Posts Tagged ‘emily blunt’

Darin  Miller

REVIEW: ‘Wolfman’ Remake Delivers A Bloody Good Time

by Darin Miller

In 1941, Universal Studios released the horror film, The Wolf Man, depicting the tragedy that befalls men when the animal inside is unleashed. In 2010, Universal partnered with Relativity Media to recreate the 1941 classic. 

The Wolfman is far darker than the original. Where once random chance turned Larry Talbot (Lon Chaney Jr.) into a werewolf, fate turns his modern remake, Lawrence (Benicio Del Toro), into the stuff nightmares are made of. 

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In The Wolf Man, Larry Talbot returns home to visit his father after spending years away from home. While there, he meets a town beauty, Gwen (Evelyn Ankers). When he tries to defend one of Gwen’s friends from a werewolf, he is bitten. In turn he becomes a werewolf himself. Not long after, it becomes apparent that both his human, and animal side, are after Gwen. 

In its 2010 reboot, Lawrence Talbot, a Shakespearian actor and the second son of Sir John Talbot (Anthony Hopkins), is returning from a long absence in America to Talbot Castle in Blackmoor, England. But from the start the film’s focus is much darker. Lawrence is returning because his elder brother’s body was found mutilated by a terrible beast—the third finding of its kind. He returns to a castle laid waste by time, adorned with the heads of African beasts, trophies of Sir John’s. Upon arrival he meets his late brother’s fiancée, Gwen (Emily Blunt), who he slowly falls for. But his investigation into his brother’s death, and a bite he sustains when trying to find the raging creature haunting the forests nearby, reveal a darker side to himself and his past—from which he can’t escape.  (more…)

Carl Kozlowski

REVIEW: Good Performances, Atmosphere Lift ‘Wolfman’

by Carl Kozlowski

As the central figure in the new horror film “The Wolfman,” Lawrence Talbot has suffered through what you might call a rough life. He’s stumbled across his parents just after dad brutally killed mom in the middle of the night, was banished to an asylum before getting shipped to America from his posh English countryside home, and now his brother has been eviscerated by a mysterious creature lurking in the woods outside his childhood home.

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Determined to find, capture and kill whatever beast offed his brother, Lawrence has not only traveled back to his birthplace and its haunting memories, but now has to confront his father head-on for murdering his mother and ward off area townspeople who fear he’s become a beastly ‘wolf man’ himself after surviving a a vicious bite from the monster. Through it all, his primary battle is to maintain his strong sense of decency and underlying humanity from slipping away forever.

Sounds like a heady mix of action and emotions, doesn’t it? Thankfully, “The Wolfman” largely delivers on its promises – particularly through the moving performance and powerfully expressive eyes of Oscar-winning actor Benicio del Toro (“Traffic”), who rebounds from a mostly hitless past decade to sink his teeth (ok, pun intended) into the role of Lawrence Talbot and add genuine gravitas to a tragic character. It also features a strong, yet slightly oddball, performance from Anthony Hopkins, who has also suffered more than his share of box-office setbacks in the last few years but digs into the role of Lawrence’s father Sir John Talbot with the menacing glee of his famed Dr. Hannibal Lecter enjoying a dinner of Chianti and fava beans. (more…)

Big Hollywood

New Trailer: ‘The Wolfman’

by Big Hollywood

Christian Toto

Newsweek Even Bungles Celebrity Chats

by Christian Toto

It’s hard to argue Newsweek hasn’t fully embraced the ideological left. Just how many times did the magazine put fawning images of Sen. Barack Obama on the cover last year? And its recent unflattering cover photo of Rush Limbaugh, not to mention the accompanying article, spoke volumes of its editorial choices.

Why a news weekly would decide, in a very difficult market, to parrot nearly every other magazine’s liberal bent is a head scratcher. But Newsweek can’t even get its celebrity interviews right.

The latest assault on basic journalism comes courtesy of Ramin Setoodeh who chatted up actress Emily Blunt for the issue on newsstands now. If you’re squeamish, please read no further. Here’s how it starts: (more…)

Mike Long

Review: The Great Buck Howard—A Show Biz Valentine

by Mike Long

The Great Buck Howard is a funny, knowing gift for anyone who loves old-fashioned show business: It celebrates the entertainer who is in it for the fun of putting on a good show, and for bringing a little pleasure to anyone who cares enough to come out and watch. 

Buck Howard the man is an old-fashioned show-business type: He is a mentalist—a magician who does mind-reading tricks. But he is preternaturally good at what he does (in contrast to his complete lack of self-awareness), and he was once a pop-culture fixture, a regular on The Tonight Show. (“The real one—with Johnny Carson,” he constantly reminds—this will have its intended melancholy effect only on those over 40 or so.) Now he plays half-empty halls in third-tier markets. Not that this tempers his enthusiasm, or that of his fans. Which is exactly the point. (more…)

Steve Mason

Hollywood embraces the “chick flick” – NOT THAT INTO YOU and CONFESSIONS OF A SHOPAHOLIC are only the two latest successes!

by Steve Mason

Hollywood execs seem to be waking up to the power of women at America’s multiplexes. The success of He’s Just Not That Into You (Warner Bros) and this weekend’s Confessions of a Shopaholic (Disney) can be traced to Meryl Streep’s witty riff on the tyrannical Anna Wintour in The Devil Wears Prada in the summer of 2006. Prada opened to a $27.5M weekend on its way to a $124.75M domestic cume (Streep also earned an Oscar nomination).


Then in July of 2007, New Line grabbed an almost identical $27.47M with the opening weekend of the female-skewing Hairspray, translating to $118.87M domestic. Also Enchanted, starring Amy Adams, was a hit for Disney over the holidays reaching $127.8M domestic.

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