Anyone heard from GLAAD?

A few days ago I wrote about leftist Hollywood’s fascist attack on Brett Ratner and mentioned that we shouldn’t declare any of this a “gay campaign.” The story below is a perfect example of what I meant. People like Taylor Garrett and Chris Barron are two of many gays and lesbians out there who are not afraid to think for themselves and who want no part of GLAAD’s ongoing bullying campaign to chill free speech.

“The gays” aren’t the bad guys; the left is.

Immediately the left questioned the reality star’s claims.  Copies of the police report can be found at the Huffington Post. See photo below of the rock Garrett says was thrown through his window.

Daily Caller:

Anyone who caught “Real Time” this past weekend got to enjoy some great television.  Much like the boss (and much unlike your average buttoned-up conservative), Ann Coulter thrives in a political environment where there’s an emphasis on entertainment, humor, and thinking on your feet.  If you’ve read her books or seen enough of her speeches and media appearances, you know she’s easily funnier than you average Hollywood or New York “comedian.”

Credit where it’s due, as usual, to Maher and co. for having her on.  “Real Time” continues to be the only liberal-leaning late-night current events/comedy show eager to engage articulate conservative commentators.

Here are some highlights, starting with Coulter telling MSNBC’s Chris Hayes that his mother, who has a government job, “is a drain on society”:

Next is a long chunk of the round-table discussion where Maher and Coulter’s sardonic repartee takes center-stage.  This is an act they could take on the road (UPDATE: Apparently they have):

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Politico:

It’s not the Star Wars trilogy, but writer and director Stephen Bannon’s trying for something epic: his latest film, “Battle for America,” which chronicles the tea party movement, is the third in a trilogy that Bannon believes weaves a narrative about a burgeoning conservative movement. Bannon’s hoping that by paying attention to detail and aiming high, conservative documentaries might finally compete with more successful films on the liberal side of the spectrum. 

“You’ve always seen mass movements on the left,” Bannon told POLITICO. “What intrigued me was what caused this mass movement on the right.” Bannon admits that “Battle” is “a very partisan film,” but says that “it’s aimed at independents and Reagan Democrats who can actually step back and think about what the stakes are.” (The other two films in the trilogy are “Generation Zero,” which focuses on the financial crisis, and “Fire from the Heartland,” which looks at leading conservative women). 

Such conservative notables as Ann Coulter, Newt Gingrich, Lou Dobbs, Fred Barnes, Sen. Kit Bond, Sen. Tom Coburn and Rep. Thaddeus McCotter make cameos in “Battle.” But Dick Morris, current Republican campaign surrogate, is the default star of the film.  (more…)

This week, Citizens United’s Dave Bossie and Steve Bannon debuted their new documentary, Fire from the Heartland:  The Awakening of the Conservative Woman.  

The film chronicles conservative women who have sparked the popular call for common sense governance and captured the public’s imagination.  It is a required viewing for anyone honestly interested in the roots of the Tea Party phenomenon and the future of American conservatism. 

In the 20th Century, the fonts of confusion and uncertainty that breed discontent among a people were identified by the conservative philosopher Russell Kirk: 

(Discontent occurs) not necessarily when they are poor, but when they are emotionally and intellectually distraught…when even the family seems imperiled; when people can no longer live as their ancestors lived before them…. 

Against the chaos of our age, conservative women have rightly raised their voices to say “Stop!” 

Their intellectual and visceral understanding of the transformational changes racking America – and what is at stake – is why conservative women are leading the movement in their respective fields: the pioneers, Clare Booth Luce and the indomitable Phyllis Schlafly; in politics, former Alaska Gov. Sarah Palin, U.S. Representatives Michele Bachmann, Cynthia Lummis and Jean Schmidt; in the media, Ann Coulter, S.E. Cupp, Dana Loesch, Michelle Malkin, Kathleen McKinley, and Michelle Moore; and in activism, Deneen Borelli, Michelle Easton, Tabitha Hale, Sonnie Johnson, Amy Kremer, Jenny Beth Martin, and Jamie Radtke.  (more…)

Not only did Citizen’s United’s new film “Fire from the Heartland” teach me quite a few things I didn’t know about some of my favorite women in the conservative movement, but at times it moved me to tears. What was most fascinating though, was viewing today’s tea party movement leaders in the context of history. 

“Fire from the Heartland” follows the progression of the conservative movement and the role women have played in it and helps the viewer understand why so many women are at the forefront of today’s tea party movement.

