Posts Tagged ‘Capitalism: A Love Story.’

John Nolte

Michael Moore’s ‘Capitalism’ Flops: Even Liberals Stay Away in Droves

by John Nolte

After nearly two months in theaters and all the hype that normally surrounds a Michael Moore film — much of it free thanks to a fawning media, “Capitalism: A Love Story” has flopped. Production costs, advertising costs and whatever Michael Moore takes above the line makes spinning a measly $14.2 million theatrical haul into anything other than a flop impossible.

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Oh, you can be certain Moore’s fellow travellers in the entertainment media will try: “It’s the 5th highest grossing political documentary of all time!” But that’s like saying , “This is the fifth best car accident I’ve had this month!” A good rule of thumb is that after theaters take their cut, 55% of ticket sales make it back to the studio, and there’s no way $8 million is anything more than a sea of red. (more…)

Big Hollywood

Althouse: ‘Am I wrong to see Moore as an anti-Semite?’

by Big Hollywood

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Ann Althouse:

“The most striking thing in the movie was the religion. I think Moore is seriously motivated by Christianity. He says he is (and has been since he was a boy). And he presented various priests, Biblical quotations, and movie footage from “Jesus of Nazareth” to make the argument that Christianity requires socialism. With this theme, I found it unsettling that in attacking the banking system, Moore presented quite a parade of Jewish names and faces. He never says the word “Jewish,” but I think the anti-Semitic theme is there. We receive long lectures about how capitalism is inconsistent with Christianity, followed a heavy-handed array of — it’s up to you to see that they are — Jewish villains. (more…)

John Nolte

Socialism and Christian-Bashing Crash at Box Office

by John Nolte

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Tough times for leftie Hollywood. Nothing’s gone right this week. None of this is their fault, of course. In order to understand that it might not be a good idea to rally around a child rapist, bash religion in a religious country or trash capitalism in a capitalist country you have to live in the real world…

Steve Mason:

Michael Moore’s CAPITALISM tanks!

Ricky Gervais has launched his second consecutive box office bomb as The Invention of Lying (Warner Bros) only mustered $2.2M or so to start the 3-day. The comedy should finish #5 with approximately $6.5M for the weekend. … (more…)

Cam Cannon

Michael Moore Goes After…Himself?

by Cam Cannon

Last weekend, Michael Phillips and A.O. Scott reviewed, among other films, Michael Moore’s latest farce, “Capitalism: A Love Story.” I don’t know their track records or political leanings, but Phillips for one noticed that Michael Moore is growing tiresome. He didn’t mention the blatant hypocrisy of a multi-millionaire who has reaped the benefits of capitalism calling for its demise, but still, he’s getting tired of the schtick, which leaves me hopeful.

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A.O. Scott raved about the movie, and I agree on one hand that Michael Moore has finally chosen the most logical topic for his kind of film. At least Michael Moore has the nerve to finally say it: he doesn’t like capitalism. It’s absurd, it’s ridiculous, it’s akin to Lieutenant Kaffee rising and sleeping under the very blanket of freedom that Colonel Jessep provides, then questioning the manner in which he, Colonel Jessup, provides it.  I’m sure Goldman Sachs would rather Mikey just thank them and go on his way… but I digress… (more…)

Michael Covel

Michael Moore Kills Capitalism with Kool-Aid

by Michael Covel

A friend recently invited me to a private screening of Michael Moore’s new film, Capitalism: A Love Story. The September 16 invite, not surprisingly, leaned in a certain direction: 

“Moore takes us into the homes of ordinary people whose lives have been turned upside down; and he goes looking for explanations in Washington, DC and elsewhere. What he finds are the all-too-familiar symptoms of a love affair gone astray: lies, abuse, betrayal and 14,000 jobs being lost every day. Capitalism: A Love Story is Michael Moore’s ultimate quest to answer the question he’s posed throughout his illustrious filmmaking career: Who are we and why do we behave the way that we do?” 

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Considering Moore was going to be there for a Q&A after (moderated by Arianna Huffington), I quickly signed on. Now before painting a picture of Moore’s new film, let me be honest: my belief set is essentially libertarian (”Government out of my bedroom and my pocketbook”). Not only do government solutions not excite me, they scare the living blank out of me. Remember when George Bush declared, “I’ve abandoned free-market principles to save the free-market system to make sure the economy doesn’t collapse”? He might as well of said, “Hide your money, kids — ’cause I’m coming to take it!” 

Oh sure, in theory I would like to see everyone with their own homestead, money in their pocket for regular shopping frenzies, and no health worries despite eating at Burger King 24/7, but arriving at those goals is not exactly doable unless government robs Peter to pay Paul and/or starts up the printing press.  (more…)

Carl Kozlowski

‘Capitalism: A Love Story’ Targets Both Right and Left

by Carl Kozlowski

Firing a red-hot cannon blast at both parties and the excesses of America’s capitalist system, filmmaker Michael Moore’s latest documentary “Capitalism: A Love Story” is also his most stylistically and emotionally mature work to date. Launching with a string of film clips that parallel the fall of the Roman Empire to our present societal hot mess, the film serves up big laughs with its harrowing vision of just how far off the rails our present economic crisis has taken the nation. 

