Now this is an epic weekend. Just like that, Sensei now holds the nation’s longest #1 call streak at 4 weeks (along with only two other prediction sites). The rest got tripped up by “The Muppet’s” recent box office troubles. Look for Batman, Robert Downey, Jr., and a return to 2009 to showcase this time around.

Our weekend predictions and revenue results go as follows:

1. Sherlock Holmes: A Game Of Shadows ($68 million) – It’s deja-vu back to the Christmas opening weekend 2009. There you had “Sherlock Holmes” and “Chipmunks 2″ taking shots at “Avatar.” Amazing how all three found success and “Avatar” became film’s all-time leading grosser. That kind of pedigree will not be lost this weekend. Film can do “Fast Five”-like opening numbers but the sub-par frame will hold it back considerably. Still, expect quite a box office boost to the overall box office market.

2. Alvin And The Chipmunks: Chipwrecked ($36 million) – Animated films are drastically under-performing across the board right now. The most notable being “Happy Feet Two” which was also an animated franchise sequel. Despite the current lackluster results around animation, this one will still pull very good numbers. Not franchise best, but still a very high opening nonetheless.

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Thank you to everyone who participated in the informal have you been ostracized? poll. The results were interesting. More “in the closets” than I expected, and as I read the words, “just keep my mouth shut,” I became rather angry that my fellow Big Hollywood readers feel bullied in the workplace. Because that is what it is: bullying. When a human being fears that he may lose his job if he has the wrong thoughts, he is being bullied. Period. It doesn’t matter if the taunts are in your face or hovering unannounced in the air, only a bully uses his size and power to intimidate others into toeing the line.

Several of you indicated that you have lost your job, left your career or been blacklisted, which is even more disheartening.

Graphic designers and people in advertising, according to the comments, feel compelled to keep a very low profile. It makes sense, because this is an industry where the work must be commissioned. In order to stay employed, the artist needs to stay in the good graces of the powers that be. (more…)

With overall box office as low as it is right now, Hollywood is looking for value wherever they can get it. “Immortals” will be the big draw to return crucial audience numbers to theaters, but the production faces other problems beyond its control.

This weekend’s predictions and revenue results go as follows:

1. Puss In Boots ($27 million) – The film will hold in its default position since the overall box office frame is not strong. Just like “The Help” showed in its run, when overall box office is down, go with the film that currently sits at the top and has the most positive buzz. That would be “Puss In Boots” currently.

2. Immortals ($25 million) – This picture faces a huge hurdle in that the overall box office frame is really weak right now. Generating audience support will not be easy, but as we noted in a new film essay this week, this one has the advantage of tapping into the audience pool that made “300″ an enormous success. This audience is very loyal when the film’s concept is right. Therefore, we predict a higher-than-expected opening and a close battle with “Puss In Boots” that will last until at least Saturday evening. The film may not win the weekend but will develop strong box legs to do very well overall. (more…)

It’s hard to come out of Lt. Dan Band: For the Common Good without a healthy feeling of irony. You’ve just witnessed a prime example of man’s inhumanity and cruelty inspiring a display of man’s greatest virtues–honor, sacrifice, compassion, and unity.  It’s not just a concert film; it’s another illustration of the central thesis of Andrew Breitbart’s Righteous Indignation: that pop culture trumps politics without fail. In the midst of a hopelessly contentious and divisive foreign war, our politicians and pundits have nowhere near the profound effect on troop morale as a simple cover band led by a TV actor. The study of the relationship between civilian and soldier in wartime provides a compelling subject for this expansive documentary.

Director Jonathan Flora frames the film around Gary Sinise, an actor and director with a long, intimate history with soldiers and veterans, though he himself has never served. From his brother-in-law, who was killed in Vietnam, to current bandmate Kimo Williams,  a ‘Nam veteran who started jamming with Sinise after they met on a production of A Streetcar Named Desire in the mid-90s, his career has always seemed to providentially intertwine with the military. Following the jihadist attacks of 9/11, Sinise felt compelled to help those directly affected by the Twin Towers’ destruction, volunteering in campaigns to benefit the FDNY. This spirit of volunteerism, in concert with his ever more frequent band practices with Williams,  materialized into a USO tour in 2003. Despite his diverse résumé, Sinise was universally associated with his Oscar-nominated performance as “Lieutenant Dan” from Forrest Gump, so as the group expanded, Sinise named it the “Lieutenant Dan Band,” and the rest is history. (more…)

Need a break from all the bad news saturating our airwaves, printed news, and cyberspace about the sad state of affairs we face as a Nation?  Tired of all the political correctness and leftist group-think disguised as “art” being foisted upon us by the left?  Fed up with the elitist Hollywood liberals’ unabashed hatred for all-things-conservative as so brilliantly exposed in Ben Shapiro’s explosive new best-seller “Primetime Propaganda”?

