‘Battle: Los Angeles’: A Day on the Set With the Writer, Director, and the United States Marines
by Tom HillmannThe Audition
Auditions for film and TV are undergoing a seismic change from the days of crowded waiting rooms packed with guys who all look exactly the same. We put ourselves on tape now. Actually, technology has hyper-warped past the tape, and it’s a digital file that gets emailed, but we still call it, “putting ourselves on tape.”
I got the call from my agent to “put myself on tape” for “Battle: Los Angeles” back in August, 2009, and straightaway looked up all I could find on the director, Jonathan Liebesman.
He likes using a loose, handheld camera technique.
Perfect. The scene I was auditioning for was the reporter on the beach, so I grabbed a plastic microphone from my kid’s overflowing toy box and my digital camcorder and headed down to the ocean. Many casting directors today are still expecting us to “follow the rules” and stand in front of a blank blue wall and do our thing.
I like to break the rules.
I shot the scenes walking up and down the beach not caring what the shell hunters thought as I aimed my camera at myself and surely looked like I’d escaped from the nearby happy house. I came back home to edit on my Mac and because the initial breakdown said they were interested in hiring a “real reporter” for this role, I grabbed some footage from a job I’d recently done playing a reporter and tagged that on to the end of my audition. I emailed it out on a Tuesday, and by Friday I heard I’d won the role.







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