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Moore has made plenty of claims that “Capitalism” is the summation of two full decades of work, harking back to the 1989 release of his seminal “Roger & Me,” and that this film is lobbing bombs at the figures involved.  Yet much of the time, the film has a mournful, yearning approach in showing Moore’s desire that America return to the capitalism of the pre-Jimmy Carter years: he shows that the system’s promises worked out splendidly throughout most of the nation’s history, and in particular from the boom years after WWII all the way through Ford before the nation hit Carter’s infamous assessment of “malaise” in the late ‘70s.  (more…)

Ted Baehr

Michael Moore’s Latest Mocks American Capitalism

by Ted Baehr

If only he would use his talent for goodness instead of evil!

The bumbling fictional spy Maxwell Smart often used this phrase to describe some of the super-villains he faced on the TV spy show “Get Smart” in the 1960s. The same statement may be applied to Michael Moore, the filmmaking darling of the Left who has made another polemical documentary, “Capitalism: A Love Story.” This time, Moore calls for the replacement of America’s capitalist system with a socialist system, including, of course, pro-communist proposals to share all wealth or profits equally.

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A talented filmmaker (see our full review here where we list most of the major problems with Moore’s new subversive, Marxist diatribe promoting his radical utopian nightmare), Moore begins his latest movie by comparing the United States to the Ancient Roman Empire, where, according to his sometimes pompous and condescending narration, society became divided between the super rich and the super poor (clearly an exaggeration). He then discusses the post-war economic boom in the United States in the 1950s and early 60s. (more…)

Christian Toto

Let the Media’s Michael Moore Lovefest Begin

by Christian Toto

Director Michael Moore has a new movie coming soon – “Capitalism: A Love Story.”

It could only mean one thing – OK, many, many things:

  • Rave reviews from at least 80 percent of film critics. And I’m being conservative.
  • More press coverage than any documentary filmmaker could ever dream of.
  • Few, if any, labels associated with him in the press. Liberal? Nah, he’s a muckraker, an iconoclast, a rebel, a truth teller…
  • Oscar buzz aplenty. Feel badly for any other documentary filmmaker who did great work this year. Chances are you won’t be taking home the Oscar for your troubles. Better luck next year.
  • More softball questions thrown his way by alleged journalists – this time, Oprah herself will get in on the action.

Moore, who won the Best Documentary Oscar for “Bowling for Columbine” and gave us the factually challenged “Fahrenheit 9/11,” has helped shape the film industry for better and worse. (more…)

John Nolte

Michael Moore: Obama’s Rise to Power Helps Fight Against Capitalism

by John Nolte

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Michael Moore’s “Capitalism: A Love Story” premieres at the Venice Film Festival today. Reuters has most of the details, the usual-usual from the 55-year old mega-millionaire. But buried below the usual-usual is the real story — a point of agreement with we right-wingers:

Amid the gloom, Moore detects the beginnings of a popular movement against unbridled capitalism, and believes President Barack Obama’s rise to power may bolster it.

Well, let’s hope Ted Kennedy’s enjoying his day on the slopes because Mr. Moore and I just found some common ground.

Here are the other bullet points. To save you time, the following words are not used together in describing the film: ”personal” and “responsibility” — “taxes” and “too high” — “Michael Moore” and “gave all his wealth to the federal government.”    (more…)

Big Hollywood

New Trailer: Michael Moore’s ‘Capitalism: A Love Story’

by Big Hollywood


Jason Killian Meath

It’s the End of the World As We Know It, and Michael Moore’s Cashing In

by Jason Killian Meath

Michael Moore is a big fat idiot — or, is he?  Actually, he is a big fat Academy-Award winning capitalist who is making a movie sarcastically called “Capitalism: A Love Story.”  In it, he’ll use his magical megaphone to expose, in his words, “an economic system that is unfair, it’s unjust and it’s not democratic. And now we’ve learned it doesn’t work.”   So… will he also park his little white ice cream truck in front of movie theaters and chastise patrons who wish to pay for a ticket?  Will he offer the film for free — perhaps even share part of the proceeds with all of us? Of course not, he’s a millionaire.


We’ve seen this film many times before from Mr. Moore. The Bush years were kind to him as he tapped into the fears of Americans as they questioned the post 9-11 world, or worried whether there were bogey men hiding in the front offices of America. Now, he’s able to exploit the recession and all the hardships we endure in one great big Mike Moore spectacular! In Moore’s world, free enterprise is unfair, health care is unfair, the 2nd amendment is unfair, life is unfair, paychecks, layoffs, mortgages and democracy itself is unfair — and America is the bad guy.  (more…)

Pam Meister

Michael Moore’s Anti-Americanism Doesn’t Always Sell Overseas

by Pam Meister

This week, as the buildup to the upcoming movie “G.I. Joe” continues, the L.A. Times claimed that…

Yet overseas, where big action films often earn 60% or more of their ticket sales, rah-rah American sentiment doesn’t play well. So those references have vanished from the advertising.

Big Hollywood’s John Nolte gave that theory a thorough fisking, providing numbers showing that while “rah-rah America” movies aren’t guaranteed big foreign box-office returns, they aren’t automatically guaranteed to fail. He also points out that many “anti-rah rah” movies have even less appeal.

Oh, is it still okay to say “foreign?” Just checking, seeing as many schools are replacing “foreign language” departments with World Language departments. We’re all just one, big, happy World Family, right?

Okay, back to the topic at hand. John’s post got me to thinking. If anti-war movies such as “Rendition” and “A Mighty Heart,” despite the hype and the A-list star roster didn’t bring in the beaucoup bucks, how about anti-American movies made by one of the biggest anti-Americans on the planet, Michael Moore? (more…)