Sidney Poitier: To Sir, With Love
by Michael MoriartyI met Sidney Poitier for the first time in the summer of 1994. He was starring in the television film, Children of the Dust. I played a supporting role in that project, a character who just happened to be married to Sidney’s co-star, Farrah Fawcett.
As some say, there are times when acting beats working for a living.
In company like that, filming in the foothills of Alberta and staying at one of the best hotels in Canada, Calgary’s Palliser, it could only have gotten better if I’d been on my honeymoon.

In spite of the fact that I had the extreme pleasure of having a bedroom scene with Farrah Fawcett as my wife in the film, Ms. Fawcett’s character in Children of the Dust, though a bit “round the bend” … like some North American, pioneer Ophelia … had the profoundly healthy instinct of falling in love with Sidney Poitier.
Who could blame anybody for falling in love with Sidney Poitier?!
At that time in my life, however, I was not in love but seriously in trouble with a lot of things, mainly New York City itself … and I was seriously considering my eventual move to Canada.
I had already left the television series, Law and Order, largely because of my high profile battle with the Attorney General of the very Progressive Clinton Administration, Janet Reno. That row over Constitutionality was beyond politically incorrect and had become very common knowledge in Manhattan.
As the late sports writer, Dick Schaap asked of me, “Is there anyone in Manhattan that you haven’t offended?”
They hadn’t thought of a Glenn Beck Award in those days, so I had no refuge to possibly look forward to.
Mr. Beck’s present boss, Roger Ailes, flew to the rescue for a vaguely memorable moment with talk television, but by then Janet Reno and a family history of alcoholism had driven me into every bar from New York to Halifax.
President Clinton’s popularity ratings , however, were holding fairly strong, despite Janet Reno’s unconscionable attack upon the Koresh Compound, leaving 80 men, women and children dead.
The reasons for my departure from Law and Order seemed to have been Sidney’s main interest during our conversations on set. He was fascinated with the decision and didn’t so much argue with me about it, but ask very insightful and revealing questions, rather like he did in what is now my favorite Poitier performance, that of Mark Thackray in To Sir With Love.
“To Sir, With Love”
Early the next year, after Sidney and his family had moved to New York, he chose me to hand him his Lifetime Achievement Award from the National Board of Review.
Well, by then I had become persona non grata to the elite of Manhattan; and for Sidney to pick me that year as a presenter was a bold decision. His imprimatur was so important that even Stanley Crouch of the Far, Far Left Village Voice asked to have a copy of my words honoring Sidney and later even shared a burger and a beer with me.
Beginning my tribute was the very honest opinion about how drab and homely I felt standing or sitting next to Sidney Poitier.
I said something like, “Only Cary Grant could stand the challenge!”
Actually, after further thought, a cross between Cary Grant and Ronald Coleman might begin to do justice to Sidney Poitier’s handsomeness and his extraordinarily precise yet gentle eloquence.
However, after even further thought … and a recent, second viewing of To Sir, With Love … I doubt if most of 20th Century British Royalty could hold a candle to Sidney Poitier’s nobility.
“And nobility,” as the greatest English-speaking director of the theater, Sir Tyrone Guthrie once said, “is the rarest thing to find in an actor.”
Jose Ferrer had it. As Cyrano de Bergerac and Toulouse Lautrec, Ferrer bristled with the very obsession with detail that, I must say, is the mark of genius in any man.
However, if you couple that genius with the almost spiritual stillness of Sidney Poitier, a quiet which not only holds this audience of one in thrall but keeps the street-prowling thugs of Poitier’s supporting cast oozing with growing fear and awe … well, that’s not just acting at its best, it’s manhood at its highest level.

”In the Heat of the Night”
My own brief tribute to him at that award ceremony concentrated on one line-reading.
“They call me Mister Tibbs!”
The sounds of that line hissed at Rod Steiger like the warnings of a boa constrictor or python!
Rerun Ferrer’s Cyrano and you’ll hear a bravura display of such brilliance.
Poitier’s Mark Thackray, however, stuns us with his stillness, out of which he could move in any direction, at any time and with any speed required.
Dr. Guthrie, as we at the Guthrie theater admiringly called him, spoke of the most exciting moment in theater: “It’s not what does happen, but what might happen!”
