‘Precious’ vs. ‘The Blind Side’: The System, Worked

by Mr. Wrestling IV

“I don’t blame nobody.  I just want to say when I was twelve, TWELVE, somebody hadda help me it not be like it is now…. Why no one put Carl in jail after I have baby by him when I am twelve?”  — From “Precious,” Based on the Novel “Push,” by Sapphire.

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From ABC’s 20/20 segment on “The Blind Side”:

Deborah Roberts: There are some black people who feel a little uneasy about the notion of the wealthy white family comes in to help the poor black kid…

Michael Oher:  I don’t understand why people would feel that way because as long as somebody’s, uh, somebody’s helping somebody and taking, you know, somebody off the streets,  I don’t care, you know, black or white, that shouldn’t be a problem.

Two powerful and very different movies dealing with the problem of neglected and abused children in America were honored at this year’s Golden Globe Awards.  Precious is a very difficult and painful movie to watch, depicting the utter devastation wrought in the horrible life of Clareece Precious Jones, a fictional but utterly believable character with countless real-life counterparts, while The Blind Side is perhaps the prototypical feel-good movie of the year (and a crowd-pleasing $200-million blockbuster), dealing with the success story of the real-life Michael Oher, who was adopted by a middle class white family and went on to play college football and become an NFL star.  But the two movies starkly show two distinctly different approaches to the problem.

Bluntly stated, Precious presents the liberal solution — let the government do it — and The Blind Side presents the conservative solution — do it yourself.

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Precious, an illiterate, pregnant sixteen-year-old girl, trapped in a public school system that passes her along even though she has learned nothing, raped repeatedly by her father resulting in a mongoloid child at age 12 as well as  her current pregnancy, beaten and humiliated her entire life by the sick beast who bore her, is the end product (sadly, one of thousands upon thousands) of one of the greatest liberal crimes of the 20th Century: Lyndon Johnson’s Great Society.

When the Johnson Administration expanded the AFDC program (Aid to Families with Dependent Children) in the early 1960s to include any household with children in which a male breadwinner was absent (theretofore it had been restricted to widows with children), the devastation it brought to inner-city family life was pervasive and undeniable.  As Larry Schweikart and Michael Allen described it in A Patriot’s History of the United States,  “The war on poverty managed to destroy black marriages and family formation at a faster rate than the most brutal slaveholder had ever dreamed.” (p. 688)

By creating an incentive for poor  women to remain unmarried so that they could receive taxpayer-funded subsidies, and by further increasing the amount of aid for every additional child they birthed, government assistance from 1965 to 1975 nearly doubled the illegitimate birth rate among blacks from 28% to 49%, reaching a staggering 65% in 1989.

By making black men irrelevant to the support of the children they fathered, and attempting to replace their contribution to the family with a welfare check, liberal policies inflicted nearly permanent damage to the very people they sought to help.  These policies have metastasized into a permanent underclass, dependent on subsistence level funding from taxpayer monies, and forever after terrorized by exploitative politicians tightening their grip on power by promising  their payments would decrease or stop altogether if they did not continue to vote for them.

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And so we get Precious. Trapped in an apartment with her government-subsidized mother, who allows her boyfriend (Precious’ own biological father) to do unspeakable things to her from infancy onward; lost in a school system that ignores her, and bound by her own ignorance, she escapes the horrors of her life by living in a fantasy world of pop culture dreams that flicker across her television, and she is utterly failed by every government system created to save her.  The government monopoly on public schools fails to educate her; the Social Services Department fails to protect her; the welfare system fails to lift her out of poverty.

But if Homeland Security Secretary Janet Napolitano was instead the secretary of Health and Human Services, undoubtedly she would say,  “The system worked.”  It certainly worked for Precious’ mother, who knows exactly how to work the system, as we see whenever she bats her eyes and plays the victim for the social workers who fall for her act and keep the checks coming.

And in fact, in Precious, the system does work in exactly the way it was designed.  The system was created by liberals to make themselves feel good, not to bring any actual benefit or relief to victimized children like Precious.  She and her countless counterparts are doomed by dangerously mistaken liberals who think:

“I will vote to create taxpayer-funded bureaucracies that will fix this problem by taking up a forced collection from all my fellow Americans, and I will never have to get my hands dirty or do something disgusting like open my home to her, or actually do anything to help her myself.  I will let the government take care of her, and since I vote for Democrats who create these bureaucracies, I have helped her, and I am better than those selfish Republicans.”

And if you think that assessment of liberals is too harsh, just remember:  these are the same people that define their goodness by their Prius and their mulchers, and the way they meticulously sort their trash into different colored bins.  When you think you can save the planet just by carrying your reusable bag to Trader Joe’s, there’s really no need to do anything really difficult or icky like becoming a Big Brother or a foster parent or adopting a child.

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Which brings us to those awful conservative Christian Republicans  in The Blind Side. Michael Oher, one of thirteen children born to a drug-addicted mother living in public housing, whose life up to that point had probably been somewhat similar to Precious’, is walking down a freezing cold Memphis street in only a T-shirt when Leigh Anne Tuohy drives past him and says to her husband Sean, “Turn the car around.”  His life is changed forever, by an awesome act of love and kindness from a private citizen.

The insane and utterly racist backlash from some quarters against The Blind Side seems to boil down to this: rich white people shouldn’t be adopting poor black kids.  And as usual, this stupidity does not come from the right, but from the  bigoted statists on the left, who want to protect the government mechanisms they have constructed to keep these problems out of their sights.

Left out of The Blind Side, apparently, were the long lines of   black families that the Tuohys elbowed out of the way in order to get their white hands on Michael Oher.  What sort of person could argue that Michael Oher — or Precious, for that matter — would be better off staying in the system if the alternative is to be taken care of by white people?  And what kind of an idiot would think that a family would take on the responsibility of another human being and feed him, clothe him, pay for a tutor to help him learn, all just to get him to play football for their alma mater?

The best way to deal with this hateful nonsense is to dismiss it completely, as Leigh Anne Tuohy demonstrated, in her inimitable style,  on 20/20:

Deborah Roberts: What do you say to people who say they feel a little offended that this white couple took this black kid in and tried to kind of mold him into what they wanted?

Leigh Anne Tuohy: No one has the guts to say that to my face. No one has ever said that to my face and if they did I would tell them don’t let the door hit you on the way out.

At the end of Precious, a bracing dedication comes up on the screen:  For Precious Girls Everywhere.  Perhaps the saddest fact in the comparison between these two films is that this might be one instance where the fictional character is more real than the true-life character.  After all, there is only one Michael Oher, adopted and loved by Sean and Leigh Anne Tuohy, now the Baltimore Ravens’  left tackle.

But how many Precious girls and boys are still out there, trapped in a system that works only to keep them in it, waiting for a Leigh Anne Tuohy to say, “Turn the car around?”

Ed. Note: This post has been updated to repair a broken link.