For an industry peopled by so-called progressive types who love to bash their ideological opposites as racist bigots who want to oppress anyone who doesn’t check the “Caucasian” box on those obnoxious affirmative action questionnaires on employment applications, it sure seems funny that …

…there’s a real possibility that for the first time since the 73rd Oscars 10 years ago, there will be no black nominees in any of the acting categories at the February ceremony. In fact, there are virtually no minorities in any of the major categories among the early lists of awards hopefuls.

What the liberal media might call a “predominantly white” crowd…

I mean, we have the likes of Cher wondering why anyone who isn’t white, rich and Christian would want to be a Republican. Brilliant political mind John Cusack supports the idea of a “Satanic death cult center” outside of Fox News headquarters. Actor John Hamm agreed the Tea Party is a racist institution – on the show hosted by a guy who is upset that President Obama doesn’t act like a “real black president” with a “gun in his pants.” And white comedienne (?) Joy Behar says that only the majority (read: white people) can be racist. Well, I guess as a white chick, she should know. Plus, she studied sociology in college and everything!

Yes, these are the people who believe they set the social narrative in America. And yet…and yet…they don’t seem to live up to their own hype! I mean, here we have what might be the first Oscar night in 10 years with no ethnic minority actors/actresses nominated for an acting award. My goodness, what will George “Smug” Clooney have to say about it?

Actually, considering the high amount of tripe coming out of Hollywood lately, I should think that those excluded from the nominee list would be thrilled by their narrow escape. (more…)

Hollywood director Oliver Stone – who previously tried to rewrite history with his ultra-left conspiracy work of fiction “JFK” is at it again. But this time he’s not accusing the American government of murdering its own president.

Instead, he’s simply trying to stop the “Jewish domination of the media,” so that the film industry can put Nazi leader Adolf Hitler “in context,” as an “easy scapegoat,” and “a product of a series of actions,” in his upcoming 10-hour Showtime docudrama, “The Secret History of America.”

This past weekend Stone told the Sunday Times in England: “We can’t judge people as only bad or good . . . Hitler was a Frankenstein, but there was also a Dr. Frankenstein. German industrialists, the Americans and the British. He had a lot of support.”

Under the false pretense of putting Hitler “in context,” what Stone is really saying is that even the good guys like America and Great Britain helped him, which means he couldn’t have been all that bad.

That’s pretty hard to believe since it was the United States and Great Britain that heroically charged the shores of Germany in 1945 and crushed the Third Reich into pieces, striking so much fear into Hitler’s heart that he abandoned his country, and in one of history’s greatest acts of cowardice, killed himself. (more…)

I have a request for Whoopi Goldberg.  I wish that she would go back to using her birth name Caryn Johnson, at least the Johnson part. Because of her adopted last name, some people may think she may be Jewish. To be perfectly honest there is enough anti-Semitism in the world without people ascribing her statements to Jews.

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Goldberg’s  Johnson’s latest proclamation that Jewish people wish she kept to herself surrounds Mel Gibson and the taped phone calls Mel made to his girlfriend, where he spewed racial epithets such as “if you get raped by a pack of n***rs it will be your fault.” On this series of recordings, Gibson could also be heard calling Hispanics “wetbacks” and threatening violence against his girlfriend.  Keep in mind that this incident comes during a period where Gibson was making a comeback after being shunned for his rabid anti-Semitism.  

Whoopi’s reaction [see the video above] to Gibson’s latest is she does not condone what he did but she knows Mel, he has been over her house and she does not think Mel Gibson is a racist or an anti-Semite. (more…)

Look fast right around the one-minute mark:

“Inspired By Historical Events”

Cut to:  A little boy in a t-shirt labelled “Israel” beating up a helpless little boy in a t-shirt labelled “Gaza Strip” as a slow, fat, clueless little boy in a t-shirt labelled “America” refuses to help.

I know, I know… It’s just a joke. Jokes are harmless, right? Below the fold I have some jokes about Muslims, gays and blacks… (more…)

In the late 1960s there were young people in college and starting families, young people far from home fighting and dying for the sovereignty of our allies in Vietnam, young people just starting to see results from their brave and noble fight for Civil Rights, and then there were the dirty, filthy hippies – the most spoiled, narcissistic, ungrateful species in the history of mankind – whose legacy of drug addiction, STDs, the misery of single motherhood and 2 million left dead on the Killing Fields of Cambodia, still reverberates forty years on.

