‘The Road’: Bleak and Unforgettable
by Carl KozlowskiIt’s the end of the world – and I feel haunted
Imagine that the entire world as you’ve known it has come to an end right before your eyes. Almost everyone has died, or gone crazy scavenging for food, even becoming cannibals in the name of survival. Your beautiful wife, who was the light of your life, left you to wander off in the night and die rather than endure another terrifying day of huddling from the elements and hiding from the human monsters that most everyone else has become.
And now all that’s left is you – and the ten-year-old son whose care has become your entire purpose of your existence. You had a good life once – until just a decade before – with a dignified career, nights at the opera, and joy emanating from every pore of your beautiful spouse. But now it’s all a memory, and a fading one at that. You haven’t been called by your own name in so long that you and your son are only known as Man and Boy.
What then, the universe asks? Do you keep a faith in God, or curse the hopelessness around you? Do you try to maintain the fire of a good soul and pass moral values to your son, or do you let your morals and humanity eventually slip away? If your morals slip away in the middle of nowhere, does anyone notice?
Those are the questions that lie at the root of director John Hillcoat’s profoundly moving adaptation of Cormac McCarthy’s Pulitzer Prize-winning book “The Road.” Starring Viggo Mortensen in an alternately feral and saintly performance of shattering emotional depth – his are the most haunted eyes I’ve ever seen sustained in a film performance – it is a film that doesn’t shy from some of the most disturbing questions of human existence, yet also guides viewers gently through to a sense of grace and hope that will move, for even days afterward, those brave enough to take the journey. (more…)




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