‘The Girl with the Dragon Tattoo’ Review: What’s All the Fuss About, Again?
by Christian TotoAudiences who meet Lisbeth and Mikael, the damaged heroes of director David Fincher’s “The Girl with the Dragon Tattoo” will wonder why Larsson’s saga took up so much oxygen in the first place.
The American version of the popular European film, drawn from the trilogy of best sellers by Stieg Larssons, is a solidly constructed thriller with enough sex, danger and escapism to keep audiences engaged. But Fincher’s film is nothing if not perfunctory, and it doesn’t help that the director falls back on the same drab color palette he used to better effect in last year’s hit “The Social Network.”
Daniel Craig stars as Mikael, a disgraced journalist who lucks into a sweet gig after losing his shirt in a libel suit. An avuncular old man named Henrik (Christopher Plummer) hires Mikael to solve the decades-old case of a teen girl’s mysterious death. The girl happens to have been Henrik’s niece, part of an extended family with more skeletons in its closet than that “Poltergeist” graveyard scene.







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