Review: ‘Whatever Works’
by John NolteWoody Allen’s told his share of dark stories. “Crimes and Misdemeanors” (1989) and “Match Point” (2005) immediately come to mind. Both are remarkable films that delve into the auteur’s well-traveled theme of what morality means in a world he sees as godless and pointlessly random. In each, the protagonist plots and carries out a cold-blooded murder. Neither is caught or punished. In fact, both prosper. Without condoning the behavior, Allen expertly uses the dramatic extreme of murder to illustrate his belief that we live in a world where if you can get past the law and over your own conscience, it’s all relative. And you need not agree to find this idea fascinating.
With “Whatever Works,” a deeply unpleasant, unfunny “comedy” starring Larry David, Allen takes a disturbing stride towards condoning this form of nihilism. We’re far beyond “The Heart Wants What It Wants,” the memorable theme explored so tenderly in Allen’s 1986 masterpiece “Hannah and Her Sisters.” In that film there were at least very real and human consequences to infidelity and other selfish, romantic pursuits. No more. “Whatever Works” might as well be titled “Whatever Works Works.” (more…)








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