Out of Poitier’s stillness, anything might happen.
Only Marlon Brando on screen and Laurence Olivier on stage had such potential danger to the extent that Poitier’s performances contain it.
In a long master shot within To Sir, With Love, Poitier’s character approaches a particularly dangerous thug in the room and does so … very slowly … while harnessing a bottomless supply of potential rage and violence that one is glad the door opens to interrupt the potential massacre.
That was in a long shot! Poitier, like Olivier, could hurl his persona up into the balcony of the Brooks Atkinson Theater!!

Either in my award speech or at a later date I said this about Sidney Poitier:
“You see a face that you’ve grown up with and admired, someone who was an icon of America, a symbol of strength and persistence and grace. And then you find out that in the everyday, workaday world of doing movies, he is everything he symbolizes on screen.”
Now, after seeing To Sir, With Love again, I kick myself for not urging Sidney to do a Ronald Reagan …
“Run for the Presidency, Sidney!”
It’s too late now. He’d be running for a political party I stopped supporting just before I met him.
Our “Sir” of To Sir, With Love, Sidney Poitier, is at the very top of American Royalty.
Its epitome actually!
Thank God his mother accidentally gave birth to him … indisputably … in the United States.
If she hadn’t, we might have been deprived of his unsurpassable nobility on screen and hours of instruction on how American Royalty should behave.






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60 Comments
To Sir with Love was a favorite of mine as a kid. Even the silly exploitation films he did were raised by his presence.
Mr. Moriarity,
I sincerely enjoyed your article. It was heartfelt.
Wonderful piece on a fabulous actor!
I have no more favorite movie scene than when Sidney surprises Mother Superior in "Lilies of the Field", by matching her Bible verse for Bible verse. You believe this fine wanderer knows his Scripture !
not a big fan- too hammy…
But his performance in 'All the Young Men' is terrific, and it has been shown to Marine OCS students as a textbook way to handle racial strife in a combat unit.
Good stuff, that…
"To Sir, With Love" is very good, but "Lilies of the Field" is still my favorite.
Sympatico !
Mr. Poitier reminds me of Morgan Freeman.
I've said this before in another post about Mr. Freeman, and the same hold true for Mr. Poitier; If Sidney played a shower curtain reading a phone book for 2 hours
Thank you, Mr. Moriarty, for your excellent essay on Sydney Poitier. From Lilies of the Field, To Sir, With Love, In the Heat of the Night, A Patch of Blue, and so many other great films, the list goes on and on. It is refreashing that we can appreciate Mr. Poitier for his artistry and his character. Who wouldn't want to spend time watching this gentleman weave his magic as he command our attention and admiration. That is star power which is so devoid in so many of today's film actors.
Is it possible if Mr. Moriarty could provide a transcript of his introduction to Mr. Poitier for his Lifetime Achievement Award from the National Board of Review in 1995?
I have very much enjoyed Sidney Poitier over the years. He seems to exude a class and charm that is totally missing in, say, Danny glover as an example.
I can't say this of many people, but I suffer voice envy of Mr. Poitier. There are certain voices, Coleman is another, where one just wishes there was a pill one could take and wake up sounding like Poitier all day long.
I just watched "Let's Do It Again" last Friday with him and Bill Cosby. Not only was the man a first-class actor, but he could unwind by directing silly comedies, too.
Marc D,
Sorry!
Had to put together my own version from memory.
Thanks for asking, though.
God Bless,
Michael
Sidney Poitier is one of those rare talents, who the camera just seems to love. He has presence. We, the audience, over many years, have reaped the benefits of his great gifts and command of craft.
So happy to read this today Michael. "To Sir, With Love" was one of a string of wonderful movies he made during the 60's. Other favorites, for me, include "A Raisin in the Sun" (amazing cast, performances) "Pressure Point" (watching him and Bobby Darin go toe to toe is fine stuff) "Lilies of the Field" (Classic) "A Patch of Blue" (beautiful little movie) and "In the Heat of the Night" (Another classic, great cast, solid work all around.)
Sidney Poitier has left his mark for generations of movie lovers, past, present and future. Amen.
Thanks again Michael for sharing your story and article with us here today.
