Review: Drag Me to Hell
by John NolteDirector and co-writer Sam Raimi’s ”Drag Me to Hell,” his first horror film since concluding the iconic “Evil Dead” trilogy with “Army of Darkness” in 1992, feels very much like a Sam Raimi horror film, but one hobbled with a PG-13 rating and slapdash script. The story of Christine Brown (Alison Lohman), an ambitious Los Angeles loan officer fresh off the farm with only a few days to shake a curse that could end with her being literally dragged down to Hell, is presented with the director’s signature style and wit, but lacks the intensity and memorable set pieces that make the adventures of Ash must-see viewing at least once a year.
In a depressingly bright and clinical bank, Chistine’s up for promotion to assistant manager and sees the opportunity to show her manipulative boss (The Great David Paymer) she’s got management chops when a grotesque old woman comes in to ask for a third extension on her mortgage. It’s only after Christine evicts her that she discovers the crone’s as batty as she looks and twice as vengeful.
Vengeance arrives in a parking garage, but a vicious beating isn’t enough to satisfy the old woman. She lays a curse on Christine that means plenty of disturbing and violent visions to come.
With the help of her sympathetic boyfriend (Justin Long) and a street corner fortune teller, Christine gets some bad news. It seems that her decision to toss an old woman out on the street for a rung up on the corporate ladder resulted in more than the figurative selling of her soul, it’s literally in danger and throwing off an ancient curse won’t be easy. But try Christine does and animals beware.
Raimi’s good with this kind of material and uses his camera and edits well to create suspense where none would exist in lesser hands. But the screenplay, co-written with his brother Ivan, just isn’t very good. Nothing much happens and when it does no amount of directorial flourish can lift the material above its Made-for-TV feel. Even the cinematography looks Lifetime Movie-ish.
Like her director, Lohman’s better than the material and much more compelling to watch than a plot that has less going on than most thirty-minute “Twilight Zone” episodes. An episodic, choppy feel slowly takes over the narrative when story threads, such as Christine’s work situation and a tense relationship with her boyfriend’s parents that were made to seem important, suddenly vanish without so much as a nevermind. Same with the film’s one truly intriguing idea, Christine having to choose who to send to Hell in her place.
With very few scares, almost no tension and a PG-13 rating, attempts at horror can only come from that which is disgusting. Someone always seems to be vomiting something, there’s one helluva nosebleed and a housefly with an unhealthy curiosity. Nausea you might feel … suspense, dread and tension, not so much.
After 90-minutes or so, the last ten do kick in and end on a surprising note, but to say I didn’t walk in excited and leave disappointed would be an understatement. There’s little to distinguish “Drag Me to Hell” from every other slap-dash horror film made on the cheap and dropped in 2500 theatres to make back its money before word of mouth kills it off.
I expected more from Raimi.






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[...] John Nolte reviews the movie. var addthis_pub = ‘kansasprogress’; var addthis_language = ‘en’;var addthis_options = ‘email, favorites, digg, delicious, myspace, google, facebook, reddit, live, more’; [...]
I´m a bit late to the party but what the heck. This is probably the most ridiculous, over the top silly movie I have ever seen. Scary? It would be funny – Army of Darkness funny – if it had tried to be a comedy. I understand that it´s basically a revisiting of EC comics territory but these comics weren´t scary either.
Besides all the stunning lapses in logic, I resented the paganism (gypsies decide who goes to hell?) and vastly outsized retribution for the basically innocent main character (another exercise in sadism) which we are clearly meant to snicker at. I lost count at how many times the girl is forced to swallow some disgusting effluent or rotten body part. That´s not horror.
Yes, the girl didn´t deserve it. If anyone deserves to go to hell it is the old crone who has magical powers even from beyond the grave but can´t afford to pay for her house? And what about her army of relatives which the movie shows in disgusting detail? What did they do for her except stuff themselves at her wake?
Movie COULD be read a graphic illustration of the long-term dangers of illegal immigration but I doubt it.
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