 
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I was fortunate enough to be one of five conservative women to be invited to a private sneak peek of the film with director, Steve Bannon, a week ago in DC and the reaction among all of us was equally strong and positive.

The story is told in a very personal way through the eyes (and words) of 15 of the leading women in the conservative movement, but also by looking at it “from the outside in” through video and still shots.  Through the lens of history, we get an interesting overview. From women during the frontier pioneer days to individuals like Clare Boothe Luce, Phylis Schlafly (whose interview is featured) and Margaret Thatcher to women who have only in the past couple of years become political leaders, we see how women came to be such a driving force in the conservative movement.

The interview segments in the film are particularly powerful.  They are beautifully shot with the women presented in front of a black background, wearing white blouses and black skirts or slacks.  That styling really brings the personality of each woman forward and focuses all attention on what they are saying.  It is interesting though, that even though they are all dressed in the same colors, their personalities are still expressed through their wardrobe – Michelle Bachmann wears a beautifully tailored crisp white button front shirt, while Ann Coulter wears a white knit tank top and short black skirt. (more…)

From the film’s website:

The first-ever film to tell the entire story of the conservative woman in her own words, “Fire from the Heartland” is a powerful statement about America at a crossroads and the women who have awakened to the crisis. With role models such as Clare Boothe Luce, Margaret Thatcher, and Phyllis Schlafly as inspiration, these women are the unintended consequence of the liberal feminist movement.

Tracing the long history of the many conservative women who have been the backbone of this great nation, from the founding mothers of our Republic to today’s “Mama Grizzlies,” this powerful and compelling documentary honors the self-made American woman. (more…)

Tomorrow, July 1st, I have the honor of co-hosting Move America Forward’s 3rd Annual Troopathon to raise money for care packages for our troops. The eight-hour broadcast, which will air live across the World Wide Web, will stream here at Big Hollywood, Big Government, Big Journalism, and Breitbart.TV from 4 p.m. to midnight, EDT. Please join us to show your support for our brave men and women fighting in Iraq, Afghanistan and elsewhere for our safety and for the freedom of people around the world. Here are the details from MAF:

The concept behind Troopathon is not a new idea, put on a Jerry Lewis style telethon to benefit a worthy cause, but a Troopathon is groundbreaking and innovative in that we bring together famous celebrities from radio, television, movie stars, musicians, journalists, and more to create a one-of-a-kind event with one purpose – to support our troops on the front lines in the war on terror and honor their service and sacrifice for our nation. (more…)

Tonight at 9:00 PM Pacific Time, Greg Gutfeld joins me on “The Stage Right Show” for a one-on-one interview.  Listen here at Big Hollywood as Gutfeld pontificates on Helen Thomas, Bill Maher, Ann Coulter, Fox News, Michael Moore and bondage paraphernalia.  All the while seamlessly plugging his hugely popular new book, The Bible of Unspeakable Truths.

Ed. Note: Today and tomorrow Big Hollywood is running exclusive excerpts from Greg Gutfeld’s new book, ”The Bible of Unspeakable Truths,” which is available now. Leigh Scott’s review is here. Rep. Thaddeus McCotter’s review is here.

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Garry Trudeau Is an Untalented Sack of Poop 

If Doonesbury did not relentlessly spout knee-jerk liberal tripe in every panel, it would not exist. It’s the only cartoon given tenure—in that the media cut Garry Trudeau slack because they all believe his heart is in the right place, even though his stuff sucks harder than something that really sucks. 

But in our hearts, we all know the truth: The strip is neither amusing nor interesting. Worse, the dude can’t draw for shit. Essentially, Trudeau has been a recipient of comic strip welfare his entire career. No one has had the guts to cut him off. It’s too bad, because Funky Winkerbean really deserves his spot.  (more…)

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Like many Americans, I tuned into “Glee” this Monday to give the show a second go. In the spirit of objectivity, I must admit that the cast is talented, the characters well-developed, and there’s some strong writing to tie it all together. I felt that it deserved another shot. Only eight minutes into the episode however, much like Ralphie with his Little Orphan Annie decoder pen, I’d been skunked again. Is anybody else turning the dial off of “Glee” for good?