Mine too. I loved that movie as a kid. Last year I saw it on cable and appreciated it even more. I liked Sydney in Blackboard Jungle, too–on the other side of the "Sir" scenario.
"A Patch Of Blue" is a great little movie that starred Poitier:
http://www.youtube.com/watch?v=ODwnYH7mMkQ
Thank you for your reply, Mr. Moriarty. If your introduction for Mr Poitier was anything like your previous essay posted here at BH, it must've been awesome.
Frequently people try to corner me: "You rage against liberal actors, but love old movies. There were liberals in old movies, too. Why don't you criticize them?!?"
The answer is quite simple: Class transcends everything.
I can think of no better testament to the character of a man than his choosing to have you present him with that Lifetime Achievement award. Poitier obviously carries with him an uncommon generosity of human spirit. That's who he is. That's all that matters.
As you said so eloquently, what a gift to discover "he is everything he symbolizes on screen.”
Yes, it is. Especially in this day and age.
Thank you for sharing this lovely tribute. My wife will thank you, as well. She counts Poitier among her very favorites.
Hey RWC,
My son and I have taken to calling anything that is perfect or the epitome of cool a 'Morgan Freeman'. He can do no wrong.
That was a great tribute. To Sir, With Love is an exceptional film. I had the pleasure of briefly meeting Sidney Poitier, unfortunately the extent of the conversation was "hello." I knew his daughter some years back, classy cool girl. Just nice people overall.
There is a short list of actors & actresses who disappear into every role they play. Freeman, Poitier, Duvall…what I love about them is that you never SEE them acting. You simply see the character. I was very young when I saw To Sir With Love. I think that's the first time a film actually moved me. I loved it. A while later I caught In the Heat of the Night on TV and was completely blown away. I had never seen performances like Poitier's and Steiger's. As I grew up Sidney Poitier became someone I looked up to and wanted to be like. He had so much grace, style and class.
I hoped your piece would give an insight into why Mr. Portier hates America. A country that allowed him to be all that he became. I guess I will never understand communism.
John,
Thanks for the added insights!
GB,
M
Articles like this are why I visit Big Hollywood.
OK, I'll be the weird one here who really loves his lesser known movies, like Good-bye, My Lady and Shoot to Kill. And what about Guess Who's Coming to Dinner? Brilliant.
Pretty much any movie Sidney Poitier does I'll watch. He is wonderful to watch.
I LOVE Shoot to Kill. Love it! Great 80s actioner, great cast, and Kirstie Alley at her hawtest.
Also check out The Slender Thread, Buck and the Preacher, and The Bedford incident. Poitier also directed Stir Crazy, a classic with Wilder and Pryor.
So glad to hear from you and know you're okay. I remember your unhappy years and expected everyday to read the worst. Here you are back, sober, brilliant and conservative.
Bless you, MM.
Michael Moriarty . I hate to use the word class. But you are a class act.
We all have flaws. How we manage to tread above it so we can see clearly is what matters in our quest for a better world. Not society. A better WORLD.
The word Society has been hijacked by elitists.
Is that you, Chris Matthews?
You specialize in seeing things that aren't there, like the invisible cat on your head.
For White-guilt-driven pandering, try Chris Matthews.
I could do without brainless troll ankle-biters trying to find fault where there is none.
For white-guilt-driven pandering, go see Chris Matthews.
I'm not surprised to hear Poirtier is as special offscreen as he is onscreen. Thanks for the post.
Sidney Poitier's greatest screen partner? Richard Widmark!
They did 3 kick-ass films together:
No Way Out (1950) – Criminal Widmark refuses to be treated by physician Poitier and calls him every racial name in the book in between beating up Linda Darnell.
The Bedford Incident (1965) – Cold War cinema gold with Widmark the captain of a Naval vessel playing a cat and mouse game with a Soviet submarine. Poitier is a reporter. Great all male cast. Unforgettable ending.
The Long Ships (1964) – I have not seen this one, but…..VIKINGS!
wow, name dropping Dick Schaap! somewhere up in heaven there is a very happy journalist. I miss him.
I love "No Way Out", but as liberal as it is….I have a tremendous fondness for "Sneakers" and even more so for
"Shoot to Kill!"
