A Conservative Journey Through Literary America – Part 4: The New Formalism
by Matt PattersonIn the beginning there was the word, and it had form.
Homer wrote his two great works, The Iliad and The Odyssey, in dactylic hexameter. Not for arbitrary reasons was it so organized – in pre-literate Greek society, epic poetry was sung, and the fixed metrical structure allowed for ease of memorization for the poet while simultaneously lending a pleasing musicality for the listener. This relationship between music and words, a relationship both practical and aesthetic, continued to be enshrined in poetic structural forms for millennia.
Until Whitman.
That beautiful, bearded, destructive bastard knocked poetic form hard to the ground with his free, expansive, structureless verse. The fact that it was also thrilling and brilliant and original had the unfortunate effect of encouraging lesser poets to write in a likewise fashion, and what Whitman had floored in the 19th century was thoroughly killed in the 20th. Music and verse became decoupled; form and structure became increasingly ridiculed as backwards, stifling, archaic, not unlike bourgeoisie society itself.
Until… (more…)






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