Posts Tagged ‘Christian Bale’

John Nolte

Natalie Portman’s Castle and Why the Movie Star is Dead

by John Nolte

One day … ONE day after gushing over how exciting the recession is now that those forced to work jobs they hate or who have lost them entirely can focus on their passions, Natalie Portman bought herself a $3 million castle-like estate.

Natalie, whoever’s advising you … fire them. If no one’s advising you, find someone who doesn’t carry a small dog in their purse or dates someone who does. Look to the real world for help. Look to someone who’s spent a few years in a land where the zip codes don’t start with “9-0.” Someone who cares enough about you and your career to say (without any “Honey, babys”):

natalie-portman-stop-wars

“Nat, past the gates of your community and away from the hills of Hollywood losing your job doesn’t fuel passion, it fuels despair, and working a job you hate is almost as bad because of the big black  permanent ball of dread it plants in your gut. I know you dig Barack, I did too before he targeted my children and health care, but you can’t flak for his recession. That’s what the mainstream media is for. You have to empathize with your audience, build goodwill. Besides, you’re closing on that castle tomorrow, so today wouldn’t be a good time to get all gushy over how exciting Barack’s recession is. And if you do, I quit.” (more…)

Greg Gutfeld

Daily Gut: Joker Poster Boosts Obama’s Coolness

by Greg Gutfeld

So posters of President Obama made up as Heath Ledger’s Joker with ‘Socialism’ written below it have been showing up around L.A – and it’s being greeted with the usual outrage you’d expect from people who get outraged. Some are calling it racist, others are calling it “mean spirited and dangerous,” while I call it boring, boring, and oh yeah: boring.

The website Newsbusters points out the silliness behind the outrage – after all, President Bush has been depicted as far worse – he’s been portrayed as everything from a bloodsucking vampire in the Village Voice, to the Joker in Vanity Fair, to God forbid, a Republican- everywhere else. No one seemed to mind then. And while people like Bill Maher point out that Obama has been only at this job for six months (whereas Bush earned the bile over eight years) and therefore any criticism is unfair – that’s pure batpoop. Hatred for Bu$hitler began the moment he took office, and the vile lefties only knew Sarah Palin for a few weeks before they were wearing t-shirts with her face and a vulgar word (begins with ‘C’ and rhymes with bunt) beneath it. (more…)

John Nolte

Review: ‘Public Enemies’

by John Nolte

Striving for cinematic greatness is always a risky proposition. The risk is that when you fall short there’s no mistaking the swing-and-a-miss. To his credit, this is the position Director Michael Mann loves to put himself in. He always strives, always puts himself out there and the result is a number of unforgettable films but also a few obvious and glaring misses. “Public Enemies” misses. Not as badly as “Miami Vice” or “Ali,” but other than a couple of sequences, “Enemies” never gels, grabs, bites or takes hold. Instead, the narrative just kind of rolls along hitting insistent beats en-route to the inevitable.

Johnny Depp is John Dillinger, a criminal before crime was organized who specializes in bank robberies and jail breaks. His dash, audacity and refusal to steal from the common folk has made him something of a folk hero to Depression-weary America, but J. Edgar Hoover (Billy Crudup) sees an opportunity to use Dillinger’s exploits as a way to firm up his fledgling national police force (the F.B.I.), but first he’ll have to prove his modern, centralized methods work. (more…)

Mike Long

Review: ‘Terminator Salvation’

by Mike Long

A Terminator mega-robot is fun to watch only if he (it?) is making his (its?) marauding way toward its target; generally, that’s the good guy in the movie who, by superhuman strength and unprecedented cleverness, will dispatch said Terminator in the last reel. Every Terminator movie has been defined by this simple conflict: man versus super-machine.

Not this time. And that is why, despite spectacular visual effects, a brooding and hyper-popular Christian Bale in the lead role, and marketing that pretty much stamped the title across my kids’ foreheads, Terminator Salvation is not nearly the success that the other three movies were.

