Posts Tagged ‘Brian Geraghty’

Alexander Marlow

Review: The Hurt Locker **Updated**

by Alexander Marlow

Epigraph: a quotation set at the beginning of a literary work or one of its divisions to suggest its theme.

Epigraphs crop up occasionally in literature and film, but more frequently on the SAT exam.  In fact, I am using the definition of epigraph as the epigraph for this review.  If you are to the right of Bill Clinton, all you need to know about “The Hurt Locker” is its epigraph: “War is a drug.”

Incredibly, the mainstream media is trying to position “The Hurt Locker” as politically neutral.  The mainstream media are dense. “War is a drug.” Drugs are bad.  Thus, war is bad.  This is a left-wing film.  End of story.  Witness the first five seconds of the movie and read the epigraph; if you still have the audacity to trumpet its neutrality, you should be committed to an insane asylum or the newsroom at MSNBC.  (more…)

John Nolte

‘The Hurt Locker’: Hollywood’s Idea of ‘Not Political’

by John Nolte

I jumped at the opportunity to join “The Hurt Locker” press junket. The film’s director, Kathryn Bigelow (”Point Break,” “Strange Days,” “Blue Steel”), has been a favorite of mine since catching a 3 a.m. Cinemax screening of “Near Dark” some twenty-five years ago. No director — not the Scott brothers, not Michael Bay or even Clint Eastwood understand or are able to get inside the skin of driven men of action like Bigelow. This makes even her rare misstep like “K:19 The Widowmaker” much more watchable than it deserves to be (actually, I watch it all the time).

The junkets are simple. You sit in a hotel room with other writers and one by one the film’s participants stop by for a few minutes. So, in no particular order, as a group we had the chance to interview Bigelow, screenwriter Mark Boal (”In the Valley of Elah”), who researched the film in Iraq, and actors Jeremy Renner, Anthony Mackie and Brian Geraghty.

All were charming and personable to be sure, but whenever politics or previous Iraq War films came up, things would get a little tense and surreal as each responded by assuring us they weren’t worried because “Hurt Locker” wasn’t at all political. Again and again, the film was described as a straight-forward war picture that just happened to be set in Iraq. (more…)