If you frequent the BigHollywood often, you’ve no doubt read about Glee’s recent jabs aimed toward Conservatives (more specifically, last week with Sarah Palin). Despite Sarah Palin having a legion of supporters (many of whom watch “Glee”), the people at Fox thought that it was a safe bet. After all, none of their Hollywood buddies would criticize them for it. That would require, shall we say… testicles? No, when it comes to speaking up against the popular opinion among their elitist peers, Tinseltown decided to lie themselves on the neutering bench a long time ago. It’s because of this that they travel in packs, making drive-bys and are more akin to acting like Cobra-Kais’ cronies than fighting the establishment a la Daniel Larusso. When “Glee” took a swipe at Ann Coulter this week, one could faintly hear the cries of their Hollywood lackeys screeching “Get’him a bodybag!” in the studio back lots and writers’ boardrooms. (more…)

Canada, it is a silly place. Yes, I was raised there, and yes I acknowledge it. Sadly, in recent years it seems that Canada has gone from silly to downright dangerous. This is particularly true if you are a Conservative or dare to ever even think of speaking out against the politically correct, sub-zero establishment.

You’ve no doubt heard about Ann Coulters’ escapades in the Great White North. College leftists (who’d had no qualms with terrorist sympathizers speaking at their school in the past) were so offended with the idea of what Madam Coulter might say ,that they attempted to ban her from the premises. When that didn’t happen, the young Green-Day liberals decided to stage a protest. Of course (as is often the case with liberal protests) things got out of hand, with protesters becoming so unruly that the situation had become not only a safety hazard to Ann herself, but for the myriad people who were there to hear her speak. Woodstockers would be proud! So students thirsty for knowledge and debate have to deal with all of this hooplah because many Canadians forecasted that Ann Coulter might engage in –cue dramatic chipmunk– hate speech! (more…)

Time Magazine:

Andrew Breitbart sits in an Aeron chair at an iMac computer gazing out the sliding glass door of his Los Angeles home office. On the patio, a hula hoop and a portable basketball rim await his children’s return from school. Breitbart, 41, dressed on this late-winter day in his standard work uniform of a dirty oxford-cloth shirt and grungy khaki shorts, looks more like a surf bum than one of the most divisive figures in America’s political and culture wars. Then his BlackBerry rings.

The woman at the other end of the line, conservative fulminator Ann Coulter, is among Breitbart’s staunchest allies, and they soon are engaged in a spirited attack on liberals. “Their entire structure is writhing in diseased agony on the side of the road, and they don’t even realize it,” Breitbart says. But the left isn’t the only object of disdain. “I’m sick of this effete GOP nothing sandwich,” he adds, growing more animated. “As long as everyone is so pristine and socially registered, we’re going to lose.” Shortly before signing off, Breitbart says, “The second I realized I liked being hated more than I liked being liked — that’s when the game began.”

It’s a game he plays extraordinarily well. Breitbart has become the Web’s most combative conservative impresario — part new-media mogul, part Barnumesque scamp. Last fall, he launched Big Government, the flagship of his wickedly right-of-center sites, which also include Big Hollywood, Big Journalism — which described the House’s March 21 passage of the health care reform bill as a “socialist putsch” — and the news aggregators Breitbart.com and Breitbart.tv. On its first day of business, Big Government produced a scoop: undercover filmmakers James O’Keefe and Hannah Giles — the would-be Borats of the right — had shot videos that appeared to show workers at ACORN, a liberal organization that lobbies for affordable housing, offering tips on how to open a brothel. For Breitbart, the videos proved to be a gold mine, putting the left on the defensive and Big Government on the map. That the filmmakers were accused of entrapping their subjects and editing in footage of O’Keefe dressed as a pimp seemed almost beside the point. (more…)

Boom! Studios, a minor comic book publisher, is putting out a 128 digest sized title attacking Republicans called “Repuglicans”. It’s produced by artist Pete Von Sholly with commentary by writer Steve Tatham. The cover shows Sarah Palin as some kind of pox ridden vampire with Glenn Beck as a zombie, Ann Coulter as a ghoul and Lou Dobbs looking kind of annoyed. I suppose that’s supposed to be scary in lefty land.

Artist Sholly claims it shows “…the true face of the right, and it’s not pretty.”

Isn’t it funny when artists try to come off as “rebels” by defending the mainstream? I mean, the Republicans are out of power. The Dems have controlled Congress for the last four years. So let’s show how brave we are by attacking the party out of power! Stick it to the man, man!

The cover blurb says: “They came to feed on the body politic!” So, they’re bad for the country? Is that what they’re saying?

