Filmmaker Tyler Perry, with Oprah Winfrey as a role model, has consistently outsmarted Hollywood moguls since his debut feature Diary of a Mad Black Women. That Gospel-infused “fat-suit-in-drag” comedy was made for a mere $5.5M and scored an opening weekend of $21.9M, ultimately generating $50.6M in domestic sales.

The entrepreneurial spirit is alive and well with Tyler Perry

At only 39, Perry is building an empire. He officially christened Tyler Perry Studios last October in Atlanta with a star-studded event. The multi-million dollar project is a sprawling 30-acre working production facility in southwestern Atlanta, and the opening night party featured appearances by legendary African American actors like Sidney Poitier, Cicely Tyson, Ruby Dee, Lou Gossett, Jr. and Will Smith.

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Down through the years, there have been a great many movies in which school teachers have been portrayed as decent and hard-working, even heroic.  Just a handful that come to mind are “Goodbye, Mr. Chips,” “Holland’s Opus,” “This Land is Mine,” “Up the Down Staircase,” “Good Morning, Miss Dove,” “Cheers for Miss Bishop,” “The School of Rock,” “Dangerous Minds,” “Blackboard Jungle,” “Stand and Deliver” and “Dead Poet’s Society.”  

But when it comes to college and university professors, they tend to be portrayed either as comical buffoons (“The Nutty Professor,” “Monkey Business,” “Son of Flubber,” “The Absent Minded Professor,” “It Happens Every Spring,” “Horse Feathers”) or as petty, demented and, often as not, alcoholics (“Who’s Afraid of Virginia Woolf,” “People Will Talk,” “The Squid and the Whale”).  In fact, the last time I recall a movie about a professor that any normal person would wish to spend time with was the 1948 release, “Apartment for Peggy,” and even in that one, Edmund Gwenn spent most of his time planning to commit suicide. (more…)