Where Are The Cinema Heroes Today?
by Orson BeanThe movies saved my life. I grew up in the great depression, the only child of a pair of star crossed lovers. My father lost his job. My mother drank. They fought. The movies were my escape. Of course, this was true of everyone back in the thirties. Forgetting for an hour or two cost a dime. But the movies represented a lot more than escape to me. They represented moral guidance. What I learned at home was despair and hopelessness. What I learned at the pictures was don’t give up the ship, we have only begun to fight, it’s always darkest before the dawn.
Tom Edison (Spencer Tracy) fought against all odds to invent the light bulb (and just about everything else). Young Tom Edison (Mickey Rooney) fought to grow up to be that great inventor. Don Ameche was Alexander Graham Bell who struggled to invent the telephone (and ultimately got to say, “Come here, Mr. Watson, I need you”). Edward G. Robinson played Dr. Ehrlich, whose magic bullet cured syphilis. Clark Gable crossed the wide Missouri.
Greer Garson played Marie Curie who discovered radium. Paul Muni was the great Louis Pasteur, who revolutionized medicine by proving the existence of germs. Jimmy Stewart filibustered in Washington and soloed across the Atlantic. These were the movies I saw and when they were over, I would emerge from the theater into the afternoon sun, saying to myself, “Yes, I can. If they can do it, so can I.”
I truly believe that these pictures saved me, gave me the inspiration to overcome what I was going through at home and do whatever was necessary to make a life for myself.
The movie moguls who churned out these pictures were immigrants. They understood what made America great, what set it apart. They loved their new country. If they didn’t consciously set out to make movies glorifying the American dream, it never really occurred to them not to do so. Belief in it was as much a part of their psyches as non-belief in it is a part of the psyches of today’s filmmakers. Where are the cinema heroes today, the characters who refuse to surrender, who just won’t give up? Not in Hollywood pictures.
You think audiences aren’t hungry for heroes? There’s a little movie out there called Slumdog Millionaire, which almost didn’t get released and is now being touted for best picture. It takes place in India and tells the story of a young man who overcomes impossible odds to succeed. People are lining up to see it. Why aren’t the many genuinely talented folks in Hollywood making pictures like that? You’d think that simple greed would tempt them to do so. Cecil B. DeMille worshipped the almighty buck.
The truth is they’ve forgotten how. They went to college and were taught that their country is wrong, that the system stinks, that to be a hero is to be a sucker fighting for a lie. Like Louis B. Meyer and Sam Warner before them, they want to make picures that have meaning. But their “meaning” is very different from that of the movie makers of my boyhood. When they churn out what’s in their hearts (the depressing view of life as they actually see it), no-one buys a ticket. Then, because they have to make a living, they revert to meaningless special effect extravaganzas and tell themselves there’s no market for “serious” pictures.
There are a few rays of hope out here in LaLa land. Some raunchy comedies like 40 YEAR OLD VIRGIN, SUPER BAD and KNOCKED UP come with the requisite number of bodily function jokes but also wear surprisingly sweet hearts on their sleeves. Mainly, though, it’s pyrotechnics and space travel. I see where they’re planning a new high tech version of Flash Gordon. I liked it better when you could see the wire holding up the rocket ship.
My son-in-law, Andrew Breitbart is premiering a new blogsite called BIG HOLLYWOOD, which deals with the questions of why Tinseltown is the way it is. He has asked me to contribute to it from time to time, which I am happy to do. I remember the glory days of film making. I used to go to the movies a lot.
Not so much, anymore.
Orson Bean’s new book M@il For Mikey is published by Barricade Books







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508 Comments
Haven’t seen it yet, but I believe Grand Torino will be very big at the box office because of the fact we are dying for heroic (even flawed heroes) characters with morals.
Mr Bean, thankyou for spelling out so clearly and eloquently what I've been thinking for some time now. There are just to few movies out there that I've looked forward to watching. Hope to see much more of you in here.
Orson , you are dead on with your analysis. The hippies from the sixties are the professors of today and give our kids the wrong message in college and should keep their political views to themselves. My son is in school to learn engineering, not be indoctrinated with anti-american rhetoric.