You’re not alone.

With the advent of do-it-yourself internet radio shows and webcasts, the number of grassroots, conservative talk show hosts augmenting the daily news stories covered by conservative kingpins like El Rushbo and The Great One is growing exponentially.  These citizen activists are effectively using new media venues to circumvent the barrage of liberal propaganda spewed by today’s so-called ‘journOlists’ and Hollywood celebs.

What is noticeably missing, however, are radio shows and webcasts that focus primarily on conservative pop culture.   Most, if not all, of the internet shows provide the hosts’ commentary on current news and politics because, like it or not, it’s what’s on most everyone’s minds these days.  But what do we conservatives have right now that is just for entertainment that is NOT laced with the ill-informed, anti-American ideology of the left?  Not much, if anything…

Until now.

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Join actress Janine Turner for her weekly radio talk show live from Dallas, TX on KLIF.  Tonight’s special guests are Rep. Michele Bachmann (R-MN) and Janine’s co-star from the hit television show “Northern Exposure”, Rob Morrow.

Live stream begins at 11:00 PM ET

Video chat rooms at Ustream

One of the pitfalls of conservative media is “me too!”-ism, the idea that taking a successful mainstream concept and blatantly injecting conservative proselytizing into it is a winning strategy.  Thankfully, the new cable channel RightNetwork strives to create original content that doesn’t fall into a predictable formula, easily apparent from their new series “Whaddya Know, Joe?” starring Joe Wurzelbacher, the man who single-handedly derailed Obama’s centrist, middle-class-tax-cut image in the 2008 Presidential campaign (note to leftist hair-splitters: yes, his first name is “Samuel”).  Joe’s aim is simple:  find people, hear their stories and opinions, get a better idea about the state of our nation.

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“Whaddya Know” describes itself as “part 60 Minutes, part Oprah, and 100% like nothing you’ve ever seen before,” but there is a crucial difference between Joe and the hosts of those other shows.  Whereas Oprah and others fought tooth-and-nail to get where they want to be and thus try to make their shows all about themselves, Joe is an accidental celebrity.  He’s quietly taken on the role of a household name without adorning any of the ego that normally comes along with it, and that completely flavors the tone of the show.

Instead of taking place in a bright TV studio with a trained-seal audience, the set for the talk show-esque portion of the show looks like it was built inside a barn; the tone is folksy, intimate, humble.  Instead of hogging the spotlight in every conversation and interview, Joe is completely content to give guests his full attention and let them speak at length.  It’s a refreshing respite from the all-but-scripted, pandering-for-applause fake style of conventional talk shows.

However, those worried about Joe not having the chops or charisma to carry an entire show, rest your troubled hearts; he’s got plenty of backup.  Like Ed to his Johnny, like Andy to his Conan, like Garth to his Wayne, co-host Rodney Lee Conover is a quirky, energetic counter to Joe’s laid-back, dry humor. Their interplay with each other and guests such as Nick Searcy from the show Justified finds all parties comfortable and casual yet lively.

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As a follow-up to my debut piece, Conservative Culture Warriors Unite at BigDawg Music Mafia, I wanted to write another piece to let you all know that we’re really heating things up on the culture war front at BigDawg Music Mafia.  Since launching the free social networking site for conservative arts & entertainment last Fall, we’ve attracted some seriously talented artists with minimal National press prior to BIGDawg Music Mafia  (represented by yours truly) being added to the BIGHollywood Contributors roster (thank you, John Nolte),  a guest appearance on Breitbart.tv’s The Stage Right Show, and mentions on Foxnews.com and CNN.com.  Since then, we’ve seen a BIG surge in membership and daily traffic at our site.  This bodes well for conservative culture warriors who refuse to sit idly by as so many liberals in the entertainment industry continue to saturate our airwaves and movie screens with their radical, Marxist agenda.  “That’s right, I said it!” (Mark Levin-ism…love that guy!).  The word is most definitely getting out…

The beauty of having a central gathering place online is the great networking and collaborations taking place.  Case in point, one of our gifted members, Joe Dan Gorman, who has some great, hard-hitting conservative messages in his songs and videos (a couple of which YouTube has banned – “You(Tube) can’t handle the truth!”…this will be a topic for another day), recently wrote and produced a new music video entitled We Will Not Submit and invited some of our members to join him in recording some back-up vocals for the song and taking part in his video, and it is already getting tons of great reviews and being aired on conservative internet and AM/FM radio stations across the country.

