Posts Tagged ‘Bobcat Goldthwait’

John Nolte

25 Greatest Christmas Films: #24 — ‘Scrooged’ (1988)

by John Nolte

Scrooged (1988) has the exact opposite problem of our 25th greatest Christmas film, White Christmas. Whereas the Bing Crosby musical ties a couple hours of mediocrity into the kind of perfect holiday-bow finale that leaves you wanting more, Scrooged is cursed with one of the worst third acts in cinema history; a horrible, wretched, awful televised confession that not only leaves a nasty aftertaste but might be guilty of setting a cheap cinematic trend second only to the shaky-cam — especially in romantic comedies – the horrible, wretched, awful, third-act public confession we see utilized time and again to lazily wrap things up.

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The rest of Bill Murray’s modern (well, 80’s) spin on Dickens’ classic “A Christmas Carol” is absolutely terrific. Taking the story into the world of entertainment for a Network-esque skewering of television is inspired and so is the perfect casting of Murray as the Scrooge character. Murray’s good in both type of roles, but I much prefer when he’s the straight man reacting to the zaniness around him as opposed to creating it (Caddyshack being the ultimate exception).

You drop an understated comedic genius like Murray into a wild story that allows him to be constantly caught off guard by marvelous characters and character actors like Carol Kane, Buster Poindexter (David Johansen), Jamie Farr, Bobcat Goldthwait, Brian Doyle-Murray, Michael J. Pollard, Buddy Hackett, Robert Goulet and a very funny and memorable Robert Mitchum as Murray’s slightly addled boss, and it’s hard to go wrong. (more…)

Carl Kozlowski

Review: ‘World’s Greatest Dad’ Summer’s Greatest Movie?

by Carl Kozlowski

Some guys never seem to catch a break in life. Lance Clayton is one of them. 

In “World’s Greatest Dad,” the recently-released, extremely dark and sometimes perverse new comedy from writer-director Bobcat Goldthwait (we know, we’re just as surprised as you), Clayton (Robin Williams) is the epitome of the put-upon, browbeaten modern middle-class American man. He’s a high-school poetry teacher with hardly any students, a girlfriend who’s afraid to be seen in public with him, and a son named Kyle (played with an amazing level of scorn by Daryl Sabara) who surely must rank as the foulest, most awful teenager in the history of movies. 

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Lance does have dreams of greatness, however. In fact, he’s in the middle of sending off his fifth novel for agent consideration, even though he’s never been published before. But ** SPOILER ALERT ** one night, after finding his son dead from a bout of autoerotic asphyxiation that occurred while watching porn on this computer, Lance suddenly feels a unique burst of inspiration: in order to cover up the shame of his son’s actual cause of death, he moves Kyle’s body, re-hangs him in his closet and writes the perfect suicide note so that the policeman who finds him will think that it was just another, normal teenage suicide.  (more…)