John Connor and his mom (and his friends and pretty much everybody else with whom they ever come in contact) become instant targets for future-born Terminator robots. The setup is pretty straightforward. The time is present day. (more…)

S.T. Karnick

‘Terminator Salvation’ Delivers Action but Little Real Drama

by S.T. Karnick

The “Terminatorfilms are about the takeover of the world by machines, and unfortunately the series has itself manifested that phenomenon, being increasingly taken over by special effects and action sequences at the expense of identifiable human concerns.

Terminator Salvation, the fourth film in the apocalyptic action series, is heavy on action and sensational visual effects, but weak on the things that originally made this series so popular. It will please audience members who don’t expect too much from it.

Terminator Salvation is the first in the series without Arnold Schwarzenegger as a primary character, and the series has moved increasingly away from the personal, intimate approach of the first installment (in which the fate of Sarah Connor was at the center of the story and her relationship with Kyle Reese is at the forefront). (more…)

Big Hollywood

Open Thread: ‘Terminator Salvation’

by Big Hollywood

Have at it.

Discuss. Debate. Write your own review…

Big Hollywood’s review can be found here.

John Nolte

Review: Terminator Salvation

by John Nolte

As we enter the fourth week of this summer season, I don’t know about you, but after a pleasant surprise with the unpretentious, proud to be a B-revenger “Wolverine,” each new release has gotten progressively worse. Let’s just hope – because there’s a lot of summer ahead of us – that we’ve bottomed out with “Terminator Salvation.”

What a crushing and noisy disappointment this is. For whatever reason, Director McG’s fourth chapter in the “Terminator” franchise tosses aside the simple but successful plot template that made its predecessors so memorable and goes all “Bourne” with a hyper-complicated plot, narcissistic “hero” and a big fat wide blur between the concept of good battling evil. Yes, welcome to Hollywood’s post-Bush “Terminator,” where a militaristic Resistance demands we “Stay the course,” Terminators work through their feelings, and John Connor runs off to find himself only to end up in a numbingly dull third act that plays like a direct-to-DVD toss off.

Things open on an intriguing and hopeful note. The year is 2003 and Marcus Wright (Sam Worthington) is a guilt-ridden death row inmate not far from execution. Dr. Serena Krogen (Helena Bonham Carter, who’s always interesting), approaches Wright for what we assume is the umpteenth time to convince him to donate his body to science. His coming to terms with his own death mixed with her losing battle with cancer sparks his humanity and he relents. The State gives him what he deserves and we cut to 2018.

The world as we knew it is now ravaged by a war the machines wage against mankind. Cities are reduced to rubble and those who survive are reduced to prey, living underground or constantly on the run. Some have organized into what’s called the Resistance and their spiritual leader is John Connor (Christian Bale). (more…)

Steve Mason

‘Wolverine’ claws to $34.75M Friday & Could Scratch Out $86.8M Opening! All-Time 4th-Best Performer for First-Weekend-of-May Summer Kickoff!

by Steve Mason

In my Final Weekend Tracking column posted on Wednesday, I predicted that X-Men Origins: Wolverine (Fox) would reach $92M on opening weekend, despite soft reviews (now only 38% Fresh on Rotten Tomatoes). My first fearless forecast of the 2009 summer blockbuster season appears to be close to dead-on (missed by only 5%).


Star-turned-producer Hugh Jackman has scored his second-biggest opening ever and, easily, his biggest as a solo star. Wolverine has mauled the competition with a massive $34.75M opening day (including $5M or so in Thursday midnight sales). That could translate to a 3-day of $86.8M, getting Hollywood’s most lucrative season off to a spectacular start.

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Steve Mason

The Summer Blockbuster Season is Set to Start Huge! Spin-Off ‘Wolverine’ could Claw to $92M Opening Weekend!

by Steve Mason

The great thing about a sequel is that it has a built-in audience. The problem with sequels is that, as the numbers after the title go up, so does the production budget. Very hard to know for sure, but sources have told me that the production budget for X-Men was in the $75M range. X-2: X-Men United may have had a budget of about $110M, while the cost of X-Men: The Last Stand was, in all likelihood, as much as $210M. Why doesn’t it make sense to just churn out X-Men 4?

