Posts Tagged ‘Adam Lambert’

Deborah Weiss

Adam Lambert Turns the Other Cheek (Again)

by Deborah Weiss

Jewish, gay Adam Lambert seems to be more Christian than some “Christians” at the Baptist Church.  Ye shall know them by their fruits.  

Adam is a singer first and foremost, and initially it was his voice that drew me to him. His range, falsetto, and his ability to hold high notes were amazing. On “American Idol,” his choices in music, clothes, lighting and sets, always made his performances entertaining.  Indeed, I liked his whole performance package. Additionally, I was intrigued by his display of emotion, including the angry snarls and the steaming sexuality. I’m a Broadway and hard rock girl, and I liked the fact that he was over-the-top. 

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Some of the exact things I liked about his performances, also probably made me biased against him personally.  I can’t really say I felt the kind of attraction to him that so many others professed.  And, his Goth look — the pitch black hair, black eyeliner and nail polish, coupled with his unabashed sexuality, didn’t exactly lead me, conservative Debbie, to believe that he’s the kind of guy I’d want to be friends with or whose values I would share.  Fortunately, I’m open minded, and as in my politics, I try to form conclusions based on fact, not superficial impressions.   (more…)

Charles Winecoff

Britain to America: ‘Don’t Let This Happen to You!’

by Charles Winecoff

When I was a kid, American Idol wasn’t even a twinkle in Simon Cowell’s eye.  No, instead of Adam Lambert’s girly warbling, we listened to wrinkled pacifist Walter Cronkite rattle off the US body count as we ate our TV dinners.  (Thank God for I Love Lucy re-runs.)

But Vietnam wasn’t the only war raging.  There was a culture clash going on too, right in the privacy of our own home: the ’60s counterculture – seen in everything from Easy Rider to The Sonny and Cher Comedy Hour - versus our deeply ingrained Anglophilia.  In other words, a tug of war between “social justice” and the Social Register.

Decades before it became cool to diss the Queen with an iPod, the Royals represented everything Americans were not, and never could be: educated, sophisticated, multi-lingual, above carrying cash – and worldly enough to know one doesn’t clean one’s antiques (think no housework).  Growing up in our comfy, middle class, anti-war household, I never knew if I was supposed to say “burn, baby, burn!” or “sod off, yank.”

This dichotomy took a psychic toll, which came to a head when I did my part for the revolution by proudly shoplifting a ballpoint pen from our local Lamston’s (”the establishment”).  To my amazement, my parents were not pleased.  Instead of a gold star, I received a verbal barrage of uncharacteristic cliches (”Do you think we send you to the best schools so you can steal?” ) that left me even more confused. (more…)

Deborah Weiss

Obviously, Adam Lambert Isn’t Gay Enough

by Deborah Weiss

If you haven’t heard of Adam Lambert, you will soon.  He is the flamboyant rocker who recently came in second on “American Idol” in a stunning upset by boy-next-door Kris Allen.  Adam, the judges’ obvious favorite throughout the show, is a 27-year-old actor-singer who was struggling to make it in the music business until “Idol” came along.  A former cast-member of “Wicked,” Adam worked in various Broadway touring groups and avant garde shows in order to pay his rent.  But his real dream was to become a pop-rock star.

Adam has an amazing vocal range and a falsetto so rich in quality that it is imperceptibly different from his chest voice.  His incredible ability to control his vocals enables him to hold his high notes seemingly forever.  His versatility is unmatched in “Idol” history.  With the arguable exception of country music (his rendition of “Ring of Fire” received strong emotional reactions both pro and con, as it was more like Johnny Cash doing Goth music with Middle Eastern undertones), Adam excels in every genre of music.  He sings soulful ballads to pop to heavy metal and glam rock, all with ease, style, and pitch-perfect tone. (more…)

Mike Baron

The Pop Underground Strikes Back

by Mike Baron

Few shows illustrate how low the state of popular music has fallen than American Idol.”  While AI regularly finds singers of talent, the songs they feature are mostly chestnuts.  The show also encourages the type of singing that is more at home on Broadway than in small smoky clubs.  The judges put an inordinate amount of focus on vocal pyrotechnics encouraging contestants to test the outer limits of their ranges.  The most exciting news to come out of the most recent season is the possibility that Adam Lambert might join Queen, replacing the ill-considered Paul Rogers.

I would love to see Adam Lambert join Queen.  I already know all the songs.  And that’s a problem.  Singer/songwriters have been moving off-grid since the nineties.  With the demise of the major music conglomerates, innovative talent understands it’s up to them to record and release their own material.  The internet makes this possible.  No one knows the extent of the effect downloading has had on the music industry, but if we are to judge from the reaction, it has been devastating.  The Recording Institute Association of America has brought suits against parents whose children illegally download songs. (more…)

Cam Cannon

‘Idol’ Reaction Proves Immutable Law: LLTL

by Cam Cannon

LIBERALS LOVE TO LOSE. When liberals lose, it enables them to feel more superior than they naturally feel. It affords them the opportunity to bitch about injustice and unfairness.

When they win, hell, it was a fair fight. They never, while basking in the glow of a victory, say, “Whew. Thank God the unfairness worked out in our favor this time!” or “The voting machines finally worked!”

They also hedge their bets before a contest, positioning themselves as the enlightened open-minded ones and their opposition as gun and religion loving inbreds before the actual contest has gone down, so in the event of a defeat, they’re prepared to act like victims rather than losers.

I’m referring, of course, to the phenomenal “American Idol” finale, an event that capped off an unbelievably good season of TV. From “Fringe” and “Idol,” to “Friday Night Lights” and “The Office” — and finally to “Lost,” I’ve loved the stuff on the tube this winter/spring. I treated last night’s “Idol” fantastically cheesy finale as a season ending celebration of great TV. (more…)

John Nolte

‘American Idol’ and Dumbing Down the Definition of Homophobe

by John Nolte

Over at Huffington Post, Jim David is positive Adam Lambert’s “American Idol” loss was due to widespread homophobia in America. He pins this charge squarely on the fact that, in his opinion, Lambert is the better singer and therefore should’ve beaten Kris Allen, but didn’t because of…

Yes, homophobia is alive and well, which is why Lambert lost the ultimate title. Go ahead — give me another reason.

What’s so amusing about David’s challenge is that he gives all the reason you could ever want in his very next sentence:

Yes, Lambert is over the top and screams a lot and is campier than Liberace at Radio City.

Let’s brush aside the fact that taste is relative when it comes to who has a better voice or who’s a better performer and remember that the show isn’t called “Best American Singer,” it’s called “American Idol,” and being an idol involves more than voice and performance. How about poise, which by David’s own description Lambert seems to lack? (more…)

Jeffrey Jena

‘American Idol’: Pre-packaged For Maximum Profit

by Jeffrey Jena

I have never really watched “American Idol” until this season. My wife is a huge fan and every year I would watch the first few “audition” weeks with her for the same reason people slow down near a car accident. I want to see the blood and ugliness! I love the people who didn’t have any friends to tell them they couldn’t sing and the other train wrecks that show up with the delusion that they might be the next Kelly Clarkson.

My major problem with these talent shows is they try to give the impression that all of the contestants are just diamonds in the rough that took an hour off from the Burger King to come down and give it a shot. The people at “American Idol” want you to believe they have discovered some guy with a day gig and a dream and they helped polish up their act and transformed them into stars. Adam Lambert and Kris Allen did not go stand in line with the rest of the mob. They were somehow pre-screened and told when and where to report. Is there anyone in American who thinks that Adam Lambert wasn’t a professional singer before he was on “American Idol?” (more…)