WaPo: ‘Hurt Locker’ Faces ‘Rising Backlash From People In Uniform’

by John Nolte

“The Hurt Locker” lost me when the David Morse character, a Colonel in the field, ordered his men to stop treating a wounded prisoner — ordered that the prisoner be left to bleed to death. This monstrous moment wasn’t even necessary to the plot. It’s just thrown in as an awkward, spellbreaking aside to smear our troops. Then there’s Jeremy Renner’s protagonist who’s so PTSD-riddled and addicted to the adrenaline of war he constantly puts his own men in danger until his ongoing Iraq experience finally strips him of so much of his humanity that he can no longer love his own son.

the-hurt-locker-002-450

That’s pro-troop? Well, a lot of people said so and argued with my review – even some conservatives. But one day before Oscar ballots are due, some Iraq veterans are speaking up:

Sunday’s Washington Post:

But to those who were there, Iraq is real life. And they’re very sensitive — some would say overly so — when their war is portrayed via a central character who is a reckless rogue.

Hence a rising backlash from people in uniform, such as this response on Rieckhoff’s Facebook page from a self-identified Army Airborne Ranger:

“[I]f this movie was based on a war that never existed, I would have nothing to comment about. This movie is not based on a true story, but on a true war, a war in which I have seen my friends killed, a war in which I witnessed my ranger buddy get both his legs blown off. So for Hollywood to glorify this crap is a huge slap in the face to every soldier who’s been on the front line.”

In an interview, [Paul Rieckhoff, founder of Iraq and Afghanistan Veterans of America] said the anger about “Hurt Locker” stems not so much from such small inaccuracies — for example, the uniforms the soldiers wear in the film weren’t available until well after the time the story took place — but rather from the depiction of the main character, Sgt. 1st Class William James.

Portrayed by Jeremy Renner, who’s nominated for Best Actor, James is a daredevil who in one scene takes off his protective armor while disarming a bomb because, as he says, “If I’m going to die, I’m going to be comfortable.” He runs alone through the streets of Baghdad with his sweat shirt hood up like a gangster. Later, he takes two soldiers hunting for insurgents in Baghdad’s back alleys without any backup.

James’s fellow soldiers are, or try to be, by-the-book professionals. They call James “rowdy” and “reckless,” and one worries out loud that his leader’s crazy antics are “going to get me killed.” James is as much cowboy as soldier, and vets fear he could become an iconic figure in the American imagination should the movie win a bunch of statues.

“Films, almost more than anything, will be the way Americans understand our war,” Rieckhoff said. “So we feel that there is a responsibility for filmmakers to portray our war accurately. We see ourselves as watchdogs. . . . When he puts a hood on like Eminem and starts roving outside the wire, it’s ridiculous.”

Gallucci, a former sergeant who served in Iraq from 2003 to 2004, says he kept hoping James would get “blown up throughout the entire movie. I wanted to see his poor teammates get another team leader, who was actually concerned about their safety.”

Money quote:

“Films, almost more than anything, will be the way Americans understand our war[.]“

Rieckhoff gets it.

After all, how many millions of men went to Vietnam only to return and settle back into their normal lives? That’s not to say the war had no effect on them. But how many were able to re-integrate into our society and resume their roles as productive citizens and family men? How about almost all of them. But how do we see the Vietnam Vet today? We see him as alternately troubled, angry, bitter, disillusioned, homeless…

This is Leftist Hollywood at work, forever and intentionally stereotyping these brave men. And if you watch the latest slew of war films — including “Hurt Locker” – you’ll see a proactive campaign to stereotype today’s warriors as either victims, monsters or cowboys. Anything but the brave and selfless professionals they are.

To portray our service men and women with the nobility they deserve undercuts leftist Hollywood’s agenda to trash American foreign policy. Noble people only serve and believe in noble causes, and when it comes to George Bush’s war that simply can’t be allowed. So the victim-monster-cowboy playbook is opened and the arc of Renner’s “Hurt Locker” character moves quite obviously from cowboy to victim.

And what’s the best way to tell what a film is “about?”

The arc of the main character.