AFI and PBS Embrace Pro-Castro Propaganda, Ignore Agustin Blazquez’ Documented Criticism
by Humberto FontovaFor his documentaries on Fidel Castro and Che Guevara Cuban-American filmmaker Agustin Blazquez’ takes a truly revolutionary approach. Rather than expecting officials of Castro’s police state to reveal facts, Blazquez interviews eye-witnesses to Castroism who are (get this!) free to reveal facts without threat of Castro’s firing squads and torture chambers!
And it’s not an inconsiderable threat. To wit: Castro’s Stalinist regime jailed political prisoners at a higher rate than Stalin’s own, murdered more political prisoners its first three years in power than Hitler’s murdered in its first six, and voraciously “devoured its own children,” complete with show trials. The cheeky Che Guevara often signed his correspondence “Stalin II.” (Tee-hee!)
Needless to add, his thoroughly novel approach to revealing what actually happened in Cuba has caused Agustin Blazquez major problems in the film industry. When back in 2001, he asked the American Film institute to screen his documentary “Covering Cuba,” the AFI’s President balked that such a documentary was “too controversial” for them to air.
The following week, the AFI cranked out the press releases and snapped on the spotlights to screen Michael Moore’s Fahrenheit 9-11. Controversy? What Controversy?
“The AFI later denied giving “controversial” as the reason for declining my film,” Blazquez says. “But it’s’ the absolute truth. I remember it like it was yesterday. And I’ll submit to a lie detector test while repeating it.”
In fact when the AFI proudly screened Stephen Soderbegh’s “Che” at Grauman’s Chinese Theater in 2008, the film’s “controversy” was cheekily flaunted by both the AFI and the stars as the film’s main cheeky charm. “Che Guevara is a hugely controversial figure,” snickered a dapper Lou Diamond Phillips in front of the theater. (Tee-hee!)







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