What a great new site for conservative political views. My new favorite!
I have a netflix account and when trying to pick movies to see, I nearly always end up with at least a 30 year old film. Many are 40-50 years old.
Mr. Bean is right, the new movies are mostly downers.
And I remember you Mr. Bean from my childhood. I am thrilled that your Son-in-law has created this site and I look forward to your future articles. Thanks for your perspective!
Mr. Bean,
God bless you. It’s funny, the things we remember from the past. I must tell you that of all the thousands of hours of TV that I have watched since the 50’s, one of my most vivid memories is watching you make a eucaliptus(sp?) tree from a rolled up newspaper on someone’s variety show. Now that’s entertainment. Your wit and decency are appreciated and I’m glad you have this new forum to express your views. I’ll be back.
Exactly so.
I’ve seen over 5,000 films and I rarely subject myself to one produced since 1965. Even the exceptions are pale echoes of the values that were shown 50-60 years ago. American society was far from perfect then – it had endured the Wilson, Hoover, and FDR administrations after all. But it was still recognizably America and the movies still portrayed individual heroism as if it mattered.
There are many fine actors today and the writers are extremely skilled. But there are no producers or executives in authority like Selznick, Mayer, Warner, Cohn, or Zanuck.
And not ONE WORD about Nicola Tesla…
Hello Orson,
I loved your article, tell when you were young watching movies, what did you think of Errol Flynn, Ronald Coleman, Doug Fairbaks, Jr, all those guys who did the adventure films? As a young boy in the theater in those days, these films must have been very exciting to you?
Mr. Bean,
Good to read your article. I can't agree with you more about where have all the heroes gone?!!!!! However, I am an optimist. I believe we are the "sleeping" heroes. There are plenty of us out there with good ideas, imagination and writing talent. We just have no where to go with it. I love history, love the civil war, and i live in central PA. There is a wonderful story about a heroine who gave up her life at Gettysburg whose story needs to be told on screen…..heaven forbid a conservative would make such a movie and educate not only adults but our kids!!!!! Also, I have another story which takes place in the big band era involving my uncle who was on the original Ted Mac Amature Hour. He was a trumpet prodegy. I am working on developing both of these stories with hopes of finishing a book and maybe a screen play. I am sick of all of the crap and filth we are forced to choose from. I am hoping that this forum will eventually give me a cance to connect with someone who will see my work and want to do something with it. Thanks for being here.
Mr. Bean,
You make me long for Zither music. If anyone is confused, you are not watching the Twilight Zone marathon very much.
Hi Orson,
I was just watching John Wayne in McClintock over the holiday break and wondered the same thing. Who is the modern day equivalent? Unfortunately, there isn’t one. Chuck Norris and Bruce Willis are the closest that I can think of but even they aren’t even close.
Looks like Clint Eastwood is our only hope. Seems like the era of the tough American Hero is over.
Tom Cruise in Valkyrie is a role that Wayne could have done really well. Cruise just doesn’t fit any more the perfect teeth, the clean cut, pretty boy thing just doesn’t work for me.
Thanks for the memories!
Respectfully,
EJ
I just watched Edgar G. Robinson yesterday playing Dr. Ehrlich who discovered Salvarsan the first cure for syphilis, even 60+ years later still a good movie and story.
When you see the box office for all the anti-Bush war films and then see how many tickets a movie with a dog named Marley does or a chihauhau in Beverly Hills, you have to wonder if the people funding movies want to see their dollars flushed down a toilet.
It’s bad enough that there aren’t any heroes in movies, it’s hard to find a serious movie that doesn’t dump on the values of middle Americans. So dog movies draw a crowd because people know our military won’t be portrayed a psychopaths.
Thank you so much for this essay. We need to galvanize those in the entertainment industry who will give us decent entertainment. I recently bought “The Star Wagon” on dvd, your sci-fi romantic made-for-tv movie with Dustin Hoffman and Eileen Brennan. That was a delightful morality play with a real heart, which I first watched as a kid. Even PBS used to air wholesome faire back then (not just Peter-Paul-Mary concerts and anti-American Frontline “exposes”). Best wishes!
