Kevin McCarthy and Edie Sedgwick at a pool party in New York City(1965)

Associated Press:

Soon after, he became an early member of the Actors Studio and was chosen by Elia Kazan to play Biff, the son of Willy Loman, in the London production of “Death of a Salesman.” He repeated the role in the 1951 film starring Fredric March and earned an Oscar nomination as supporting actor.

But while he would consistently win praise for his acting during a long and busy career, his most lasting fame would come for “Invasion of the Body Snatchers.” In the 1956 film, he vainly tried to warn residents in his small town of the evil pod people from outer space who were quietly taking over the personalities of everyone on Earth.

His frantic shouting of “You’re next!” to those in approaching cars became so well known among science-fiction fans that he was often asked to spoof the role. He more or less did that in the opening minutes of the 1978 remake, which starred Donald Sutherland as the hero menaced by the pod people. (more…)

NBC gives new meaning to the phrase “green screen” next week, spreading a pro-environmental message across five of its prime-time entertainment programs – AP News.

When Arthur Miller wrote “The Crucible” it was rightly seen as a brilliant allegory to the House Un-American Activities Committee.  It was a brilliant piece of drama about the Salem Witch Trials of the late 17th Century with obvious corollaries to the political climate of post-World War II America.  And no matter where you fall on the political spectrum you must recognize the play as a classic in the canon of American drama.

My admiration for much of Miller’s work gives me enough confidence to say that he would view the current efforts to ham-handedly inject political statements into television sitcoms as absolute crap.  It takes a deft hand to send a message without it seeming like you are sending a message… and the writers of “The Office” and “30 Rock,” as glib as they may be, are no “Arthur Millers”.

I love “The Office.”  I’m one of those apostates who actually like the U.S. version better than the original (must be my knee-jerk patriotism at work).  But I saw my very first example of lousy (and I mean REALLY lousy) writing this season when they tried to force the issue of “Volunteer-ism” into the storyline. (more…)