Until Scott Brown was elected recently, the Democrats has a filibuster proof majority. So how are the Republicans a threat exactly? Oh yeah, the public views congress with a 73% disapproval rating. Yes, the one controlled by the Democrats for the last four years. So let’s blame the Republicans, man! (more…)

Super Bowl ads have become a competition themselves and are often better than the game. At a reported cost of over $3 million for a thirty-second spot it would be hard for me to imagine that any of the ads are cost effective but it’s not my money, so roll the tape!  Judging from some ads there are either a lot of advertisers who don’t want conservatives to buy their products or a there are a lot of liberals making television advertisements.

Qualcomm’s combined leftist ideology and male bashing in its two ads featuring a guy who is “spineless” and a heavy political video montage by Obama idolater Will.i.am. I guess his stage name is supposed to be clever but it makes me think he was just raised on a little too much Dr. Seuss. Can you imagine the flack a company would get if it let Ann Coulter or Glenn Beck produce a video montage for its Super Bowl commercial? Watch the above clip for visuals of everything from Castro to Al Gore “winning” Florida.

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Since 2008, two friends have urged me to watch Red Eye on the FOX News channel. I finally got around to it one late night in March of 2009. I’ve been hooked ever since.

Red Eye is hosted by Greg Gutfeld. Greg is so smart he makes Stephen Hawking look like Janet Napolitano at a national security press briefing.

Gutfeld’s sidekick is Bill Schulz. Bill is so funny he could make a femur seem humerus.

And finally, there’s TV’s Andy Levy, a guy so sharp that he blunts the knife in Charlie Sheen’s hand.

Welcome to the world of Red Eye, television’s last best hope for topical late night comedy. (more…)

Some days it’s tough to find things to write about and other days the floodgates open and there are just tons of people begging for a little mocking. Last night I was in a hotel in Fort Lauderdale searching for something to write about and finally gave up and watched the Bears drop another game. I went to sleep fearing the bleakness of the next day. Then this morning the morons started jumping out of the trees. Two great ideas just showed up.

The first was right there in the USA Today outside my room door. Seems the ultra-liberal mayor of Mexico City is cleaning up the town. No, he’s not stopping the rampant drug trade, chasing down murderers or the organized kidnapping rings. Mayor Marcelo Ebrard is hellbent on putting an end to whistling at women on the streets and gum chewers who spit their gum on the sidewalk!  I say “bravo” Mr. Mayor. There is no insult greater than being whistled at by a construction worker while being bundled into the trunk of a kidnapper’s car. Woe unto you if while you were kicking around in there some was gum on the bottom of your shoe! (more…)

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Last weekend, Michael Phillips and A.O. Scott reviewed, among other films, Michael Moore’s latest farce, “Capitalism: A Love Story.” I don’t know their track records or political leanings, but Phillips for one noticed that Michael Moore is growing tiresome. He didn’t mention the blatant hypocrisy of a multi-millionaire who has reaped the benefits of capitalism calling for its demise, but still, he’s getting tired of the schtick, which leaves me hopeful.

A.O. Scott raved about the movie, and I agree on one hand that Michael Moore has finally chosen the most logical topic for his kind of film. At least Michael Moore has the nerve to finally say it: he doesn’t like capitalism. It’s absurd, it’s ridiculous, it’s akin to Lieutenant Kaffee rising and sleeping under the very blanket of freedom that Colonel Jessep provides, then questioning the manner in which he, Colonel Jessup, provides it.  I’m sure Goldman Sachs would rather Mikey just thank them and go on his way… but I digress… (more…)

In this painting, the meek are those who are easily led, ignorance is a tool used against them and red represents the communist countries that should have erased all doubt by now about the abysmal failures they have proven to be and will always be — no matter what variations of “ism” they call themselves.

“The Meek Shall Inherit the Earth” — 2000 mixed media on wood 38″ x 52″

Now that “the chickens have come home to roost” and we have an administration that does anything it damn well pleases while spitting in our faces to stay in power as they shove their agenda down our throats, I think it’s safe to assume we have nothing to lose by…gee…let me see…oh, I know…how about fighting back? I think Ann Coulter, Michelle Malkin and the other girls in this movement have done more then their fair share and could use a little back up! Are there any men in this conservative movement other then Rush and Glenn Beck? Republican Senators and other “conservative” elected officials who sit idly by while their constituents repeatedly get kicked in the teeth, should be very grateful we can’t legally do more then just vote them out. Can you say tar and feather? (more…)