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Other recent collaborations include  AlfonZo Rachel, Nate Smoove, and Rufus Troutman on their latest song, Government Not the Answer.  Bobby Powers and Party Time, my songmate, BigDawg, and I recently collaborated on Freedom Reigns and performed an acoustic version at our CPAC Liberty Fest.  Several other cool collaborations are currently underway between members of our site – something BigDawg and I are thrilled to see.

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The award-winning GI Film Festival announced today that it has established a ground- breaking new partnership with The Military Channel, the nation’s only cable network dedicated to military programming, which will provide unprecedented exposure for films that honor American warriors. Beginning on November 12th, the Military Channel, which is currently available in more than 57 million homes, will begin featuring weekend blocks of the festival’s award-winning productions. (See opening weekend schedule below.)

Actor Kerri Turner attends the GI Film Festival

“This effort between the GI Film Festival and the Military Channel will be invaluable in putting the heroism and the sacrifice of the nation’s bravest men and women on full display for all of America to witness. This has been the Festival’s core mission from day one,” said GI Film Festival Chairman Stephen K. Bannon.

The G.I. Film Festival is the first and only film festival in the country dedicated to honoring the successes and sacrifices of American GIs. The festival’s documentary and narrative films showcase themes ranging from the courage and ingenuity on battlefields throughout history to the struggles of homelessness and post-traumatic stress on the home front.

The G.I. Film Festival block runs on Military Channel from 9-11 PM ET on Fridays, Saturdays and Sundays throughout November starting on Friday, November 12, the day after Veterans Day. (more…)

In the winter of 1950, 15,000 U.S. troops were surrounded and trapped by 120,000 Chinese soldiers in the frozen mountains of North Korea. Refusing surrender, the men fought 78 miles to freedom while saving the lives of 98,000 civilian refugees. Chosin is the first documentary on the Chosin Reservoir Campaign. The survivors take us on an emotional and heart-pounding journey through one of the most savage battles in American history. These accounts, combined with footage never before seen by most Americans, create a visceral, emotionally-charged experience unlike that provided by any other war documentary. The upcoming major motion picture “17 Days of Winter” is based on these real-life heroes.

vimeo

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With approximately 600 film submissions over the last four years, we’ve seen a lot of historical war documentaries come across our flat screen. A LOT. But within the first few moments of reviewing Chosin, we knew we had something completely different. And it had nothing to do with the technical aspects of the film, which were impressive by any standard. Or even the incredible story itself, which will soon be seen on the big screen in narrative form.

No, what is extraordinary about this film is the depth emotion expressed by these heroes and the strikingly graphic nature of their descriptions. It’s been over a month since we reviewed the film and I still can’t shake the image expressed by one of the heroes who said when he shot one of the Chinese invaders at close range, the man’s “blood burned my eyes.” In other words, this was not a group of vets swapping war stories around a campfire. This was a great unburdening. A cleansing. (Check out the trailer above and you’ll see what I mean.) (more…)

The entertainment media’s treatment of Sarah Palin and her family has been abhorrent.  Like their biased and unjust hard news media brethren, entertainment outlets have gone out of their way to tarnish Palin’s image.  While tabloids, semi-legitimate entertainment programs and celebrities issue incessant praise for President Obama and his leftist policies, Palin is showered with insults and inappropriate slurs. And let’s not forget the ongoing insensitive questioning about the birth of her special needs son, Trig.

Levi Johnston and reality star Kathy Griffin

Since the end of the 2008 campaign, some of the most glaring examples of the entertainment media’s obsession with anti-Palin coverage have centered on Levi Johnston, the father of Bristol Palin’s baby.  Levi, a guy who would be better suited to appear on Tool Academy than he would on any legitimate hard or entertainment news program, has been reaping the benefits from his connection to Palin.  In addition to his highly-publicized Playgirl shoot, Levi has been circulating entertainment shows in an attempt to pass off his melba-esque persona as something less than bland. (more…)

On September 10th of this year the Entertainment Industry Foundation (EIF) posted a press release informing the world that “from October 19-25, more than 60 network TV shows [will] spotlight the power and personal benefits of service,” and that this “unprecedented block of TV programming is the first wave of a multi-year ‘I Participate’ campaign.”