When I think about the movies I grew up with, Star Wars, Raiders, I am remembering when Harrison Ford was the guy who seemed to have picked up the mantle of American Movie Star. He came into his stardom the year that John Wayne died. And yet, instead of taking up that mantle and moving forward he has become a shadow of his former self. Who can bear to see him anymore? But that is what we have. Clint Eastwood, in his swansong, in Gran Torino just makes me sad to think of it. Eastwood is the Iconic American Movie Star. What if Steve McQueen was still alive? How much did we lose when he passed away? What I find most disturbing is that when you look at books out there, there are characters a larger than life film star, a Clark Gable, a John Wayne, a William Holden could make their own and yet, these books are not being made into films and if they are look at the Hollywood gene pool thats left? We have Leonardo DiCaprio and Jake Gyllenhall. Neither of them are fit to carry the Duke’s hat or Jimmy Stewart Air Force cover. The difference being John Wayne, Jimmy Stewart, Clark Gabel, William Holden and others were adult men. What we have now as far as “stars” goes is something decidedly less adult and not nearly heroic. People long for heroes. Thats an OK thing to long for. We all grew up with them, from John Wayne in the Searchers to Indiana Jones saving the Lost Ark, however, there are no movie stars in Hollywood capable now of filling the shoes those stars filled and playing those characters those stars played. You need a larger than life man to play a larger than life character.
Orson, so glad to see your voice will be part of the mix here. Looking forward to your future posts in a big way.
EJ, gotta disagree on ‘Valkyrie.’ I love John Wayne as much as the next guy, but imagining him in that role is pure comedy. Tom Cruise nailed the role just fine IMHO. If your point is the dearth of seasoned actors in films today (see John Nolte’s running commentary on the ‘Stark Trek’ reboot), I’d agree. Though ‘Valkyrie’ itself had casting gravitas in spades.
Splash I am taking your word there are no sucker punches in Valkyrie.
Mr Bean – it is good to see you writing here! Excellent article and I look forward to more!
Love ya, Mr. Bean!! More, please – your article perked me up for the whole afternoon!
Yes!!!! In addition to heroes, can someone do movies that actually show women with some class for a change? Maybe young women in America could learn some manners and selfworth.
Mr. Bean, I had the pleasure of seeing you in “The Roar of the Greasepaint, the Smell of the Crowd” at the Shubert in 1965. It was one of my more memorable nights at the theater for which I thank you.
I, like you, am puzzled that the pursuit of the “almighty buck” and simple greed haven’t done more to stem of tide of lefty crap that flows from Hollywood. Who are these people who continue to pump millions into box office duds like “In the Valley of Elah” ($6.8M), “Rendition” ($9.7M) and “Redacted” ($65K)? Whatever message they’re trying to send remains unheard, if not outright rejected, as movie-goers vote with their wallets. The only people who pay attention to these big name losers are the reviewers who award stars based on the degree of anti-Americanism or BDS the film exhibits and the Hollywood/international film festival and awards crowd. (And it’s not just big money losers. Does anyone not agree that “Revenge of the Sith” would have been a marginally better film–and it had nowhere to go but up–if Lucas hadn’t been so intent on delivering a political message??)
I’m a film buff (although that may be more past than present tense) and have a home library of hundreds of movies, but I’d say less than a handful were made after 1980 and, I believe, there are none from the Bush Derangement era. I went to exactly two movies at the theater in 2008: “The Dark Knight” and, because I’m a fan, “The X-Files” (and even Carter & Co. couldn’t stop themselves from taking a gratuitous swipe at the President). I do subscribe to Netflix, but find I order more titles from the BBC than I do films. Hollywood doesn’t seem to care that it has alienated a large segment of its former and potential audience. It’s really quite a revolting development.
Steph – nope. No sucker punches, which is probably why word of mouth is keeping the week-to-week numbers afloat for this one despite the early bad buzz.
I even appreciated the generous use of “National Socialists” in the film over the more generic “Nazi.” (The Left has always emphasized the “right-wingedness” of Hitler while preferring to sweep the whole government-run economy aspect under the rug.)