Look at these numbers.

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Steve Mason

America Loves a Girl-on-Girl Smackdown! Beyonce’s ‘Obsessed’ is the Biggest Last-Weekend-of-April Opener Ever with $11M Friday & a Possible $27.5M 3-Day!

by Steve Mason

Recording superstar Beyonce Knowles is building a bankable resume for herself as an actress with Sony Screen Gems’ Obsessed as the latest title burnishing her resume. Co-starring the excellent Idris Elba (The Wire), this low budget, PG-13 genre pic has scored a far-above-expectations $11M on Friday, and it will likely reach $27.5M for the weekend. That is the best opening yet for the former Destiny’s Child lead vocalist as an above-the-title star, topping 2003’s The Fighting Temptations and Cadillac Records from late 2008.

Beyonce does battle with the sexy Ali Larter (HEROES) in OBSESSED

Beyonce does battle with the sexy Ali Larter (HEROES) in OBSESSED

OPENINGS FOR BEYONCE MOVIES
1. Austin Powers: Goldmember – $70.3M opening
2. Obsessed – $27.5M opening (projected)

3. Pink Panther (2006) – $20.2M opening
4. Dreamgirls – $14.1M wide break (after a platform start)
5. The Fighting Temptations – $11.7M opening
6. Cadillac Records – $3.4M opening

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Steve Mason

Hollywood’s Worst Release Date: Beyonce’s ‘Obsessed’ Could Edge Disney’s Baby Polar Bears in ‘Earth!’

by Steve Mason

The final weekend of April has never been Hollywood’s favorite release date. In fact, it is generally considered to be among the worst release dates on the calendar. Whatever opens on the final weekend of April gets absolutely crushed by the official start of the summer blockbuster season on the first weekend of May.

Beyonce's OBSESSED could win the final weekend before WOLVERINE
Beyonce’s OBSESSED could win the final weekend before WOLVERINE

The 4 new wide releases and 1 major specialty release set to debut this weekend will face an onslaught of mega-hits over the next month. How can Obsessed (Sony), Earth (Disney), The Soloist, (Dreamworks/Paramount), Fighting (Rogue) and The Informers (Senator) possibly find an audience with X-Men Origins: Wolverine (Fox) and Ghosts of Girlfriends Past (Warner Bros) arriving next weekend followed by, in successive weeks, Star Trek (Paramount), Angels & Demons (Sony), the combo of Night at the Museum 2 (Fox) and Terminator: Salvation (Fox) and Disney/Pixar’s Up?

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John Nolte

Trailer: Public Enemies

by John Nolte

That is one outstanding trailer and the first footage I’ve seen.

This era’s always proved difficult for present-day filmmakers to credibly recreate.  One major exception is “L.A. Confidential” (1997), but the rest, most notably Scorsese’s ridiculously over-praised “The Aviator“ (2004), overtax your suspension of disbelief with a sense that everyone’s play-acting with clothes found in grandma’s attic. Director Michael Mann appears to have figured out that stylizing the hell out of it is the way to go. The music and atmosphere make you want to dive right in. (more…)

John Nolte

Summer Movie Season: The Good, the Bad and the Maybe

by John Nolte

No matter how frustrated, disappointed, or outright disgusted Hollywood makes me, all is forgiven during that brief moment just after the trailers finish and just before the film begins. When those lights dim the chip dissolves from my shoulder and all the filmmaker need do to win me forever is tell one helluva story.

Politics shmolitics… Just take me away.

