Posts Tagged ‘Anthony Mackie’

Alexander Marlow

Review: The Hurt Locker **Updated**

by Alexander Marlow

Epigraph: a quotation set at the beginning of a literary work or one of its divisions to suggest its theme.

Epigraphs crop up occasionally in literature and film, but more frequently on the SAT exam.  In fact, I am using the definition of epigraph as the epigraph for this review.  If you are to the right of Bill Clinton, all you need to know about “The Hurt Locker” is its epigraph: “War is a drug.”

Incredibly, the mainstream media is trying to position “The Hurt Locker” as politically neutral.  The mainstream media are dense. “War is a drug.” Drugs are bad.  Thus, war is bad.  This is a left-wing film.  End of story.  Witness the first five seconds of the movie and read the epigraph; if you still have the audacity to trumpet its neutrality, you should be committed to an insane asylum or the newsroom at MSNBC.  (more…)

John Nolte

‘The Hurt Locker’: Hollywood’s Idea of ‘Not Political’

by John Nolte

I jumped at the opportunity to join “The Hurt Locker” press junket. The film’s director, Kathryn Bigelow (”Point Break,” “Strange Days,” “Blue Steel”), has been a favorite of mine since catching a 3 a.m. Cinemax screening of “Near Dark” some twenty-five years ago. No director — not the Scott brothers, not Michael Bay or even Clint Eastwood understand or are able to get inside the skin of driven men of action like Bigelow. This makes even her rare misstep like “K:19 The Widowmaker” much more watchable than it deserves to be (actually, I watch it all the time).

The junkets are simple. You sit in a hotel room with other writers and one by one the film’s participants stop by for a few minutes. So, in no particular order, as a group we had the chance to interview Bigelow, screenwriter Mark Boal (”In the Valley of Elah”), who researched the film in Iraq, and actors Jeremy Renner, Anthony Mackie and Brian Geraghty.

All were charming and personable to be sure, but whenever politics or previous Iraq War films came up, things would get a little tense and surreal as each responded by assuring us they weren’t worried because “Hurt Locker” wasn’t at all political. Again and again, the film was described as a straight-forward war picture that just happened to be set in Iraq. (more…)

Steve Mason

PAUL BLART: MALL COP comes-from-behind for a weekend win with $21.5M; Sony finishes 1-2 with UNDERWORLD at $20.7M; GRAN TORINO adds $16M and will become Eastwood’s #1 grossing movie on Wednesday; No love for INKHEART!

by Steve Mason

The chubby guy on the Segway rallied for a come-from-behind win over the Beckinsale-less Underworld sequel, but regardless, it was a 1-2 finish for Sony. When I originally predicted that Paul Blart: Mall Cop as the likely weekend winner over the MLK 4-day, some online sites questioned my pick. Even I didn’t expect an opening close to $40M, and now the Kevin James vehicle has surprised again.

The Adam Sandler-produced comedy has broadened its audience, showing real family appeal. That led to stronger Saturday and Sunday matinees for a stellar $21.5M by Monday morning. That gives the movie a 10-day cume of just shy of $65M, which is impressive considering that it was budgeted at just $26M. After success as a supporting star in movies like Hitch ($179.5M cume) and I Now Pronounce You Chuck and Larry ($120M cume), it appears that James can open a movie without the help of Will Smith and Adam Sandler. Mall Cop dipped only 32% from last Friday-thru-Sunday (and that was part of a 4-day weekend, which can often lead to a sharper drop). (more…)

Steve Mason

FINAL TRACKING: UNDERWORLD: RISE OF THE LYCANS could reach $24M with MALL COP at #2; Eastwood’s TORINO and INKHEART battle for third; SLUMDOG, THE WRESTLER and REV ROAD set for solid expansions!

by Steve Mason

Michael Sheen has two movies in release this weekend. The classically-trained Welsh actor plays Lucien in the wildly commercial Underworld: Rise of the Lycans (Sony), opening on about 3,000 screens, and he plays David Frost in Frost/Nixon (Universal), expanding to about 800 playdates.

He is a classically-trained stage actor, who has starred in heavyweight UK productions of Romeo and Juliet, Henry V, Amadeus and The Dresser, was somehow overlooked by both Hollywood Foreign Press and Oscar voters when he starred as Tony Blair in 2006’s The Queen. (He was outshined by Helen Mirren, who won every acting prize imaginable). This year, he is in the shadow of Frank Langella’s towering portrayal of President Richard Nixon in Frost/Nixon.

As an aside, The Queen was the second in screenwriter Peter Morgan’s Tony Blair trilogy. The first film was called The Deal for British television and tells the story of the rivalry between Blair and current British Prime Minister Gordon Brown. (This is a great title to put in your Netflix or Blockbuster cue.) The final film will be called The Special Relationship, which will focus on the intimate friendship between the British PM and President Bill Clinton between 1997-2000. Sheen has signed on, but there is no word on who will play Clinton. Morgan says the idea for the third film began to germinate when he heard that Blair and Clinton were alone together when Vice President Al Gore conceded the 2000 election.

In the meantime, Sheen will almost certainly have the #1 movie in America this weekend with Underworld: Rise of the Lycans. This is the third Underworld movie, but it is a prequel set in the dark ages with Sheen as Lucien, a young werewolf, who leads a war against Bill Nighy as Viktor, the leader of the vampire race. (more…)