Cultural Kleptos: How the Left Hijacks Art (and Everything Else) for the Good of Mankind
by Charles WinecoffKids love movies about people who tell lies – because they’re such naughty, little fibbers themselves. During my formative years, it seemed like the same two films were on TV everyday when I came home from school – to remind me of the dangers of mendacity. Perhaps it was a portent of things to come.

William Wyler’s “The Children’s Hour” (1961)
One was Weird Woman (1944), a neglected camp classic that was part of Universal’s low-budget Inner Sanctum series - about a scorned librarian (scream queen Evelyn Ankers) who seeks revenge on her ex- (Lon Chaney Jr.) by spreading gossip about his new wife (Anne Gwynne), an all-American voodoo princess he met on a South Seas expedition (don’t ask).
After several people inadvertently die as a result of Ankers’s aspersions, Chaney and gang steal a move straight out of the Democratic playbook - they devise an elaborate, fear-mongering ruse to guilt her into submission (and make her confess). Here’s a clip of Ankers being browbeaten – with prophecies of gloom and doom – by little-known B-actress Elizabeth Russell: (more…)







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