Of course, had John McCain won back in November, liberals would no doubt be using ‘Valkyrie’ as the rallying cry for rescuing sacred America from those nefarious Neocons — not that they didn’t take the suicidal “down in a blaze of glory” route with most of the political movies they green lit during the Bush years.
Mr Bean,
Great to see th article! This is a blast from the past as I went to school with your son in Miami at Cushman and spent plenty of days at your house. It has been a long time and it’s great to see that you are still out there expressing your ideas.
Mr. Bean, I almost choked to death laughing at your visits to the Tonight Show. You are truly gifted. I put a lot of weight on a man having a great sense of humor.
Enjoyed the essay! Some of the best movies today are “small” films with great messages, like Bella. I purchase films like Bella for my private collection to share with my children, grandchildren and friends.
Jose, star of Bella, was truly heroic and a man for all to honor. Besides, the star (Eduardo Verastegui– sp?) is beyond beautiful to look at!
Yes, Orson, the good old days were better! I remember your initial “discovery” in “New Faces of 1952″ and subsequent standup comedy performances, as opposed to today’s sitdown comics who easily put audiences to sleep in their chairs. Whereas movies saved your life, so to speak, I was fortunate in having John Wayne save mine. He was in Salt Lake City mid 70’s where a pseudo-documentary on Watergate I produced (“The Faking of the President”) held its premier. The Mormon audience rioted over the satirical jabs at Nixon, vandalized the Capitol Theater, torched the manager’s car and came looking for me. The sheriff, a friend of Wayne, drove me to his private plane and hustled me aboard, then took off for Reno, leaving behind a circle of cars with angry theater patrons shaking their fists. Thanks John Wayne!
Love the New Website! What an absolute treat to read the very talented Orson Bean. WOW!
How damn great!
Douglas hardee
Thanks Splash, considering the regard I have for Stauffenberg and his cohorts (never saw anything like that prison in Sachsenhausen where they kept the conspirators who lived to go on trial) I was so worried this would be a Bush bash which would be unfair to those men and a sin against history.
My wife home schools our children and she makes it a practice to read books about our great inventors and heroes. I’m going to start renting some of these movies to add to the mix! Thank you!
Bryant
Our movies are both a reflection of our culture and a signal that our values are under attack. Could “It’s a Wonderful Life” get made again today? Who would star in it? G and PG rated movies make more money than the more raunchy ones, but the latter are still the rule.
I bought the DVD of “Office Space” recently and realized too late that seeing it on TV hadn’t prepared me for the amount of obscenity and profanity in it. I used be be a public defender, so I’m acquainted with foul language, but I don’t use it and I don’t want it in my home. I felt truly saddened that such a terrific idea had been tarnished to the point where I couldn’t show it to my wife without feeling slimy.
Are there so few of us left capable of speaking or writing without sounding like Rod Blagojevich? I’m not asking for pabulum, just some basic dignity in our popular entertainment. When I watch today’s sitcoms, I feel like they’re aimed at leering, snickering 14-year-olds.
AST,
“When I watch today’s sitcoms, I feel like they’re aimed at leering, snickering 14-year-olds.”
That is because they are written by “leering, snickering 14-year-olds.”
Excellent article! I saw the Marie Curie performance about two years ago, which included Walter Pigeon as Pierre Curie. Very enjoyable film that showed the true difficulty of hard science.
A recent movie that I thought was well done was “The Lives of Others”, which portrayed what it was like behind the iron curtain, i.e. in East Germany.
But, of the old time actors, I loved John Wayne and Gary Cooper, both of whom played heroic characters.