For we hopeless movie lovers, each year hope (if you’ll pardon the expression) springs eternal with a fresh offering of pull-out-the-stops-studio-balance-sheet-in-the-crosshairs slate of tent poles. And for that reason, this is my favorite part of the movie year because all I want for my ten bucks is to get lost for a couple hours, and from May 1st through the end of August filmdom at least attempts to put the political nonsense on hold to do just that. (more…)

John Nolte

‘Terminator Salvation’: Will There Be Ewoks?

by John Nolte

Should the fourth installment live up to its promise, that promise being the casting of Christian Bale as John Connor, the Terminator franchise will be on the way to being the one of the best and most consistent action/adventure franchises since Johnny Weissmuller and Maureen O’Sullivan lived in sin as Tarzan and Jane way back when such things were frowned on. And if director McG and his screenwriters are able to tell their story honoring the mythology of what came before without tripping over the inherent logic issues involved with time travel, well then, they’ve already bested “Melorose Kirk-Can-Drive? Trek.”

Of course, should Ewoks arrive to aid John Connor, all bets are off.

My love for “Terminator 3: Rise of the Machines” (2003) puts me in the minority, I know, but you have to embrace how different the three installments are from each other to truly appreciate it. “Terminator” (1984) is a brilliant piece of storytelling, but also a gloriously 80’s action film from soundtrack to clothes to hairstyles to mandatory gratuitous sex scene. “Terminator 2: Judgment Day,” on the other hand, is arty and existential, with mind-blowing, big budget action scenes. But let’s just admit out loud that a certain viewing mood is required in order to avoid using the word “overlong.” Finally, the third chapter shakes off everything that made two so special, but not necessarily in a bad way. The action scenes are still outstanding, but the plot is simpler and had the casting of John Connor been stronger, people might have warmed up more towards the Governor of California’s final starring role. (more…)

Steve Mason

The All-Time Top 10 Movie Posters (one man’s opinion) – #1 JAWS, #2 CHINATOWN, #3 THE DARK KNIGHT

by Steve Mason

Over the weekend, I was pondering why the low budget, standard genre pic The Haunting in Connecticut (Lionsgate) has become a nifty little box office hit. The film added almost $9.5M over the weekend for a new 10-day cume of $37M, and the only conclusion I have been able to reach is that it’s all about the poster.

Creepy, right? I have not seen Haunting and will probably wait for DVD or pay cable, but that is a weird, startling, attention-grabbing image. As a movie junkie, I love good movie art. The best movie posters are evocative. They capture what a movie is all about without giving away the mystery. There are certain movie posters that instantly put me back in that theatre experiencing the film for the very first time. The best movie posters are not just promotional tools. They stand as a work of art on their own. These are my favorites, buit it is by no means a definitive list. Feel free to add your favorites (and subtract any of mine).

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Yervand Kochar

Where’s The Film About Our Real Superheroes?

by Yervand Kochar

The flood of superhero movies in the past several years has become increasingly worse.  Superman, Batman, Spider-Man, Iron Man, X-Men and, oops, Catwoman, and then what? Underdog … these bustards are everywhere and they keep coming. Even bums are superheroes now – Hancock. 

Ogres are superheroes – Hulk. It’s so bad that even the creatures of underworld are being enlisted into the superhero category, and I don’t mean Al Gore. (Although, what do you think Al Gore was doing in his documentary if not saving the world?) Who I mean is Hellboy, a creep who looks so evil that the logline’s compelled to explain, “Believe it or not, he’s the good guy.”  (more…)

Andrew Klavan

Curses!

by Andrew Klavan

I write crime novels for a living. They are full of men—and other disreputable types—who talk like men talk and think in the words men think in. As a result of this, I frequently get letters from my fellow conservatives and fellow Christians that begin, “You call yourself a conservative,” or “You call yourself a Christian,” and then ask: “How can you write such filth?”

Now, not long ago, I was playing tennis—badly, as I sometimes do to counteract the rumors that I’m perfect in every way—and also because I suck—and with each new unforced error I would send up a furious shout of “Doggone it!” or “Rats!” My partner finally interrupted his serve and came to the net. “What is this?” he said, disgruntled. “I’ve read your novels. There’s no ‘Doggone it,’ in your novels. There’s no ‘Rats.’”