Maybe because his roles in both films are beneath him (ie, cheesy) and yet, he's brilliant in them!
Ronald not Gary, I trust…
Lighten-up Fonz, I don't see it that way at all.
I think Mr Moriarity is just showing his gratitude to one of the few in Follywood who had the guts and character to
stand behind him when it wasn't the cool thing to do.
I see it as a Thank you note.
Unfortunately, Poitier's politics and Glover's are both the same. He's been a very vocal critic of Bush using the same far left lies and spin.
That is interesting, although, certainly not surprising given 95% of the industry are liberals. However, I have never heard him throw hate filled rants or raves the way Glover does. Of course, that doesn't mean he hasn't, but Glover always seems to get the press. I think that was really my point; e.g. I don't agree with liberals but respect their right to their opinion as long as they are reasonably classy about it. It is the Glovers, Natalie Mains, and Megan Foxes that particularly bother me.
I don't care what libs say as long as they don't lie, but without lies and spin, they have no case. Perhaps Google can still find some of Poitier's rants on line, although lately things the left doesn't want out there simply disappear. I've resorted to taking screen shots of things I want to keep.
Thank you for this beautiful narrative, Michael. Thanks to Mr. Nolte for his comments also.
Just wondering — did at least some of the voters for Obama think they were getting Sydney Poitier?
Mr Moriarity:
you wrote a deep and intellectually challenging tribute. i will look at Mr Poitier's acting with a different and deeper lens.
thank you for an excellent article
Stir Crazy was hilarious, I had no idea Potier directed it. Looks like he has a great sense of humor as well. Shoot To Kill was fantastic.
I wonder if part of the timelessness (though ironically is a now period piece steeped in location…laugh) is the same reason Stieger is shocked when Tibbs states they can bring that rich fat cat down – "You're just like the rest of us." Human beings are not going to get "post-racial" we can only face that we have our tendencies and work through them. I'm a Southerner – through and through – but I was raised not color-blind but blind to color. My first years of school was when Texas was forced to bus. Came home told my mom about a black boy in my class. My mother asked if he had a name. I told her, "Eugene." She said, "Let's use Eugene then."
It is not that Black or Whites are better – heck, they are both bad and good. They're people.
Now liberals on the other hand… (laugh)
"What-choo talkin' 'bout, Relish?"
Yes, The Long Ships…a very silly, and delightfully fun Vikings meet the Moors movie. Widmark and Poitier play off each other very well. It freaked me out as a kid when Widmark was bound and taken to ride the "mare of steel" — sort of like sliding down the blade of a 20' tall Bowie knife.
absolutely. I prefer Lilies of the Field over To Sir with Love
You mentioned a few other very good movies, especially "in the Heat of the Night". I continue to love Lilies of the Field. It was a good movie. I cannot remember "A Patch of Blue" as a movie, thought I read the story.
I remember seeing To Sir with Love. I had to read the book for school (aargh showing my age). Sidney Poitier came over as a very cool man facing an unruly classroom. His performance showed a lot of class.
At some later stage I saw the movie "Lilies of the Field", where Poitier played the role of an itinerant who somehow ended up helping the good sisters in their convent. It was an endearing movie. The song that I remember so clearly is "Amen"….. As a Catholic we are not really supposed to sing that particular song or hymn…. but I tell you something, I love to sing it loud and clear when I hear it because it is so very rousing. Sidney Poitier taught it to the nuns. It was great…
I remember "A patch of blue" but I thought that I read that as a book, I do not remember seeing it as a movie. I would love to see it…. but, like Lilies of the Field it gets no air play.
The same is true with regard to In the Heat of the Night.
Sidney Poitier is one of those timeless actors who gets into the role in a perfect way. He is a professional in his field.
Lilies of the Field is a beautiful movie. I only saw it once but have always loved it.
I loved Guess Who's Coming to Dinner, especially the scene with him arguing with his father. Classic!
Absolutely right.
I'll see your Coleman and raise you Roscoe Lee Brown…
Sonja, that was a BRILLIANT movie!!
The final 6:52 of To Sir, With Love http://www.youtube.com/watch?v=KPi-nnC8VD4
Exactly!
[...] my eye line he walks, like Gary Cooper … or Sidney Poitier … onto the dusty main street of High [...]
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