Hi Orson — terrific article and, of course, I’m a big fan — but I’m not sure I agree wholeheartedly. It seems the past always looks rosier than the present which may be more a product of human nature rather than objective analysis. If we look at the movies of the last 30 years, Best Picture Oscars went to films like: A Beautiful Mind, Gladiator, Titanic, Braveheart, Forrest Gump, Schindler’s List, Unforgiven, Dances With Wolves, Driving Miss Daisy, Rain Man, The Godfather, Shakespeare in Love, The Last Emperor, Platoon, Out of Africa, Amadeus, Terms of Endearment, Gandhi, Chariots of Fire, Ordinary People, Kramer vs. Kramer, The Deer Hunter, Annie Hall, Rocky, One Flew Over the Cuckoo’s Nest, The Godfather Part II, The Sting, The French Connection, Patton — and the list of great films with heroes overcoming adversity goes on. There were even terrific films like An American President, Dave, The Contender, and others, embracing the possibility that great and moral men may yet occupy the White House. Admittedly it is not a theme sounded in the past eight years but perhaps it is one which will be embraced again as we rid ourselves of the most immoral, incompetent, and anti-American-values president in history in favor of one who appears to have the intelligence and integrity worthy of the office. If, however, you are referring more to war movies and military heroes, it is true that the war-hero films of the ’50’s are not as prevalent, which is not to say non-existent, because the subject of WWII has been fairly well exhausted and it is, obviously, too tough to invent a more contemporary model considering the historical stains of Viet Nam and Iraq. I would suggest that perhaps peering through the nostalgic lens of yesterday is almost always more soothing than looking through the lens of the Hollywood microscope effected by, and forced to examine more closely, leaders who trumpet false patriotism and bravado over substance, intellect, and humanity. You have always been a public figure who extols those more truly virtuous qualities and I look forward to more of the same from your pen. Thanks Orson!
Andrew Breitbart is my dad, Im so proud of him
Great essay, thanks so much for writing it.
Great site, too. I am so glad Andrew put this up. I’m looking forward to the reverberations – we need inspiring entertainment, at least I do.
[...] So says Orson Bean [...]
I was disappointed when DiCaprio was picked to play the part of Howard Hughes. This thirteen year old looking kid who can't grow a full beard couldn't cary a peopeller from an aircraft that the real Hughes built.
Like other posters here, I find myself going to the public library to pick up DVD's and videos of films made prior to 1965. This was back in the days when men were men and women were strong; stronger than the anorexic looking starlets of today, stuck on looking and acting like teenaged girls. Compare Ava Gardner to Gweneth Paltrow, or Maureen O'hara to Kate Hudson. And what about the metrosexual set that waxes their body hair. I can't imagine Aldo Ray or other actors form the golden age of film doing such a thing.
Liberalsim has practically destroyed Hollwood films, like they destroy everything else. Hopefully, this site will help generate a new generation of film makers who are proud of their country, and let men be men, and women be women once again. Out with effiminate gay acting men, out with the femininazi's who couldn't live on their own terms if they tried… out with liberalism!
Mr. Bean,
You are spot on. I have “It Happened One Night” sitting patiently on my CD player, swinging its legs in anticipation of a cool night with Gable and his trumpet. And I just sent Garland and Johnson’s “In the Good Ole’ Summer Time” home to Netflix. And I’m 32.
We do need heroes. Real ones. Men and women of valor and courage and gumption. People who restore our feelings of humanity and lift our heavy steps from disheartened ground. Individuals who overcome and overwhelm, all while making us laugh through our tears.
Hollywood, once, was great.
It was Big.
And I’m so thankful to Breitbart and Klavan and Nolte and Graham and all the other touched and talented contributors for reminding us why we give our attention and time – the ultimate honor – to the film industry: it represented the best in us all.
And it can again.
Some things are simply worth fighting for.
Tara Lynn
Mr. Bean, thank you so much for putting into words what I feel.
Unfortunately, I have a sad anecdote that totally backs up your complaint. A very dear friend of mine in Canada suffers from terrible depression. As a result, she is unable to watch most of today’s movies. I think of her when someone asks how to describe today’s films. Sad, really sad.
Like some others here, I remember you mostly from your guest appearances on various TV (mostly quiz shows) shows from the 50’s. And, I have noted your guest appearances on TV dramas in later years. Like you, although I wasn’t born until 1945, I think I learned a lot of my values from the very same movies you watched – I just watched them on TV! We recently acquired satellite TV and, once again, I have access to these same movies – they’re still the best! Glad to be a kindred spirit!
