There’s a lot of “It’s better than ‘The Da Vinci Code‘” flying around about director Ron Howard’s “Angels & Demons,” but that’s a lot like saying “It’s smarter than Nancy Pelosi” or “It’s less involved with the Nazis than George Soros.” For starters, A&D is not better than “Da Vinci,” which at least made some sense in helping us to understand how the mind of Symbologist Robert Langdon (Tom Hanks) worked. Instead, this follow-up offers the same plodding plotting, outrageously dishonest Catholic bashing and numbing over-length … but now Langdon’s mental methodology is made completely incoherent to the point of gibberish.
The Pope is dead and to elect the new Holy Father, the ancient ritual of the Conclave is set to begin when the four Cardinals most likely to be chosen, the preferiti, are kidnapped. An ancient brotherhood known as the Illuminati takes responsibility. They have no demands and only wish to teach the Church a lesson for a violent purging of their scientific “free thinkers” hundreds of years ago and to do that they have promised to violently kill one Cardinal an hour, each in a different location, with the grand finale being the complete destruction of Vatican City with an anti-matter bomb stolen in the film’s opening scene.
The only clues offered that might save the day are also meant to further the Illuminati’s pro-science stance. Each clue is based on the four altars of science: earth, air, wind, and fire and to help unravel these symbols, Harvard Professor Robert Langdon is called in. Joining him is Vittorio Vetra (Ayelet Zurer), the gorgeous Italian scientist who helped create the anti-matter and the best hope to disarm it. (more…)
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