The All-Time Top 10 Movie Posters (one man’s opinion) – #1 JAWS, #2 CHINATOWN, #3 THE DARK KNIGHT

Over the weekend, I was pondering why the low budget, standard genre pic The Haunting in Connecticut (Lionsgate) has become a nifty little box office hit. The film added almost $9.5M over the weekend for a new 10-day cume of $37M, and the only conclusion I have been able to reach is that it’s all about the poster.

Creepy, right? I have not seen Haunting and will probably wait for DVD or pay cable, but that is a weird, startling, attention-grabbing image. As a movie junkie, I love good movie art. The best movie posters are evocative. They capture what a movie is all about without giving away the mystery. There are certain movie posters that instantly put me back in that theatre experiencing the film for the very first time. The best movie posters are not just promotional tools. They stand as a work of art on their own. These are my favorites, buit it is by no means a definitive list. Feel free to add your favorites (and subtract any of mine).

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Tags: 2001: a space odyssey, a clockwork orange, academy award, alan ball, alfred hitchcock
Posted Apr 6th 2009 at 8:27 pm in Entertainment, Featured Story, Steve Mason's Box Office | 9912237 Commentshttp://bighollywood.breitbart.com/smason/2009/04/06/posters/The+All-Time+Top+10+Movie+Posters+%28one+man%27s+opinion%29+-+%231+JAWS%2C+%232+CHINATOWN%2C+%233+THE+DARK+KNIGHT2009-04-07+03%3A27%3A28Steve+Mason

Keeping Score at the Movies

Some time ago, in my eternal quest to set the record straight, I suggested that the true hero of the motion picture industry wasn’t Thomas Edison or D.W. Griffith, not Chaplin or Keaton, not Jack Warner or Louis B. Mayer, but the anonymous fellow who first came up with the notion of putting salt on popcorn, thus turning packing material into a concession stand bonanza that costs more per-pound than lox and caviar put together. 

But there are others who, more often than not, get overlooked while far too much praise is lavished on actors and directors.  I refer to the men who compose musical scores for dramatic films.  Although there have been great scores composed for mediocre movies, there has very rarely ever been a great movie that didn’t have a great score. An example of the difference a fine score can make was “Brian’s Song,” a TV movie that would have drowned in its own bathos and banalities if Michel Legrand’s music hadn’t saved it from itself.  (more…)

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Tags: Bernard Hermann, Breakfast at Tiffanys, Film score, Franz Waxman, High Noon
Posted Mar 7th 2009 at 5:23 pm in Entertainment | 7412696 Commentshttp://bighollywood.breitbart.com/bprelutsky/2009/03/07/keeping-score-at-the-movies/Keeping+Score+at+the+Movies2009-03-08+01%3A23%3A53Burt+Prelutsky