Here’s a cinema hero for ya!
http://www.youtube.com/watch?v=WbK4WTQFf9U
Now I get it. The conservative position is freedom of speech as long as one agrees with the conservative position. What’s ironic is that Orson and I have been great friends for many years yet, since I question the wisdom of the idiot president we’ve had for 8 years, my opinion is withheld from the comment section. Orson will be disappointed when I tell him.
Jim Keily
Mr. Bean , ( the original)., I enjoyed your article, and agree wholwe heartedly.. i watched all those films growing up. while they are not absolutly accurate, they were good , entertaing, and uplifting.. the good guys won. i wish they’d go back to that. i must add i like your work very much. Andy (not that one).
[...] Big Hollywood » Blog Archive » Where Are The Cinema Heroes Today? [...]
One of the major problems with movies is that the stars no longer have genders; political correctness have robbed the males of their masculinity and the females of their softness. We’re lost all truth when we attempt to never hurt anyone’s feelings, with the notable exception of conservatives. This is true of academia, the arts, and culture. Sad, and destructive!
Yes, George Clooney looks exactly like a girl and Selma Hayak might as well be a man. Sheesh.
Anyway, fun article, Mr. Bean! I had no idea Slumdog Millionaire and 40-year-Old Virgin were “conservative”, but it’s nice to know.
May God bless you Mr. Bean. You have grand sentiments and history.
I hope you take heart that cinema is not as bleak as you and many posters mention. Yes, the quantitative balance is a far cry from the old days and it is inexplicable how some liberal slanted movies get green lighted when it should have been obvious they would be box office failures.
But there are hero movies being made and there are “hero” superstar actors. Russell Crowe/Gladiator, Mel Gibson/Braveheart, the American soldier/Black Hawk Down. Some of todays movies may even surpass the ones from the old days- The Passion of the Christ. Some of these even won best picture!
My point is perhaps everyone should focus on the good that exists now and praise and build it up. Many of the postings seem so focused on the bad that they are blind to the existence of the good. This is America, not the Taliban, let the bad exist. Support and encourage the good so that we will get more of it.
Let this site have a permanent blog thread where people can post the modern good stuff. Consider- Milla Jovovich/The Messenger, The Story of Joan of Arc. I am sure there are hundreds of even better examples. I would love to be reminded or be made aware of them all.
This is the voice we’ve been waiting for! I cannot watch a movie made within the last 40 years without seing evil propped up as a noble thing. Movies are an escape from our daily lives but they shouldn’t be used as a tool to drag our minds through the gutter. Instead, we should see hero’s WIN and the bad guy lose. Occassionally, we should even see the US portrayed as the good guy. Only the old black and white films do this on a regular basis.
Dear Orson–You said it. As a member of the WGA, I received a bunch of DVDs in December. They were 2008 movies that the studios are promoting in hopes of garnering awards in the coming months. They added up to nearly 20 hours worth of product, but only about 90 minutes worth of entertainment. While I am grateful that I got to see the movies for free, but at my age, that’s time I can ill-afford to waste.
Regards, Burt Prelutsky
Stephanie makes an excellent point, and the principle goes far beyond modern male stars simply *looking* like teen-aged boys. The culture in general has been Europeanized to a significant extent. Two-day growths are the rage, Italian-looking pretty boys grace most clothing and other ads, and the women draped on them all look either completely vapid or faux-serious to the point of being grim.
Progressives are at fault here, as they are in the political sphere. They despise the traditional American cultural values of self-reliance, rugged individualism, and unbendable honor. So, they do everything they can to replace the images and stories of such heroic icons as Cooper, Stewart, et al with European-style mush in all areas: film, literature, TV, magazines, etc.
Thanks Jeff. I think the problem is who is casting? And alot of the taste of these casting people goes to the little teeny boy look rather than the adult male. We all know the Duke would never have made it now days. Look what happened to Tom Selleck whom in my view was the heir apparent, even while Harrison Ford was busy wondering about getting his ear pierced. A lot of really amazing actors who have “star” quality have never had a chance at the good roles because they don’t fit what the casting departments want or because of well politics. Do one advert for the NRA and see how far you get?
