Posts Tagged ‘a star is born’

Charles Winecoff

The Streisand Effect – or People Who Don’t Need People

by Charles Winecoff

I have a confession to make: when I’m alone in my car – or in iPod isolation – I sometimes listen to Barbra Streisand.  And I’m neither a big fan of pop music nor of the current state of liberalism – the cushy, comfy, groupthink kind with which Streisand has become closely linked in recent years.  But I’m getting ahead of myself.

Whenever I’m feeling a little down, Streisand’s rousing, patriotic rendition of “Before the Parade Passes By” (from the Hello, Dolly! soundtrack) is the next best thing to shooting up a Diet Rockstar.  The movie may be deadly, but that track is classic Barbra: starts out quiet, plaintive, then slowly builds to an almost militaristic crescendo of chorus, trumpets, beating drums – and Babs, screaming her head off above it all with a heroic, never-ending high note that sounds like a war cry.

I know - that’s so gay.  But for me, the song is musical comfort food – and proof of the power of the human spirit: a rusty Main Street USA antique, shined up and brought back to life by a disadvantaged ugly duckling from Brooklyn, with a voice straight from God, who beat the odds.  That’s when Streisand was still one of a kind.

But that was 1969.  This is now.  Today, “Before the Parade Passes By” would probably be called something like “Whenever the Trans-Cultural Community Gathering Happens to Reconvene.”  And it would probably be sung by Sheryl Crow. (more…)

John Nolte

TCM Pick O’ The Day: Thursday, January 22nd

by John Nolte

6:45pm PST – A Star Is Born (1937)  – A fading matinee idol marries the young beginner he’s shepherded to stardom. Cast: Janet Gaynor, Fredric March, Adolphe Menjou, May Robson Dir: William A. Wellman C-111 mins, TV-G

While few films top the marvelous Judy Garland musical update of this classic, cautionary Hollywood tale, this version (itself a sort-of remake of George Cukor’s1932 “What Price Hollywood?” – Cukor would direct the Garland version, as well) offers up a memorable, heartbreaking performance from Fredric March as the sad and sodden Norman Maine, a has-been movie star living in the shadow of his famous wife. Lionel Stander also blazes through his scenes as a ruthless studio press-hack who inadvertently brings ruin to those around him all in the name of doing his job of creating movie stars and keeping them movie stars. (more…)