Julia Roberts And ‘Duplicity’ Arrive March 20th
by John NolteThis* one lost me at “From the Writer-Director of ‘Michael Clayton,’” a film I found dreadfully dull and completely illogical. (Of course, Tilda Swinton’s intelligent, savvy high-powered lawyer would fall for the old taping-you-without-you-knowing-it trick — not everyone saw “Wall Street.” And who knew you could so easily fake your death by tossing a wallet and watch into a burning car? The coroner must have been relieved to find identification in good enough shape to name a body burnt to nothing.) Suspending disbelief is not the same as suspending intelligence.
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To be honest, anything with Julia Roberts** pretty much loses me from the start. She was never a great actress female actor, but before Diva-dom struck about 40 minutes into “Erin Brockovich (2000),” she had a remarkably warm and accessible screen presence. That’s gone now. Even the famous smile feels calculated. Roberts can’t do “empowered” without coming off as cold and distant. Kate Winslet*** and Naomi Watts can play ‘em tough without losing the important undercurrent of vulnerability and tenderness. In her day, even Sharon Stone could pull this off on some level. (more…)
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