Great piece! I know why there are no more heroes in Hollywood. We have been outsourcing our heroes for Australia and England, ie(Russle Crowe, Christain Bale) Can anyone honestly think of a young American actor who could play a real “bad ass” and be convincing? The reason John Wayne was so good, is because he was genuine. For example, when smacked someone for getting lippy in a film, you get the feeling he wouldn’t be above doing it in real time. Would anyone really be afraid of Matt Damon in a dark alley? Clint Eastwood must sense that there are no more heroes as well. He’s giving a lesson in tuff with his new film “Torino”. Pay attention young Hollywood. Put down the Frapaccinos and cancle the manicure, Metrosexuality isn’t cool, despite what your girlfriend tells you.
Hello Mr. Bean! Good to hear from you!
I don’t think we have heroes in Hollywood now. I used to want to see movies that had people in them I liked, now I only go if it’s the kind of content I want to see.
No more Cary Grants, Jimmy Stewarts, and one of my favorites, even if I didn’t know his politics, was Yul Brynner.
As for the women in Hollywood now, nope, there is no one….the last one left that I admire is, Angela Lansbury.
What a pleasure to read your article. The influence that decent entertainent had on you was shared by most young people I knew. No hitting below the belt; no kicking: These were rules of fairness taught by Roy and Gene – and observed by even the most beligerent kid in school. What a shame that these rules have been replaced with knives, guns, clubs – anything to win.
It all comes down to an ideology that wants to confuse and destroy the foundations of our society and replace it with a world where perfect humans can be developed through education. What a shame that new discoveries are showing the flaws in the foundation of thier ideology and it will be a joke in 40-50 years.
Love this blog and agree wholeheartedly with Mr. Bean! My son was only nine when his father died and he picked up his dad’s old school copy of “Stories of the Gods and Heroes” and read it until it fell apart. I, too, grew up watching John Wayne, Jimmy Stewart, Spencer Tracy, Charlton Heston, and Clark Gable. There wasn’t a lot of moral relativism when I was growing up. Feeling ashamed when you did something wrong was not an hourlong episode of Oprah. Bonanza, Palladin, Father Knows Best, all taught lessons on the small screen. I quit going to movies for many years after I saw “Carnal Knowledge” and never regretted missing most of the garbage that was produced during my hiatus. If the industry ever figures out that the public wants to be E*N*T*E*R*T*A*I*N*E*D and uplifted, instead of demeaned, then perhaps it will make films that will cost less and make more.
[...] father-in-law Orson Bean hearkened to a time when the film industry inspired people even in the bleakest of times. Bill [...]
People have bitched about Hollywood and its supposed lack of morals since the time Orson Bean tries to tell us was “golden.” It’s obvious right-wingers are still bitching about Hollywood. Much ado about nothing.
We’re a predominately white nation and most of our heroes have, consequently, been white men. It’s not fashionable to celebrate white men anymore, unless (ala Gran Torino), it’s because they identify with another ethnic group.
A great post. Indeed, I would love to see a return to filmmaking where the hero is King, and I agree – we do need these heroes. But it's a very tricky thing, because cinema has aged and matured. A modern hero is a different thing, the John Wayne's and Jimmy Stewarts of yesterday are very hard for people to believe in. We find our heroes now to be people like Jerry Maguire, who had to have a breakdown and get to the edge of insanity before clawing his way back.
I think the heroes you are looking for (who I am looking for too) are hard to fit in to cinema today. I think a perfect example of this is Mickey Rourke in 'The Wrestler' – he's the guy who back in the 80's would have been the All-American, heroic hero – but today, society doesn't want him. Instead, he sticks to what he knows, and believes in – but in the end he'll die unappreciated. It's sad, but I think that's how it is.
I'd love to see heroic characters – and I think they'd help us in this slump just like your heroes did during and after the Great Depression.
[...] Big Hollywood » Blog Archive » Where Are The Cinema Heroes Today? bighollywood.breitbart.com/obean/2009/01/06/where-are-the-cinema-heroes-today-10 – view page – cached The movies saved my life. I grew up in the great depression, the only child of a pair of star crossed lovers. My father lost his job. My mother drank. — From the page [...]
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