Hotshot singer-songwriter, actor, activist and philanthropist Sting (known to his mum and dad as Gordon Sumner) can add “money grubbing hypocrite” to his impressive resume.

Hypocrisy in the entertainment industry? Say it ain’t so!

Sting has come under fire by human rights groups for performing a private gig back in November of 2009 for the daughter of the president of Uzbekistan. (Doncha love how dictators and dictators-in-waiting use the title “president?” Oh, I’m sorry Mr. Penn; I didn’t mean to upset you. Please don’t call for my imprisonment; I have two kids and a cat to worry about.)

Rocker STING has been urged to donate concert cash he received after performing for the daughter of Uzbek dictator President Islam Karimov to charity by critics opposed to the private show.

The former The Police star, an avid human rights campaigner and environmental activist, has come under fire for playing the secret gig in Tashkent in November (09). Protesters claim Sting should have rejected the offer to sing for Gulnara Karimova, whose father rules a country with one of the world’s worst records for human rights abuses.

Karimov has been criticised repeatedly by the international community and non-governmental organisations like the United Nations and the European Commission of running a brutal dictatorship, violently suppressing political activism, free speech and religious worship with torture.

Karimov’s administration has also been embroiled in allegations of financial corruption.

According to the above report, his management team ignored pleas to cancel the performance even after being informed of Karimov’s abysmal track record. (more…)

Somewhere over the last 25 years, the idea of what constitutes a “celebrity” changed from a person with some kind of history of achievement to pretty much anyone with a pulse who manages to get his, her or its mug splashed across a TV screen.  Actually, as the wailing and gnashing of teeth surrounding the death of Michael Jackson demonstrated last year, the pulse is now optional.

Nowhere is this more apparent than the ridiculous, cynical remake of “We are the World,” an exercise that according to news accounts seemed less focused on assisting the people of Haiti than on stroking the egos of the pseudo-stars and future nobodies who did the yodeling.

The tiresome video (directed by the tiresome Paul Haggis) raises an important question – who the hell are these people?  I think one of them – the dude with the expensive clothes and dull stare – was Puff Diddley or P. Daddy or whatever idiotic moniker he’s using this week.  You know, there was a time when grown men used their given names instead of childish nicknames that are just emblems of the eternal adolescence that modern pop culture worships. 

Now, the original “We are the World” was itself nearly unlistenable, but that’s a matter of taste and reasonable people can disagree (I thought the British supergroup Band-Aid’s “Do They Know It’s Christmas?” was a much better song, though it shared “World’s” inexcusable refusal to confront the reason the Ethiopian drought turned into the Ethiopian famine – the cruelty and stupidity of its left wing government ).  However, at least most of the participants were people with track records of success.  You had Bruce Springsteen, Paul Simon, Billy Joel, Diana Ross, Bob Dylan, Dionne Warwick and a bunch of others.  Now, not all of them might have been your cup of tea – I’d rather pass a kidney stone made of broken glass than listen to the Boss – but you had at least heard of them. (more…)

If you’re a first generation watcher of MTV, you must remember the year 1984 and  Band Aid. Bob Geldof and other musicians from Duran Duran, Genesis, Culture Club, The Police and U2 teamed up to make a record which would raise money to buy food for starving people in Africa.

How? Through record sales. In other words: Capitalism.

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They didn’t demand that any government should pay the tab for the recording, production or distribution of their product. They relied on the free market system to solve the problem.

There was no politically correct objection to the song’s refrain which clearly references “Christmas” by saying “feed the world, let them know it’s Christmas time again.” (more…)