Sheepishly, I was forced to explain to him that I rarely use foul language in real life, and almost never in front of ladies, such as the ladies playing on the next court over. He seemed very disappointed.

This little incident came to mind the other day after the oddly lovable Andrew Breitbart posted here what he jokingly called Big Hollywood’s theme song, being Christian Bale’s despicable, bullying and obscenity-laced tirade against a Director of Photography—set brilliantly to a techno beat by some genius who calls himself RevoLucian. (more…)

Andrew Breitbart

Introducing the “Big Hollywood” Theme Song

by Andrew Breitbart

I don’t know what RevoLucian is but he, she, it or they is or are (a) genius(es)!

Listen to the *** profanity-laced *** techno-masterpiece inspired by Christian Bale’s ‘Terminator: Salvation’ set rage-out against cinematographer Shane Hurlbut for mistakenly walking into his scene.

The story is less than a day old but is already a legend of the Hollywood tirade genre.

If ‘Big Hollywood’ were ever to have a vote on the site’s theme song, I’d have to stop the voting early. Because ‘Bale Out’ would win. ‘Cause I’m in effin’ charge! Enjoy:

Bale Out – RevoLucian’s Christian Bale Remix!


I don’t think I will ever get this out of my head! Extra credit to RevoLucian for incorporating a previous Barbra Streisand profanity-laced tirade into the mix.

Steve Mason

Biggest US opening ever for Luc Besson – TAKEN grabs up 24% Saturday and finishes with $24.6M for Super Bowl weekend; PAUL BLART: MALL COP strong at #2 while THE UNINVITED appears headed for 3rd with a possible $10.5M; Zellweger’s NEW IN TOWN may reach $6.75M opening; Not much of an “Oscar bounce” for THE READER and MILK!

by Steve Mason

Liam Neeson is officially a full-fledged action star. The Irish-born actor has often played heroes, whether it was Oskar Schindler in Steven Spielberg’s masterpiece Schindler’s List, the wise Qui-Gon Jinn in Star Wars: Episode I – The Phantom Menace or determined sex researcher Alfred Kinsey in 2005’s biopic Kinsey, Neeson has always had a knack for playing the earnest-but-flawed good guy. In his new movie Taken (Fox), writer/producer Luc Besson and director Pierre Morel have turned him into a Dad with the “mad skills” of a super-spy – think Mike Brady crossed with Jason Bourne.

The result is a well-reviewed (56% Fresh on Rotten Tomatoes) action film that will help to satisfy blockbuster-hungry audiences waiting for Warner Bros’ Watchmen (due March 6). Taken has scored big on its opening weekend. After grabbing an estimated $9.4M, the movie surged on Saturday to $11.62M (up almost 24% from opening day) and, despite today’s Super Bowl, the film could reach $24.62M according to studio estimates. That will be more than enough to win the Super Bowl 3-day, and positive word-of-mouth could get this one into the $70M-$75M range domestic.

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Steve Mason

LOWEST RATED OSCAR TELECAST IN HISTORY?: Snubs of THE DARK KNIGHT, Clint Eastwood and Bruce Springsteen point toward a new ratings nadir for the Oscar show; The five Best Picture nominees have combined to gross only $186M, about what TDK delivered in first 4 days!

by Steve Mason

Nobody is ever completely satisfied with the Academy Award nominations, but with several key snubs, Oscar voters may have ensured that the 2009 telecast hits an all-time ratings low.

Investor Warren Buffet coined the phrase “skin in the game” to describe a situation where executives use their own money to buy shares in their company. The so-called Oracle of Omaha likes companies where insiders have their own money invested because they work harder, care more and generally are more emotionally invested.

The problem with the Oscars is that voters are nominating films that relatively few people have seen. The five movies nominated for Best Picture this week – The Curious Case of Benjamin Button, Slumdog Millionaire, Milk, The Reader and Frost/Nixon – have combined to gross just $186.7M. The Dark Knight passed that box office total early in its fifth day of release. (more…)