
On the Land of the Free
How could this happen
How could this be 

Our hearts gripped with fear
In sheer disbelief
Unbearable sorrow
One hardly could speak 

As evil sought triumph
Through catastrophic strife
Towers fell and buildings crumbled
Tragically ending innocent lives  (more…)

Offspring#2 steps into our bedroom and says:

“Do you know what’s going on in New York?”

My wife Karen and I look at each other, baffled.

“Better turn on the TV,” says Offspring#2.

Black smoke is rising from one of the Twin Towers. A newscaster tells us that a passenger jet airliner has hit the World Trade Center.

Ariel, our son, senses that something is happening. He tears himself away from his Talmud study and steps into our bedroom, gazes at the TV screen.

“How many people work there?” Ariel asks.

“Thousands, tens of thousands, it’s an entire world.” (more…)

So for the second time in about as many weeks, I’m hearing from Brad Pitt on religion. First, there was the absurd, “Eighty percent agnostic, twenty percent atheist” comment, and now he jokes that he’s running on the “no religion” platform in the New Orleans mayoral race. The leap from being atheist to being against religion fascinates me.

Why can’t you simply not believe in God? Surely atheism can exist without a hatred of religion. It’s particularly disturbing that the disdain atheistic non-religionistas have for religion is pretty much limited to Christianity – from my experience. I knew an atheist who was offended when someone at work played a CD by Christian rock band “Third Day.”

But I can sympathize to a degree, after all my son believes in this nut that dresses in a red outfit, is friendly with reindeer, and gives kids presents. Crazy, I know, but my kid runs around singing about this obese clown coming to town, or some nonsense — and IT JUST OFFENDS THE CRAP OUT OF ME!!! (more…)

The new Stephen Sommers-directed G.I. Joe movie headed to theaters this summer kicked the U.S.A. out of the bunker and put “The Real American Hero” under international command. The thinking at the time by Hollywood execs held that the U.S. was hated by the rest of the world and could no longer be seen as heroic.

Superman Returns screenwriters Michael Dougherty and Dan Harris shortened Superman’s call to arms to just “Truth and Justice” because “The American Way” was supposedly not worth fighting for anymore. They then proceeded to transform The Man of Steel into a simpering, self-absorbed drama queen.

Why has Hollywood worked so diligently to remove well-focused, admirable heroes from American movies? The primary reason was George W. Bush’s presence in the White House and the primary focus of his administration — the war against Islamic militants. (more…)

I call heaven and earth to witness against you today that I have set before you life and earth, blessings and curses. Choose life so that you and your descendants may live… — Deuteronomy 30:19

It’s 11:57 in Hadleyville. The movie is “High Noon.” Marshall Will Kane (Gary Cooper) seals an envelope containing his last will and testament. He writes, “To be opened in the event of my death,” on its front panel. A train carrying a freed murderer, Frank Miller, who wants to gun Kane down will arrive in just three minutes.

Marshall Kane has been abandoned by everyone. All that he believed is tarnished. He stands alone without a badge, with only his conscience. His new bride, the church, the state, old friends and allies have all turned their backs. (more…)