Ang Lee’s “Taking Woodstock,” a halfway competent but ultimately erratic, unfocused story of how “three days of peace and music” came to the small town of White Lake, New York and changed for the better the lives of those who embraced “the spirit,” not only celebrates the drug abuse and loveless sex that defined the “Woodstock Generation,” but goes beyond caricatures and into outright anti-Semitism to condemn those who didn’t.

Elliot Tiber (Demetri Martin), a young Jewish man in his early twenties, once again abandons his work as a struggling Greenwich Village artist to help his elderly parents (two Jewish stereotypes played by Henry Goodman and Imelda Staunton) through another summer season in the Catskills. Their “resort,” a filthy, dilapidated motel, is about to be foreclosed on and probably should be, but Elliott convinces an exasperated banker to give him one more season. But foreclosure is inevitable and Elliot knows it, and while his friends go to San Francisco with flowers in their hair, his dreams take a back seat to this annual guilt trip sponsored by his overbearing mother. (more…)

The Brothers Emanuel: Ari (L) – Rahm (R)

July 31st, 2006 – Hollywood, California:

At a time of escalating tensions in the world, the entertainment industry cannot idly stand by and allow Mel Gibson to get away with such tragically inflammatory statements. People in the entertainment community, whether Jew or gentile, need to demonstrate that they understand how much is at stake in this by professionally shunning Mel Gibson and refusing to work with him, even if it means a sacrifice to their bottom line. There are times in history when standing up against bigotry and racism is more important than money.

That is a portion of a Huffington Post entry authored by a prominent Hollywood talent agent. It was written exactly two years ago this week after the arrest of actor Mel Gibson. During the stop, an angry and intoxicated Gibson made physical threats and was reported to say, “The Jews are responsible for all the wars in the world,” and asked the arresting officer, “Are you a Jew?” (more…)

F. Scott Fitzgerald wrote: “I was the spark that lit up Flaming Youth, Colleen Moore was the torch. What little things we are to have caused all that trouble.”

In 1923, Colleen Moore’s starring vehicle, Flaming Youth was an international box office hit that ushered in the era of the Flapper. The Jazz crazy kids wore their galoshes unbuckled causing the rubber tongue to flap. Thus: Flappers.

 
Colleen Moore, studio portrait in the Stars and Stripes.

I’m waiting for that particular fashion statement to reappear.

Colleen Moore, born Kathleen Morrison, (1900-1988) and her husband John McCormick embarked on a grand tour of Europe to promote Flaming Youth, Colleen’s career, and enjoy a belated honeymoon.

Colleen’s look, specifically her Bobbed haircut, was a global fashion rage. Contrary to popular opinion it was Moore who pioneered the severe cut—not Louise Brooks. It is sad and certainly a skewed vision of film history that the current Louise Brooks cult has spread like a virus, whereas Moore, a far more important figure in motion pictures, is virtually forgotten.  George Cukor, a director who knew something about Hollywood stardom, was utterly baffled by the post-modern Brooks fever. When queried about the star of Pandora’s Box, Cukor forcefully exclaimed: “Louise Brooks? She was nothing!” (more…)

The film The Boy in the Striped Pajamas is just out on DVD this week, and I confess I was eagerly anticipating its release, having missed its run in theaters. I rented it and watched it Wednesday evening.

Based on the children’s novel of the same name by John Boyne, it tells the story of eight-year-old Bruno, whose father is a high-ranking Nazi. Dad is transferred from his post in Berlin to head a work (read: final solution) camp, and the family is uprooted to the countryside. Bored out of his skull after a few weeks of little to do and no one to play with but his older sister, Bruno defies his mother’s orders to stay in the front yard and sneaks out back to explore. He comes upon the camp, which he thinks is a farm (Bruno is sheltered from the realities of his father’s work) and meets Shmuel, a boy his age on the other side of the fence, wearing what Bruno thinks are “striped pajamas.” Despite being separated by electrified barbed wire, the two boys strike up a friendship that holds fast despite the obvious adversity and future problems that arise. (more…)

When I was very young, people were accustomed to saying that the only two certainties were death and taxes. Over the years, there’s a third item that could be added to the list: Every American president will try and fail to bring peace to the Middle East. Obama is merely the latest to put it at the top of his to-do list. My guess is that four or eight years down the road, long after he has managed to cure the leper and raise the dead, it will still be at the top of his list.

I hate to be a pessimist, but I see no reason not to be. While the folks in Gaza didn’t have two great choices during their last election, much like the electorate here in the U.S., they opted for the greater of two evils, much like the electorate here in the U.S.. They voted for Hamas, a terrorist group sworn to wipe Israel off the map — the actual map, that is, not merely the fantasy maps they use in their schoolbooks. (more…)