Rockin’ the Casbah: A Review of ‘Heavy Metal in Baghdad’
by Larry SchweikartRock and roll and Islam seem about as compatible as oysters and cheesecake, yet probably to the surprise of many Americans, there is a solid (although perhaps not yet omnipresent) rock presence in the Middle East. Canada’s Vice Films sent a crew under Suroosh Alvi to Iraq in 2006 to document a concert by a heavy metal band, “Acrassicauda,” whom they had been following since 2003. And, yes, Virginia, they did play heavy metal.
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Alvi has a running under-commentary about the on-going ubiquitous Iraq war, which was strangely (and refreshingly) undefined and unfocused. Certainly a critical view of America’s actions underscored the shots of bombed out hotels, of guard checks, and most of all, of the stories told by the band members. “Firas” (who knows if these were real names, given security issues) the bass player, spoke the best English and thus became the central character; “Tony,” the lead guitarist, though hyped as a spectacular talent, was barely average by western standards. “Marwan,” the drummer, and “Faisal,” the second vocalist that Alvi talked to (the first having fled to Syria) offered occasional pity comments. According to Marwan, “if you can teach every prisoner to play drums . . . you’re gonna have good citizens. . . .” (Here in the United States, I think we have tried that by having them do laundry or make license plates. Not sure if that’s worked yet.) (more…)







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