Posts Tagged ‘Ebenezer Scrooge’

Michael Mandaville

Waiting for Sim: Christmas Eves With the Definitive Scrooge

by Michael Mandaville

When growing up in Los Angeles, a singular delight was getting the TV Guide in the Sunday paper and scouring it, pen in hand.  My movie search.  In the sixties, Los Angeles had the greatest number of TV channels in any city: 2-4-5-7-9-11-13.  In trips to San Diego, the Mid-West or anywhere else, you’d be lucky to get two, maybe three channels.  And not very good ones.

Some years ago, my daughter asked: “…so in the olden times, Dad, when did you see movies?” Hmmmm.  Olden times.  As if the wheel, the pen, writing, music, and entertainment were invented with her generation.  I explained that there were two places to see movies.  Theaters and Television.  That was it.  No DVD, VHS, iPod, or Hulu.com.  My TV Guide search was essential to find the right movies and straighten out my schedule for the week by circling and grading the films.  After all, if a movie came on at 11 p.m., you’d be up for two hours to “The End.”

But each week, when I got the TV Guide in my young hands, it was like opening a present.  Before the internet, I explained to my daughter, we had this ancient forum called a “library” where you could get books on movies and famous actors.

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John Nolte

25 Greatest Christmas Films: #22 — ‘An American Christmas Carol’ (1979)

by John Nolte

That’s right, a 1979 television movie starring The Fonz as Ebenezer Scrooge is ranked ahead of White Christmas. (Or, if you’re younger than a hundred, the Coach in “The Waterboy.”)

I have nothing to say in my defense and await your wrath.

Well, I do have one thing to say: Henry Winkler is a marvelously talented and underrated actor, and any opportunity to boost his Winkler-ness I’m taking. See also: Night Shift (1982) and an under-appreciated masterpiece called The One And Only (1978).  

tiger-woods-out-of-bunker

Besides, Adam Sandler loves the guy. You want to argue with that?

Other than The Disco Ghost of Christmas Past, shifting the Dickens’ classic from Victorian England to Depression-era New England was an inspired idea that adds a nice spin to the story’s familiar template. Though the characters are given Americanized names (Scrooge becomes Slade), they’re all there including a very effective Tiny Tim. Another terrific spin is making the child Scrooge/Slade an orphan after the death of his parents. This added subplot not only helps to explain why Slade whould grow into a lonely old miser but adds something different and effective to his Christmas day reformation. (more…)