On its face this all sounds rather benign in that silly, liberal do-gooder kind of way. The networks have launched these kinds of campaigns before and other than some clunky exposition awkwardly inserted into your favorite show to meet the mandate — no harm, no foul.

But this year there are a couple new strangers in town: “Volunteerism” and “Service.” You’ve heard of them. Their names have been bandied everywhere since President Obama took office, and this internal memo from the EIF to network showrunners obtained by Big Hollywood shows that the entertainment industry is well acquainted and eager to introduce both to as vast an audience as possible: (more…)

…Why, yes. Yes I am!

But considering the plethora of culturally and politically “controversial”  (read: “contrived to be offensive for promotional notoriety”) ‘toons currently offered up for consumption like a plate of live centipedes in Interzone, the silly stuff is more than refreshing.  It’s soul food.

YouTube Complete Opening Theme by Bowling For Soup with Fan Credits

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Enjoyable as it is to see conservative and libertarian viewpoints deemed worthy of existence in “South Park,” and as side-splitting as the adult humor and pop cultural references, sans a blatant political agenda, may be in “The Venture Brothers,” there has long been a need in the human psyche for pure, unadulterated lunacy.  (more…)

Your correspondent, as absorbed by the Warhol Museum, 117 Sandusky Street, Pittsburgh, PA.

A dance craze— like “freaking”— it is not, but rather, a point of view.

Back in January of this year, Andrew Breitbart announced “Big Hollywood’s modest objective: to change the entertainment industry”.  The announcement is as important as it is radical, assessing the power of Pop Culture in shaping global attitudes and standing athwart contemporary assaults on Western values, yelling, as did William Buckley in 1955, Stop.

Ask yourself: Is a vision of the world that is contrary in almost every way to the prevailing cultural paradigms a difficult “sell”?  Given this is always so, how is such a challenge overcome? (more…)

A lot can be said about unions supporting wage earners and creating a middle class. However, a lot can also be said about unions ruining this country.  Case in point: Michigan.

You would think that after the UAW destroyed the auto industry and the tax base in Michigan, the people of the state and the unions based there would have learned. However, this is not the case. In the latest union disaster for the state of Michigan, the IATSE has decided that the blooming film industry in the state must be stopped before it even gets started.

As most of you in the film business know, the state of Michigan has one of the most lucrative tax credit/rebate programs in the industry. The state gives you 40% of every qualified dollar that you spend in the state. In addition, if you shoot your film in a few core areas such as Detroit, you will get an additional 2%. That’s a whopping 42% of what the producers’ qualified in Michigan spend. On a 20 million dollar budget, this can amount to a gift from the state of Michigan of approximately 6.5 million dollars after you subtract the non-qualified costs. (more…)

What is the difference between art and entertainment?

There is, obviously, some overlap: Not all art entertains (though some does); not all entertainment is art (though some is).  At bottom, it seems, the difference is one of intent – the artist seeks to connect us with larger meanings, larger truths about the world, about ourselves.  The primary focus of art is therefore to illuminate, with any entertainment had in the process merely a bonus.

The goal of the entertainer, on the other hand, is perhaps less sublime, though no less worthy – to distract, to tickle, to stimulate the fancy.  Entertainment is at bottom diversion, and I say this without a trace of disdain – often it is the quality and quantity of our diversions which makes the difference between a joyful life and a merely bearable one.

One year ago this weekend, a beating black heart pulsed in summer’s midst: The Dark Knight.  It was big-budget, comic book based franchise movie, made for popcorn eaters seeking suitable summer diversion.  And It delivered beyond the filmmakers wildest expectations – the masses were so entertained that they lifted it up into the box office stratosphere in grateful recompense. (more…)

This week’s Washington Times column:

As CPAC begins in the nation´s capital later this week, the conservative movement has much to contemplate as it attempts to reestablish itself as a dominant force in American political life.

Actually, “relevance” may be a more reasonable short-term goal.

The timing of the yearly Conservative Political Action Conference could not be better suited for evaluating the strategies of the standard bearers of free markets and limited government as free-spending and nanny statist Obamaism runs amok with nary a media check or a legislative balance. (more…)